Those We Left Behind

Those We Left Behind

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Blood has always been thicker than water for two Northern Irish brothers caught in the Belfast foster system, but a debt of past violence will be paid not just by them but also by those they left behind.

Ciaran Devine, who made Belfast headlines seven years ago as the "schoolboy killer," is about to walk free. At the age of 12, he confessed to the brutal murder of his foster father; his testimony mitigated the sentence of his older brother, Thomas, who was also found at the crime scene, covered in blood. But DCI Serena Flanagan, the only officer who could convince a young, frightened Ciaran to speak, has silently harbored doubts about his confession all this time.

Ciaran's release means several things: a long-anticipated reunion with Thomas, who still wields a dangerous influence over his younger brother; the call to action of a man bent on revenge for his father's death; and major trouble for Ciaran's assigned probation officer. Meanwhile, Serena Flanagan has just returned to the force from her battle with breast cancer, only to endure the pitying looks of her coworkers and a mountain of open case files. She will soon discover that even closed cases can unleash terror on the streets of Belfast.

Product Details

ISBN-13: 9781522642657
Publisher: Brilliance Audio
Publication date: 07/19/2016
Series: DCI Serena Flanagan Series , #1
Edition description: Unabridged
Product dimensions: 5.20(w) x 6.70(h) x 0.50(d)

About the Author

Stuart Neville is the author of five other books: Ratlines, shortlisted for the CWA Ian Fleming Steel Dagger for Best Thriller; Collusion, a finalist for the Los Angeles Times Book Prize; Stolen Souls, which The Guardian said “confirms him as the king of Belfast noir”; The Final Silence, nominated for the Edgar Award for Best Novel; The Ghosts of Belfast, winner of the Los Angeles Times Book Prize and a finalist for the Macavity Award, the Barry Award, and the Anthony Award for Best First Novel; and So Say the Fallen. He lives in Belfast.

Read an Excerpt


When Paula Cunningham heard the news about the boy’s release, she knew the case would fall to her. She had felt no surprise when Edward Hughes called her to his office. The file had been waiting for her on the boss’s desk, half an inch of reports, assessments and evaluations. It pulled a bitter curse from her throat.
      City centre traffic hummed and rattled beneath Hughes’s window, car horns sounding, someone whistling for a taxi. She turned the pages while Hughes chewed a pen at the other side of the desk.
     A single photograph of Ciaran Devine at the front, hollow eyes and blank face, a little boy long gone.
     They’d used the same picture in the Sunday red top she’d read at the weekend. Schoolboy Killer to Be Released, the headline had screamed above a half-page story.
     She knew as soon as she saw it. Just knew.
     “Any way out of this?” she asked.
     Hughes shook his head. “None at all. The young fella needs your experience.”
     “What about Terry Grimes?”
     “Terry’s tied up. It’s your case, and that’s all there is to it. You can handle him. He’s been good as gold on his temporary releases. Tom Wheatley at the hostel says he was no bother at all when he stayed over.”
     The boy would have had excursions accompanied by one of his case managers. Shopping trips, a meal at McDonald’s, a walk in the park. Finally, they would have allowed him a night in the hostel off the Saintfield Road, in the south of the city.
     She pictured him sitting in the small, clean room, perhaps counting coins in the palm of his hand, trying to grasp the simple acts other people took for granted. Going to a shop counter, asking for what he wanted, saying please and thank you.
     Cunningham remembered taking a lifer called Brian to a newsagent’s. He had mumbled, “Polo mints, please.” The shopkeeper had set the sweets on the counter. Brian, who had strangled his girlfriend to death after a drinking binge, had grabbed the packet, dropped a twenty-pound note in its place, and walked out of the shop.
     When she’d caught up with him, his change in her hand, Cunningham asked why.
     Brian had stood there on the pavement, blinking tears from his eyes, before he said, “Cause I don’t know what they cost.”
     Remove a man from the world for years then drop him back into it, expecting him to simply pick up where he left off. It doesn’t work. He’ll be lost. And Ciaran Devine would be no different.
     Cunningham had entered the Probation Service twelve years ago, not long after gaining her MSc in clinical psychology. As a postgraduate student, she had spent summers working on the wards of psychiatric units, then a year in Maghaberry prison, counselling inmates. She had learned things in those days that would stay with her until her last breath, like the terrible cost of casual violence, and how poorly the system dealt with those who inflicted it.
     In all those dozen years, Cunningham wasn’t sure if she’d ever done any good.
     She let the air out of her lungs, wished for a cigarette. “All right,” she said. “When’s the ADR?”
     “He gets out Wednesday. That gives you a week to prepare.”
     “Jesus, how am I supposed to prepare for this?”
     Hughes put his forearms on the desk. “In a thorough, diligent and professional manner.”
     Cunningham glanced at him over the open file. He probably thought he was giving her his serious face, but he looked more like a prissy matron. Edward Hughes was on the large side, yet he had a countenance more like that of a schoolboy than a man well into middle age.
     “What about the brother?” Cunningham asked.
     “Thomas? He’s kept out of trouble since his release. He’s not supervised anymore.”
     The newspaper had also carried a picture of Thomas Devine, smaller than that of Ciaran, tucked away on the second page. Older, leaner, darker. Handsome like his brother, but in a sharper, more jagged way.
     An image flashed in her mind: the boys escorted towards the side entrance of the courthouse, blankets over their heads, a uniformed policeman at each arm, followed by the detectives who got the confession, brilliant camera flashes, screams of hatred from the onlookers.
     No one knew the boys’ names then, the press ordered to keep quiet.
     “He didn’t go for a Mary Bell order?” Cunningham asked. A new identity, a lifetime of secrets, named after a little English girl who did two unspeakable things almost half a century before.
     “Thomas gave it a go,” Hughes said. “The judge threw it out. He didn’t reckon they were under sufficient threat.”
     The names had appeared in the papers more than a year and a half ago when Ciaran had turned eighteen. His minimum tariff of six years had expired, but he continued to be held at the Secretary of State’s Pleasure. The local Belfast journalists salivated over a potential release, stored up their bile and outrage. Politicians gave stiff-lipped opinions that amounted to nothing.
     “God help him,” Cunningham whispered.
     She hadn’t meant to say it out loud. She glanced up at Hughes, expecting a reproach.
     He said, “God help the both of you.”

Detective Chief Inspector Serena Flanagan punched in her key code and entered the station’s core. A walled compound containing a cluster of redbrick buildings, small windows, a fortress in the heart of Lisburn, built to shield its occupants from bullets and bombs. Flanagan avoided all stares, averted her eyes, as she made her way to the second floor and the office she hadn’t seen in four months. Whispers followed her through the corridors and stairwells.
     “Ma’am,” a voice called.
     Flanagan pretended she hadn’t heard it, kept walking, her door only a few yards away now.
     She stopped, gave a silent curse, and turned.
     Detective Inspector John Hoey, a coffee in one hand, a sheaf of papers in the other. Flanagan offered a smile, a nod.
     “Good to see you back,” he said as he approached. “How are you feeling?”
     “Not bad,” she said. “Looking forward to getting to work.”
     “I see your hair grew back.”
     Flanagan had turned to leave, but his words stopped her. “Excuse me?”
     “From your treatment.” He raised his coffee cup, pointing a finger at her head. His face dropped. “Oh. Is it a wig?”
     Flanagan took a breath. Gave him a patient smile. “I didn’t have chemotherapy,” she said. “Just radiotherapy. So I didn’t lose my hair.”
     “Oh,” he said. “Oh, good. I was wondering, will you be getting your team back together?”
     “Yes,” she said. “As soon as I get caught up, see who’s still available.”
     “I’d like to be considered,” Hoey said. “Just so you know. If you need the numbers made up.”
     “I’ll bear it in mind,” she said. “Thanks.”
     Flanagan turned, left him there, and headed for her office. She let herself in, closed the door behind her, leaned her back against it.
     Aside from Hoey’s crass stupidity, she thought, that wasn’t so bad. She’d been dreading the return for weeks. The looks of pity. The expressions of sympathy. They would come, that much was certain, but she felt that perhaps she could at least be gracious in response.
     Six weeks after her surgery, she had been in Tesco browsing loaves of bread. She had nudged her trolley against another shopper, turned to apologise, and recognised a work colleague of her husband’s. Heather Foyle, she was called, a maths teacher.
     Heather had stared at Flanagan, eyes and mouth agape, visibly struggling to find a few words.
     “For Christ’s sake, I didn’t die,” Flanagan said before wheeling her trolley to the checkouts, her face burning, regret already souring her stomach.
     She had called Heather later that evening to apologise, battled through the no-don’t-mention-its, tried to explain herself against the tide of condescension. Even then, when she knew she was entirely in the wrong, aware that Heather Foyle was simply being a good person, Flanagan had to stamp on her own anger. She had never experienced the pity of others until her breast cancer diagnosis, and it was more unpalatable than she had ever imagined.
     So far, only Hoey, his clumsy words and his expedient sympathy as he fished for opportunities. She could take that. There would be more to come, and she would smile and say, I’m fine, thank you, and ask after the enquirer’s well-being, and most definitely not shout at him or her to shut up, just leave her alone, let her get on with living.
     Flanagan’s office remained as dim as she remembered, sunlight muted by the tinted glass in a window so small it served little purpose. And hot, too. She crossed the room, opened the window to its full extent, which was no more than a couple of inches. For her own protection, her superiors would have said. This building looked like a small prison from the outside, and often felt like one within. Across the rooftops, she could just see the spires of Christ Church. Flanagan counted herself lucky; most of the views from this station were of walls and wire fences.
     She took off her jacket, slung it over the back of her chair, and sat down. The quiet of the room seemed to press on her, a physical sensation, as if the silence hardened the air.
     Three framed photographs sat on her desk, one portrait of each of her children, and another picture of the family. One of those terrible posed studio shots that she disliked, but Alistair had insisted. She’d turned the frames face down the last time she left the office. To keep the dust off them, she’d told herself, but part of her believed it was to shield her family from the goings on here.
     Flanagan set each of them upright and was startled by how young Ruth and Eli looked, how much they had changed, and she felt a strange sadness for the smaller children they’d left behind in these images.
     A sharp rap of knuckle on wood made her jump. She exhaled and said, “Come.”
     Detective Superintendent Stephen Purdy opened the door. A stocky bespectacled man with a shock of pure black hair that some speculated was a wig. Flanagan had inspected it as closely as she could and found no evidence to back up the claim, though she suspected he dyed it.
     “It’s good to see you back,” he said. “How are you feeling?”
     “I’m fine, sir, thank you,” she said, hoping he wouldn’t ask her to elaborate.
     DSI Stephen Purdy was not an idiot like Hoey. He lacked emotional intelligence, found casual conversation difficult, but he was not stupid. He would know not to push her on her illness.
     “Good, good,” he said.
     She indicated the seat in front of her desk as she sat down.
     “No, I’m not stopping.” He hovered there, looking as comfortable as a mouse in a cattery.
     It was up to Flanagan to set him free. “What can I do for you?”
     “Ah, well, first of all I wanted to welcome you back.” He dipped his head and waved a hand in a bowing gesture. “And to get you started on some work.”
     Flanagan had noticed the file under Purdy’s arm when he first entered her office. He placed the manila folder on the desk and tapped it with his index finger.
     “This was sent over from B District. You know DCI Thompson’s retiring in a few weeks? He’s leaving a lot of unfinished business behind him. Between you and me, his MIT had become a bit of a shambles. These are the loose ends from the last few cases he’s left open. The ACC wants you to work through them, see what’s still worth following up, what’s better off dropped, that kind of thing. He thought it might keep you occupied while you get settled in again. I can let you have a few DCs if you need the help. There’s a new DS, Ballantine, she’s very capable. Now that Calvin’s abandoned us, she might make a good starting point for a team.”
     Detective Sergeant Calvin had been Flanagan’s assistant on her Major Investigation Team. He’d suffered a shoulder wound before she had taken leave for her surgery, and that had been enough for him. The Police Federation had helped him push for a medical pension, and then he was off.
     “I don’t imagine she’ll want to start off pushing paper around for you,” Purdy said, “but we all have to do it sometimes.”
     Flanagan felt a growing weight inside. A file full of busywork and drudgery, sweeping up someone else’s mess.
     Purdy saw the disappointment on her. “Come on,” he said. “You’ve been out of action for weeks. You can’t expect just to land back here and dive into a hot case. It’ll be a month or more until you’ve got a proper team established again. I can’t have you twiddling your thumbs for all that time.”
     She waved at the file. “I know, but this . . .”
     Purdy gave her his sternest look, usually reserved for the lower ranks. “It’s not exciting work, I know, but there are victims in those pages that still need someone to speak for them.”
     “Of course,” Flanagan said, feeling like an admonished child. “You’re right. I’ll get working.”
     Purdy nodded and said, “I’ll leave you to it.” He stopped at the door. “Oh, I meant to say. You heard about the Devine boy?”
     “That he’s due for release, yes.”
     “Wednesday,” Purdy said.
     “That soon?”
     “I’m not supposed to know that. They’re keeping it quiet to stop the press going after him. A call came in last week from the probation officer who’s been assigned to him. She wants a word with you. I told her to come by today, late morning. All right?”
     She remembered Ciaran Devine, a child then, a young man now. A little over seven years ago, the first awkward signs of puberty about him, sitting across the table from her in an interview room. She was the only one he talked to. He called her by her first name. Even when he confessed, she struggled to picture this small boy doing that terrible thing.
     She had voiced her doubts, but the boy had confessed, and that was enough.
     Ciaran had sent her a letter after his and his brother’s convictions.
It came via the station. She had blushed when she read it. It still lay at the back of a drawer in her bedroom at home, even though she should have destroyed it.
     “All right,” Flanagan said.
     “Good. Here’s hoping he stays out of trouble.”

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Those We Left Behind 4.5 out of 5 based on 0 ratings. 6 reviews.
Anonymous More than 1 year ago
Kept me up all night
Anonymous More than 1 year ago
This book was amazing! It held my attention from the very beginning and I could not put it down. There are twists and surprises.
Anonymous More than 1 year ago
The ghosts of Belfast was a mesmerizing read for me that leaves you with an eerie feeling so I read most of his books. It is crime fiction of the highest order . A very talented author. And those we left behind does not disappoint
nycnewmex More than 1 year ago
If you are a fan of The Girl with the Dragon Tattoo series or the Harry Hole series, these Stuart Neville books are for you. Gripping, edgy, impossible to put down. You are literally walking the streets and dark shadows of Belfast and Northern Ireland. Highly recommend this series.
Haziegaze More than 1 year ago
I haven’t read any of Stuart Neville’s books before but I have heard good things so was pleased when I was sent an ecopy of “Those We Left Behind” from NetGalley and the Publisher - Random House UK / Vintage Publishing, in return for an honest review and I certainly wasn't disappointed. The story is set in Belfast, Northern Ireland, and is a dark, psychological thriller as well as a police procedural. The main premise of the story is one I imagine to be difficult to write about - child murderers - but Mr Neville does so in a tactful way being careful not to sensationalise it or demonise the perpetrators. All the main characters are complex, interesting and credible with each one being expertly developed. This is the first book which features the main protagonist, DCI Serena Flanagan. She is a very strong personality with many dimensions to be explored in future books. The storyline is compelling and believable and despite it being set over two timelines, it does not become confusing but adds to the understanding of the characters and further enhances the reading experience. The story flows from the beginning to the end at a good pace with many a tense moment which will have you turning the pages at a rapid rate to find out the truth of what really happened. Overall, a really good read which keeps you guessing until the end and one which I thoroughly enjoyed and would highly recommend to anyone who likes this genre.
BasingstoneBook More than 1 year ago
A steady and reliable murder mystery crime novel. What does that mean? It is very readable but does not thrill, the story is good but predictable and the ending is not surprising. DCI Flanagan gets involved in an old case she assisted in several years ago. She got to be the only Police person 12 year old Ciaran Devine would talk to after confessing to murdering his foster parent. She believes there is more to his confession than is visible to everyone else. It is now seven years later and Ciaran is being released from lock up. His probation officer Paula Cunningham calls Serena Flanagan to get first hand understanding of her new assignee. As always curiosity is irresistible and his release starts a deadly chain of events.