From Science Fiction Grand Master Robert A. Heinlein, the New York Times bestselling author of Starship Troopers, comes Variable Star, an unfinished novel originally conceived in 1955, and completed by Hugo and Nebula Award-winning author Spider Robinson.
When Joel Johnston first met Jinny Hamilton, it seemed like a dream come true. And when she finally agreed to marry him, he felt like the luckiest man in the universe.
There was just one small problem. He was broke. His only goal in life was to become a composer, and he knew it would take years before he was earning enough to support a family.
But Jinny wasn't willing to wait. And when Joel asked her what they were going to do for money, she gave him a most unexpected answer. She told him that her name wasn't really Jinny Hamilton-it was Jinny Conrad, and she was the granddaughter of Richard Conrad, the wealthiest man in the solar system.
And now that she was sure that Joel loved her for herself, not for her wealth, she revealed her family's plans for him-he would be groomed for a place in the vast Conrad empire and sire a dynasty to carry on the family business.
Most men would have jumped at the opportunity. But Joel Johnston wasn't most men. To Jinny's surprise, and even his own, he turned down her generous offer and then set off on the mother of all benders. And woke up on a colony ship heading out into space, torn between regret over his rash decision and his determination to forget Jinny and make a life for himself among the stars.
He was on his way to succeeding when his plansand the plans of billions of otherswere shattered by a cosmic cataclysm so devastating it would take all of humanity's strength and ingenuity just to survive.
Faithful to the spirit of Heinlein's original vision, and laced with contemporary touches that will appeal to modern readers, Variable Star is a rare treat for the Grand Master's many fans.
|Publisher:||Tom Doherty Associates|
|Product dimensions:||6.00(w) x 9.10(h) x 1.00(d)|
About the Author
Robert A. Heinlein is universally acknowledged as modern science fiction's greatest author. At his death, in 1987, he left a legacy of books and stories that has profoundly influenced the course of the field for generations.
But one of Heinlein's most ambitious works was never finished. In 1955, he began work on a novel to be titled Variable Star, completing a detailed outline and making extensive notes for the book, only to set it aside to focus on other novels, including Tunnel in the Sky and the Hugo Award-winning Double Star. For more than half a century, the work lay forgotten among Heinlein's papers. Upon its rediscovery, the Robert A. Heinlein Trust selected an author to finish the work.
The author chosen was, appropriately enough, a writer The New York Times has hailed as "the New Robert Heinlein": Spider Robinson, the Hugo and Nebula Award-winning author of such modern science fiction classics as Stardance and "Melancholy Elephants."
Profits from the book will help fund the annual $500,000 Heinlein Prize for innovation in commercial manned spaceflight, a goal Mr. Heinlein considered crucial to humanity's long-term survival.
Date of Birth:July 7, 1907
Date of Death:May 8, 1988
Place of Birth:Butler, Missouri
Place of Death:Carmel, California
Education:Graduate of U.S. Naval Academy, 1929; attended University of California, Los Angeles, 1934, for graduate study in physic
Read an Excerpt
By Heinlein, Robert A.
Tor BooksCopyright © 2006 Heinlein, Robert A.
All right reserved.
For it was in the golden prime
Of good Harun Alrashid . . .
--Alfred, Lord Tennyson,
Recollections of the Arabian Nights
I thought I wanted to get married in the worst way. Then that's pretty much what I was offered, so I ended up going trillions of kilometers out of my way instead. A great many trillions of kilometers, and quite a few years--which turns out to be much the greater distance.
It began this way:
Jinny Hamilton and I were dancing.
This was something of an accomplishment for me, in and of itself--I was born on Ganymede, and I had only been Earthside a few years, then. If you've never experienced three times the gravity you consider normal, imagine doing your favorite dance . . . with somebody your own weight sitting on each of your shoulders, on a pedestal a few meters above concrete. Broken bones, torn ligaments, and concussions are hazards you simply learn to accept.
But some people play water polo, voluntarily. Jinny and I had been going out together for most of a year, and dancing was one of her favorite recreations, so by now I had not only made myself learn how to dance, I'd actually become halfway decent at it. Enough to dimly understand how someone with muscles of steel and infinite wind might consider itfun, anyway.
But that night was something else.
Part of it was the setting, I guess. Your prom is supposed to be a magical time. It was still quite early in the evening, but the Hotel Vancouver ballroom was appropriately decorated and lit, and the band was excellent, especially the singer. Jinny was both the most beautiful and the most interesting person I had ever met. She and I were both finally done with Fermi Junior College, in Surrey, British Columbia. Class of 2286 (Restored Gregorian), huzzah--go, Leptons! In the fall we'd be going off to university together at Stony Brook, on the opposite coast of North America--if my scholarship came through, anyway--and in the meantime we were young, healthy, and hetero. The song being played was one I liked a lot, an ancient old ballad called "On the Road to the Stars," that always brought a lump to my throat because it was one of my father's favorites.
It's the reason we came from the mud, don't you know
'cause we wanted to climb to the stars,
In our flesh and our bone and our blood we all know
we were meant to return to the stars,
Ask anyone which way is God, and you know
he will probably point to the stars . . .
None of that explained the way Jinny danced that night. I knew her as a good dancer, but that night it was almost as if she were possessed by the ghost of Gillis. It wasn't even just her own dancing, though that was inspired. She did some moves that startled me, phrases so impressive she started to draw attention even on a crowded dance floor. Couples around us kept dancing, but began watching her. Her long red hair swirled through the room like the cape of an inspired toreador, and for a while I could only follow like a mesmerized bull. But then her eyes met mine, and flashed, and the next thing I knew I was attempting a combination I had never even thought of before; one that I knew as I began, was way beyond my abilities--and I nailed it. She sent me a grin that felt like it started a sunburn, and offered me an intriguing move, and I thought of something to do with it, and she lobbed it back with a twist, and we got through five fairly complex phrases without a train wreck and out the other side as smoothly as if we'd been rehearsing for weeks. Some people had stopped dancing to watch, now.
On the way to the stars--
every molecule in you was born in the heart of a star.
On the way to the stars--
in the dead of the night they're the light that'll show
where you are
yes they are
from so far . . .
In the back of my head were a few half-formed, half-baked layman's ideas for dance steps that I wasn't even sure were physically possible in a one-gee field. I'd never had the nerve to actually try any of them with a partner, in any gravity; I really hate looking ridiculous. But Jinny lifted an eyebrow--what have you got?--and before I knew it I was trying one, even though there was no way she could know what her response was supposed to be. Only she did, somehow, and made it--or rather, an improved variation of what I'd thought of--and not only was the result successful enough to draw applause, by luck it happened to offer a perfect lead-in to another of my ideas, which also turned out to work, and suggested something to her--
We'll be through if the day ever comes when we no
longer yearn to return to the stars.
I can't prove it's so, but I'm certain: I know
that our ancestors came from the stars.
It would not be so lonely to die if I knew
I had died on the way to the stars.
Talking about dance is as silly as dancing about architecture. I don't know how to convey exactly how we danced that night, or what was so remarkable about it. I can barely manage to believe we did it. Just let it stand that we deserved the applause we received when the music finally ended and we went into our closing clinch. It was probably the first time since I'd come to Terra that I didn't feel heavy and weak and fragile. I felt strong . . . graceful . . . manly. . . .
"After dancing like that, Stinky, a couple really ought to get married," Jinny said about two hundred millimeters below my ear.
I felt fourteen. "Damn it, Jinny--" I said, and pulled away from her. I reached down for her hands, trying to make it into a dance move, but she eluded me. Instead she curtsied, blew me a kiss, turned on her heel, and left at high speed, to spirited applause.
It increased when I ran after her.
Jinny was 178 centimeters tall, not especially tall for a Terran, and I was a Ganymedean beanpole two full meters high, so her legs were considerably shorter than mine. But they were also adapted from birth to a one-gee field--to sports in a one-gee field. I didn't catch up with her until we'd reached the parking lot, and then only because she decided to let me.
So we'd each had time to work on our lines.
Ginny went with, "Joel Johnston, if you don't want to marry me--"
"Jinny, you know perfectly well I'm going to marry you--"
"In five more frimpin' years! My God, Stinky, I'll be an old, old woman by then--"
"Skinny, you'll never be an old woman," I said, and that shut her up for a second. Every so often a good one comes to me like that. Not often enough. "Look, don't be like this. I can't marry you right now. You know I can't."
"I don't know anything of the sort. I know you won't. But I see nothing preventing you. You don't even have to worry about parental consent."
"What does that have to do with it? Neither do you. And we wouldn't let parental disapproval stand in our way if we did want to get married."
"You see? I was right--you don't want to!"
I was becoming alarmed. I had always thought of Jinny as unusually rational, for a girl. Could this be one of those hormonal storms I had read about? I hoped not--all authorities seemed to agree the only thing a man could do in such weather was lash himself to the mast and pray. I made a last stubborn attempt to pour logic on the troubled waters. "Jinny, please--be reasonable! I am not going to let you marry a dole bludger. Not even if he's me."
"I intend to be a composer. You know that. That means it's going to take me at least a few years to even start to get established. You knew that when we started dating. If, I say 'if,' all those bullocks I sacrificed to Zeus pay off and I actually win a Kallikanzaros Scholarship, it will be my great privilege to spend the next four years living on dishrag soup and scraped fridge, too poor to support a cat. If, and I say 'if,' I am as smart as I think I am, and luckier than I usually am, I'll come out the other end with credentials that might, in only another year or two, leave me in a position to offer you something more than half of a motel cubicle. Meanwhile, you have your own scholarships and your law degree to worry about, so that once my music starts making serious money, nobody will weasel it away from us."
"Stinky, do you think I care about money?" She said that last word as if it were a synonym for stale excrement.
I sighed. Definitely a hormonal storm. "Reboot and start over. What is the purpose of getting married?"
"What a romantic question!" She turned away and quested for her car. I didn't move.
"Quit dodging, I'm serious. Why don't we just live together if we want to be romantic? What is marriage for?"
The car told her she was heading the wrong way; she reversed direction and came back past me toward its voice and pulsing beacon. "Babies, obviously."
I followed her. "Bingo. Marriage is for making jolly babies, raising them up into successful predators, and then admiring them until they're old enough to reward you with grandchildren to spoil."
She'd acquired the car by now; she safed and unlocked it. "My baby-making equipment is at its peak right now," she said, and got in the car. "It's going to start declining any minute." She closed, but did not slam, the door.
I got in my side and strapped in. "And the decline will take decades to become significant," I pointed out logically. "Your baby-making gear may be at its hypothetical optimum efficiency today--but my baby-raising equipment isn't even operational yet."
"Jinny, are you seriously proposing that we raise a child as extraordinary and gifted as ours on credit?" We both shared a most uncommon aversion to being in debt. Orphans spend too much of their childhood in debt to others--debt that cannot be repaid.
"Nobody seems to be seriously proposing around here," she said bitterly.
Hormonal hurricane, maybe. A long time ago they used to name all hurricanes after women. On Ganymede, we still named all groundquakes after them. "Look--"
She interrupted, "Silver: my home, no hurry." The car said, "Yes, Jinny," and came alive, preparing for takeoff.
I wondered as always why she'd named her car that--if you were going to pick an element, I thought, why not hydrogen? I failed to notice the slight change in address protocol. Despite our low priority, we didn't have to wait long, since nobody else had left the prom yet and the system was between rush hours; Silver rose nearly at once and entered the system with minimal huhu. That early in the evening, most of the traffic was still in the other direction, into Greater Vancouver. Once our speed steadied, Jinny opaqued the windows, swiveled her seat to face me, and folded her arms. I'm sure it was quite coincidental that this drew my attention to the area immediately above them. I believe in the Tooth Fairy, too. "Pardon me for interrupting you," she said.
She looked awfully good. Her prom dress was more of a spell than a garment. The soft warm interior lighting was very good to her. Of course, it was her car.
That was the hell of it. I wanted to marry her at least as much as she wanted to marry me. Just looking at her made my breath catch in my throat. I wished with all my heart, and not for the first time, that we lived back when unmarried people could live together openly. They said a stable society was impossible, back then. But even if they were right, what's so great about a stable society?
My pop used to say, "Joel, never pass up a chance to shut up." Well, some men learn by listening, some read, some observe and analyze--and some of us just have to pee on the electric fence. "Jinny, you know I'm a backward colonial when it comes to debt."
"And you know I feel the same way about it that you do!"
I blinked. "That's true. We've talked about it. I don't care what anybody says; becoming the indentured servant of something as compassionate and merciful as a bank or credit union simply isn't rational."
I spread my hands. "What am I missing? Raising a child takes money--packets and crates of the stuff. I haven't got it. I can't earn it. I won't borrow it. And I'm too chicken to steal it."
She broke eye contact. "Those aren't the only ways to get it," she muttered. Silver gave its vector-change warning peep, slowed slightly, and banked left to follow the Second Narrows Bridge across Burrard Inlet.
"So? I suppose I could go to Vegas and turn a two-credit bit into a megasolar at the roulette wheel."
"Blackjack," she said. "The other games are for suckers."
"My tenants back home on the Rock might strike ice. In the next ten minutes I could get an idea for a faster-than-light star drive that can be demonstrated without capital. I can always stand at stud, but that would kick me up a couple of tax brackets. Nothing else comes to mind."
She said nothing, very loudly. Silver peeped, turned left again, and increased speed, heading for the coast.
"Look, Spice," I said, "you know I don't share contemporary Terran prejudices any more than you do--I don't insist that I be the one to support us. But somebody has to. If you can find a part-time job for either of us that pays well enough to support a family, we'll get married tomorrow."
No response. We both knew the suggestion was rhetorical. Two full-time jobs would barely support a growing family in the present economy.
"Come on," I said, "we already had this conversation once. Remember? That night on Luckout Hill?" The official name is Lookout Hill, because it looks out over the ocean, but it's such a romantic spot, many a young man has indeed lucked out there. Not me, unfortunately. "We said--"
"I remember what we said!"
Well, then, maybe I didn't. To settle it, I summoned that conversation up in my mind--or at least fast-forwarded through the storyboard version in the master index. And partway through, I began to grow excited. There was indeed one contingency we had discussed that night on Luckout Hill, one that I hadn't really thought of again, since I couldn't really picture Jinny opting for it. I wasn't sure she was suggesting it now . . . but if she wasn't, I would.
"See here, Skinny, you really want to change your name from Hamilton to Johnston right away? Then let's do it tomorrow morning--and ship out on the Sheffield!" Her jaw dropped; I pressed on. "If we're going to start our marriage broke, then let's do it somewhere where being broke isn't a handicap, or even a stigma--out there around a new star, on some new world eighty light-years away, not here on Terra. What do you say? You say you're an old-fashioned girl--will you homestead with me?"
A look passed across her face I'd seen only once before--on Aunt Tula's face, when they told us my father was gone. Sadness unspeakable. "I can't, Joel."
How had I screwed up so badly? "Sure you could--"
"No. I can't." She swiveled away from me.
The sorrow on her face upset me so much, I shut up and began replaying everything since our dance, trying to locate the point at which my orbit had begun to decay. Outside the car, kilometers flicked by unseen. On the third pass, I finally remembered a technique that had worked for me more than once with women in the past: quit analyzing every word I'd said and instead, consider words I had not said. Light began to dawn, or at least a milder darkness. I swiveled her seat back to face me, and sought her eyes. They were huge.
I dove right in. "Jinny, listen to me. I want to marry you. I ache to marry you. You're the one. Not since that first moment when I caught you looking at me have I ever doubted for an instant that you are my other half, the person I want to spend the rest of my life with. Okay?"
"Oh." Her voice was barely audible.
"You give me what I need, and you need what I can give. I want the whole deal, just like you've told me you want it--old-fashioned death do us part, better or worse monogamy, like my parents. None of this term marriage business, no prenup nonsense, fifty-fifty, mine is thine, down the line, and I don't care if we live to be a hundred. I want to marry you so bad, my teeth hurt. So bad my hair hurts. If you would come with me, I would be happy to walk to Boötes, carrying you on my back, towing a suitcase. My eyeballs keep drying out every time I look at you. Then when you're out of their field of vision, they start to tear up."
Her eyes started to tear up. "Oh, Joel--you do want to marry me." Her smile was glorious.
"Of course I do, Skinny you ninny. How could you not know that?"
"So it's just--"
"Just a matter of financing. Nothing else. We'll get married the day we can afford to." I loosened my seat belt, so I'd be ready for the embrace I was sure was coming.
Her smile got even wider. Then it fell apart, and she turned away, but not before I could see she was crying.
What the hell had I said now?
Of course, that's the one question you mustn't ask. Bad enough to make a woman cry; to not even know how you managed it is despicable. But no matter how carefully I reviewed the last few sentences I'd spoken, in my opinion they neither said anything nor failed to say anything that constituted a reason to cry.
Silver slowed slightly, signaling that we were crossing the Georgia Strait. We'd be at Jinny's little apartment on Lasqueti Island, soon. I didn't know what to apologize for. But then, did I need to? "Jinny, I'm sorry. I really--"
She spoke up at once, cutting me off. "Joel, suppose you knew for sure you had your scholarship in the bag? The whole ride?" She swiveled her seat halfway back around, not quite enough to be facing me, but enough so that I was clearly in her peripheral vision.
I frowned, puzzled by the non sequitur. "What, have you heard something?" As far as I knew, the decisions wouldn't even be made for another few weeks.
"Damn it, Stinky, I'm just saying: Suppose you knew for a fact that you're among this year's Kallikanzaros winners."
"Well . . . that'd be great. Right?"
She turned the rest of the way back around, so that she could glare at me more effectively. "I'm asking you: If that happened, how would it affect your marriage plans?"
"Oh." I still didn't see where she was going with this. "Uh, it'd take a lot of the pressure off. We'd know for sure that we're going to be able to get married in as little as four years. Well, nothing's for sure, but we'd be a whole lot more . . ."
I trailed off because I could see what I was saying wasn't what she wanted to hear. I had to shift my weight slightly as Silver went into a wide right turn. I didn't have a clue what she did want to hear, and her face wasn't giving me enough clues. Maybe I ought to--
Wide right turn?
I cleared my side window. Sure enough, we were heading north; almost due north, it looked like. But that was wrong: we couldn't be that far south of Lasqueti. "Jinny, I--"
She was sobbing outright, now.
Oh, God. As calmly as I could, I said, "Honey, you're going to have to take manual control: Silver has gone insane."
She waved no-no and kept sobbing.
For a second I nearly panicked, thinking . . . I don't know what I was thinking. "Jinny, what's wrong?"
Her weeping intensified. "Oh, Jo-ho-ho-ho--"
I unbuckled, leaned in, and held her. "Damn it, talk to me! Whatever it is, we'll fix it, I know we will. Just tell me."
"Oh, God, I-hi-hi'm sorry . . . I screwed it all up-hup-hup-hup . . ." She clutched me back fiercely.
I was alarmed. I'd seen Jinny cry. This was hooting with sorrow, rocking with grief. Something was seriously wrong. "Whatever it is, it's okay, you hear me? Whatever it is."
She writhed in my arms. "Joel, I lie-hi-hi-hi-hied . . . I'm so stu-hoo-hupid . . ."
Ice formed on the floor of my heart. I did not break our embrace, but I felt an impulse to, and I'm sure she felt it kinesthetically. She cried twice as hard. Well, much harder.
It took her several minutes to get back under control. During those minutes, I didn't breathe or think or move or digest food or do anything at all except wait to learn what my Jinny had lied about. Then, when she took in a deep breath and pulled away from my arms, suddenly I didn't want to know. So I thought of a different question she could answer instead. "Where are we going?"
Her eyes began to slide away from mine, then came back and locked. "To my home."
This time I caught the subtle change. Usually the instruction she gave Silver was "my place."
"So? And it's north?"
"Silver: step on it," she said. The car acknowledged. Then to me, as Silver faced our chairs forward and pressed us back into them with acceleration, she said, "About twenty minutes, now."
I consulted a mental map and glanced out the window--with difficulty, as we were now pulling serious gees. Jinny's car was exceedingly well loved, but nonetheless it was just short of an antique. There was simply no way it could go anywhere near this fast. I made myself breathe slowly. This just kept getting better and better.
Twenty minutes north of Lasqueti at this speed would, it seemed to me, put us smack in the middle of a glacier somewhere, just below the border with Yukon Province. I was dressed for a ballroom, didn't have so much as a toothbrush. Not that it mattered, because we were doing at least four times the provincial exurban speed limit; long before we reached that glacier the Mounties (local cops) were going to cut our power and set us down to await the Proctors . . . probably in raw forest. Unless, of course, Silver tore himself apart first, traveling at four times the best speed he'd been capable of the day he left the factory.
Less than half an hour before, I'd been as perfectly happy as I'd ever been in my life, dancing with my Jinny. I opaqued my window, surrendered to the gee forces, and stared straight ahead at nothing. To my intense annoyance, she let me.
Life is going to continue to suck until somebody finds the Undo key.
Copyright © 2006 by The Robert A. & Virginia Heinlein Prize Trust and Spider Robinson
Excerpted from Variable Star by Heinlein, Robert A. Copyright © 2006 by Heinlein, Robert A.. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Most Helpful Customer Reviews
I have written two books and I would find it nearly impossible to copy another authors style. This was true of Mr. Robinson attempt to match Robert Heinlein's skills. I have enjoyed Spider Robinson's work and of coarse I greatly enjoy Heinlein's books but this was a disappointment. The plot was obviously Heinlein but the way it was written was to far from his style for my taste. I guess my basic problem with the book was the inclusion of Spider Robison¿s musical references and the inclusion of songs which I found out of place in a Heinlein plot. I applaud Mr. Robinsons attempt but if you like Robert Heinlein style this may not be the book for you.
My God! It was great to read a NEW Heinlein book. A decidedly Heinlein plot (written from 8 pages of RAH's own notes), with decidedly Heinlein characters, having Heinlein conversations, in which they discuss Heinlein ideals. Were it not for a few decidedly "Post-Heinlein" references (specifically references to September 11 and "googling"), I could have been convinced that it was written by the Grand Master himself.For any true Heinlein fan, this is a must have addition to their collection. While this book has its shortcomings, the shear joy of being able to read a new, modern Heinlein classic adventure story more than overcomes them all.I've never read a Spider Robinson book, but he claims ( in the afterword ) that this is the best book he has ever written. If his other books are near what this one is, I will soon be a Robinson fan as well.
This book was incomplete at the time of Heinlein's death and was finished by Spider Robinson. Those are some huge shoes to fill for Spider Robinson, but I think he stepped up to the plate nicely. It's pretty good and Spider did a great job of maintaining that Heinlein feel. Good work.
I am so glad to have a read a new Heinlein book. Yes I know that it is not strictly a work by the Grandmaster, however, the characters and the story are his as well as much of the dialogue and ideas. Bless Spider Robinson for picking up the torch. I am interested in more.
Heinlein is my all time favorite author, and I fell in love with him by reading old copies of his books from used book stores - copies that lacked an author biography in a time before the Internet. So when I finally got a new copy of a book I couldn't find used, I turned to the back cover hoping to find a way to write a thank you letter to my beloved R.A.H....and instead discovered he had died before I had even begun reading his books. Heartbroken.So when I say I'm a Heinlein fan and didn't know how to feel about someone else writing a Heinlein novel long after his death, you know what I mean. I hoped so much for new, living Heinlein, but was afraid I'd find a dead thing.I was very wrong! Spider Robinson brings the spirit of Heinlein back to life using an outline Heinlein left behind. Reading Variable Star, I felt like the kid I was when I first read all of Heinlein's other novels years ago. If you're a Heinlein fan too, that's all you need to know. Read it!
Spider Robinson has given devoted Heinlein fans a rare gift with this novel. It doesn't measure up to Heinlein's own best work; but it's better than his worst. It's a pastiche, certainly; but it's never a parody. It may be flawed; but, with perhaps one exception, its flaws are true to the spirit of Heinlein's work. [2006-09-17]
Great job by Spider Robinson in finishing this novel. Except for references to matters which happened after Heinlein's death, I couldn't very well distinuish one writer from the other. Heinlein fans definitely will want to read this one; make you miss him. Some familiar themes here that seem to have fallen out of sci-fi in recent years, especially the "can do" colonists.A fun book for younger readers that might tempt those who haven't tried Heinlein or scifi yet.
This is *it.* The last Heinlein novel there will ever be.OK, that place probably goes to "For Us, The Living." This is actually a novel *outlined* by the late master and actually penned by the still-living genius Spider Robinson. He did not try to make it a pastiche, but rather took what Heinlein (I always want to call him "Dr." Heinlein, for some reason) outlined and turned it into a full-length novel. I won't say only RAH could have conceived this, but only RAH and Robinson could have made this book. There are places where it's undeniably Spider (references to 9/11 and the sociopolitical fallout therefrom, for example), but it still *feels* like a Heinlein novel in so many ways.If you enjoy Heinlein, read it.If you enjoy Robinson, read it.If you don't know one or the other of these authors (and pity you if you know neither), then read it and discover new worlds of delight. I have several other books "in the works," and I stopped reading all of them to read this one.Oh, the plot? Well, it follows Joel Johnston as he discovers that his girlfriend Jinny is not an impoverished orphan and student like himself, but in fact heir to the largest fortune ever accumulated. He tries to make the most of this, until it is made clear to him by the patriarch of the clan (a thoroughly unlikeable fellow who reminds me of the owner of the space habitat in Robinson's "Stardance") that he is expected to drop all his plans and be groomed to take over the family's commercial empire.Deciding he's not interested, Joel severs relations with Jinny (a tribute to Virginia Heinlein, perchance?) in the most drastic way possible: he signs onto an outbound interstellar colony ship.It's from there that things start to get complex, and I won't spoil it for you save to say that the scope of disaster envisioned is one that few authors have dared touch on; even authors like Larry Niven who postulate an explosion at the core of our galaxy, or David Gerrold, whose "Cities in Flight" end with the end of the entire universe don't quite get the same feeling as Robinson does here. There's one item that might seem a deus ex machina, but the story could have been crafted equally well without it, so I'm going to conclude that it was intentional and not a way to get himself out of a corner into which he'd written himself (I can't imagine either Robinson or RAH doing that).The end of the book has a character addressing us, the reader, which is pleasantly reminiscent of both authors, and makes it uniquely theirs.
As a die-hard Heinlein fan, I was braced for "terrible" and pleasantly surprised by "actually pretty good." I really enjoyed the Buddhism passages and was not terribly put-off by the "War on Terror" weave-in (though it was a bit long). One current pop-culture reference put me off a bit (Heinlein's tended to be references to "old" SF - Burroughs, "Doc" Smith, etc) and one technical error. Perfectly entertaining and readable and an up-tick on the rating for a difficult job well-done. I will have to pick up some more works by Spider Robinson and see if I like him when he is NOT channelling the Grand Master. (Not that I wouldn't like to pick up some more RAH as well - unfortunately, I HAVE them all...)
This book started slow, but picked up speed to be one of the best last six chapters I have read in a long time. The small lectures on science, math, and buddhism were at first annoying, but it helped tie this book into the classic science fiction form. Some action, some explanation, some more action. I read science fiction partially because of my love of science, so a little education padding out the narrative is fine.Heinlein always seems to have a message in his books. Starship Troopers says that the only effective punishment is cruel and unusual. This story illustrates that stopping war on a global scale won't really help unless we can get rid of greed first.Amen.
The last book Heinlein never wrote. Spider Robinson wrote this book in the master's style, based on 8 pages of notes written by Heinlein himself. This book definitely had the Heinlein feel to it, and I didn't notice a dramatic difference in writing style. As for the book itself, overall it was an enjoyable and addictive read, more so once the protagonist leaves Earth and the whole "love interest" thing fades into the background. Neither Robinson nor Heinlein writes romance well, and this book is no exception. The true story, however, was a real page turner.
A great read. While it felt like it was Heinlein influenced, I don't feel that it was a "Heinlein" book. The book was well written and entertaining still.However, there was a small section in which Robinson decided to add some highly biased commentary on current US politics that was very poorly integrated into the story. That I found very upsetting.
Classic Heinlein with Robinson seasoning.
I’ve read just about all of Robert A. Heinlein’s novels starting with The Puppet Masters, Double Star (probably my favorite) and A Door into Summer, which I discovered thanks to the Science Fiction Book Club in the ninth grade. He’s the sort of author you find yourself reading again and again. The books just don’t seem to get old. So when I learned recently that a book he had outlined but not written in the 1950s had been completed by Spider Robinson I approached it with both excitement and trepidation. Turns out I had no need to fear. This was classic Heinlein through and through and Spider Robinson has done a tremendous service to science fiction fans everywhere. Joel Johnston is a typical Heinlein hero from the young adult period. He’s brilliant, thinks he knows everything, but isn’t too proud to grow and adapt when he learns he’s wrong. The plot revolves around Joel’s attempt to preserve his independence when he discovers his fiancé has hidden from him the fact that she is actually the scion of the richest and most powerful family in the solar system. This family is wonderfully and believably depicted as they cease to force Joel to discard his “childish” dreams of being a composer and musician and become an executive in their company. When they arrange for him not to earn a scholarship he was counting on as a means of putting pressure on him to do as they want, Joel joins a colony ship heading out to the stars to preserve his independence and personal sense of dignity. Then things get really interesting. I don’t want to give a blow by blow of the rest of the novel, but Heinlein/Robinson present Joel with believable problems of both the personal-growth-type and the space-adventure-type. They also build one of the better love stories in Heinlein’s works subtly weaving it into the whole book. It’s chock full of powerful and touching moments. I’m very glad to have read it.
I honestly couldn't read the whole book, which to be honest is somewhat of a rarity for me. It is off the wall, hard to follow, lacks depth in areas I feel a book with this particular subject matter requires. Furthermore, the author spends far too much time concentrating on trivial non-pertinent matters. I enjoyed certain aspects but felt it was hastily written, and poorly formatted.
I grew up in the 60's reading Robert Heinlein young adult science fiction - my favorite author. Spider Robinson nailed this novel based on Heinlein's outline. Thoroughly enjoyed this book!
Amazing book! I read and enjoyed all of Heinlein's books when I was in Jr High School and became a fan of Spider Robinson when I discovered the Callahan series. When I read that Spider Robinson was working on this book I knew that I had to preorder it so I could read it as soon as it was available. This book is perfect blending of the two authors and has wonderfully developed characters. It is definitely my favorite book that happens to be science fiction. I have read it three times and find new things I missed in the previous readings.
Captured Heinlein" s style.
A good read, with many touches that made me really laugh. The musical references are surprising but fit the tale. The style is good but feels quite different from Heinlein's: less youthful innocence, and the major catastrophe well along in the plot would seem out of place for one of RAH's early written-for-youth books.
Spider has made a welcome addition to the HEINLEIN universe.