“Fiction readers who crush on blue-blooded British detectives will fall hard for Victorian-era sleuth Charles Lenox." The Washington Post
From the critically acclaimed and USA Today bestselling author Charles Finch comes The Vanishing Man, a prequel to his Charles Lenox Victorian series, in which the theft of an antique painting sends Detective Lenox on a hunt for a criminal mastermind.
London, 1853: Having earned some renown by solving a case that baffled Scotland Yard, young Charles Lenox is called upon by the Duke of Dorset, one of England’s most revered noblemen, for help. A painting of the Duke’s great-grandfather has been stolen from his private study. But the Duke’s concern is not for his ancestor’s portrait; hiding in plain sight nearby is another painting of infinitely more value, one that holds the key to one of the country’s most famous and best-kept secrets.
Dorset believes the thieves took the wrong painting and may return when they realize their errorand when his fears result in murder, Lenox must act quickly to unravel the mystery behind both paintings before tragedy can strike again. As the Dorset family closes ranks to protect its reputation, Lenox uncovers a dark secret that could expose them to unimaginable scandaland reveals the existence of an artifact, priceless beyond measure, for which the family is willing to risk anything to keep hidden.
In this intricately plotted prequel to the Charles Lenox mysteries, the young detective risks his potential careerand his reputation in high societyas he hunts for a criminal mastermind.
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Once a month or so, just to keep his hand in the game, Charles Lenox liked to go shopping with his friend Lady Jane Grey.
On this occasion it was a warm, windy day in early June of 1853, quiet, the gently sunny hour of late morning before the clerks would fill the streets on their way to take lunch. The two friends were next-door neighbors on tiny Hampden Lane, in the heart of London, and he was waiting on her steps at ten o'clock precisely. At five past, she came out, smiling and apologizing.
They left, eventually turning up Brook Street and walking past the little string of streets that ran parallel to their own, talking.
"Why are you checking your watch every ten seconds?" she asked after they had gone about halfway.
"Oh! I'm sorry," said Lenox. "I've an appointment at noon."
"I hope it's with someone you've hired to teach you better manners."
"The joke's on you, because it's with a duke."
"The worst-mannered wretch I ever met was a duke," Lady Jane said. As they crossed Binney Street, Lenox's eyes stayed for an extra moment on a man painting an iron fence with a fresh coat of black paint, whistling happily to himself. "Which one is it?" she asked.
"Out of discretion I cannot say."
"I call that disagreeable."
Lenox smiled. "It's a case."
She turned her gaze on him. It had been a long drought since his last case — more than a month. "Is it? I see."
Though both considered themselves tenured veterans of London now, anyone observing them would have seen two very young people, as young and resilient as the summer day. Lenox was a tall, slender, straight-backed young bachelor of twenty-six, bearing a gentlemanly appearance, and with, whatever Lady Jane said, a courteous manner. He was dressed in a dark suit, hands often behind his back, with hazel eyes and a short hazel beard. There was something measuring and curious in his face. As for Lady Jane, she was five years his junior, a plain, pretty woman of twenty-one, though she had been married for fully a tenth of those living days, which gave her some obscure right to self-regard for her own maturity. This told in her posture, perhaps. She had soft, dark curling hair; today she wore a light blue dress, with boots of a tan color just visible beneath its hem.
They had grown up in the same part of the countryside, though until he had moved to London, Lenox had never considered her part of his generation. By the time he'd noticed she was, Lady Jane had been engaged.
They neared New Bond Street, where the shops began, as the church clocks chimed the quarter hour.
In truth it was not altogether customary that she went shopping quite so often as she did — in most households like Lady Jane's, the task would have fallen to a maid — but it was one of the things that she liked, and Lenox liked it for that reason.
The meeting at noon was continually on his mind, even as they walked and spoke. Lenox was a private ... well, what word had he settled on! Investigator? Detective? It was a new endeavor yet. Three years could count as new, when the field was one of your own rough-and-ready invention, and when success had been tantalizingly close at moments but remained mostly elusive.
A duke might well bring it close enough to hold with two hands.
This intersection was vastly busier than their peaceful street. She stopped at the corner and looked at a list. After she had been studying for a moment, he said, "What do you need today?"
"Are you going to bother me with questions the whole time?" she said, trying to decipher, he could tell from many years of knowing her, her own handwriting.
She looked up and smiled. She pointed to the window next to which they were standing. It was a barber's. "Shall we buy you some mustache grease?" "Oh, no," he said, looking at the sign that had inspired the question. "I make my own."
"Yes. Though it puts you in the way of quite a lot of bear hunting."
"You are in a very amusing mood, I suppose, Charles. There — I've made it out. Let's go to the greengrocer's first."
He bowed. "Just as you please, my lady."
They made their way carefully down New Bond Street, stopping in at every third or fourth shop. Jane was very canny, while Lenox shopped almost at random; at the confectioner, as she was remonstrating with Mr. Pearson over the price of an order of six dozen marzipan cakes she wanted for a garden party she was having, Lenox decided with little prompting to order a cake to be sent to Lady Berryman, who had invited him to the country for August.
"That reminds me," Jane said to the baker. "I have an odd request. Could I order an eggless cake from you? Vanilla. It's for my husband's aunt. I wrote down the recipe she gave me. She's lord-terrified of eggs, I'm afraid."
"Why on earth?" said the baker, so moved by this horrible information that he forgot himself.
"Can you think I have asked her, Mr. Pearson?"
"Blimey," he said. Then amended himself. "Blimey, my lady."
She raised her eyebrows. "I know. Imagine being married to her."
"I couldn't," said Pearson fervently, which was true for several different reasons.
Lenox was just about to interject that he knew the lady in question, a larger person, and that he would stand on his head if she had ever refused a dessert in her life. But as he was about to speak, Jane threw him a look, and he knew to keep mum.
In the street again, after they'd gone, she explained that she had read a recipe for an eggless cake from Germany and wanted to try it, but didn't dare insult the baker.
"You could have made it at home."
"No — no. He has the lightest hand in London, Mr. Pearson," she said. "Speaking of which, how is Lancelot?"
He made an irritated face at her, and she laughed. Lancelot was a young cousin of Lenox's on half-term from Eton and therefore in the city for two weeks of what his family had optimistically called seasoning. "I would prefer not to discuss it."
"Does he still want to come with you on a case?"
"Has he gotten you with the peashooter again?"
"Please leave me in peace."
They proceeded past the cobblers, then the book stall — BACK IN STOCK, EXCLUSIVELY IN ALL OF LONDON, Uncle Tom's Cabin! a sign declared excitedly — before arriving at the dressmaker. Here Lady Jane went inside alone to have a word, as Lenox skulked outside, feeling like a schoolboy. Soon, though, he was meditating on the upcoming meeting.
The Duke of Dorset!
He thought of the title with a tightening in his stomach, and then of the letter that contained the entirety of his knowledge of the case thus far: His Grace has discovered that a possession upon which he places high value is missing. He would appreciate your advice regarding its potential recovery.
He checked his watch and saw that it was ten past eleven. They were near the end of their ramble, and he felt a quick flicker of melancholy. When he was with Lady Jane, he generally forgot himself; just at the moment, a welcome oblivion.
If Lenox's first year in London after moving down from Oxford had been characterized by his tenacious, mostly fruitless search for work as a detective, the subsequent eighteen months had been more complex and difficult. In part it was still to do with the scorn his profession drew from his peers, as they advanced steadily onward in their fields — and in part it was to do with the lonely feeling that all around him his friends were marrying, having children even, while he was still by himself.
But most of all, of course, it had to do with the death of his father. At first he had borne up under this misfortune well, he thought. Fathers were supposed to die before their children, he supposed, and he knew any number of friends who had been orphaned long ago. But recently, especially in the last six months, his grief had shown itself in odd, unexpected ways. He found himself losing minutes at a time on train platforms and in gardens, thinking; he found himself dreaming of his childhood.
Perhaps it had to do with the fact that they had never been especially close. He had loved and revered his father, but the easier friendship had been with his mother. Had he assumed there would be time, later on in life, for their relationship to grow? His father had been only sixty-one when he died; for his second son, it had been, surprisingly, not as if some venerable building in London disappeared, which was what he had always imagined — Parliament, for instance — but as if London itself had.
This past year he felt the loss more keenly with each month, not less, and he was sure that was unnatural. For the first time in his life, he woke each morning with a sense of dejection — a sense that, well, here was another day to be gotten through — rather than happiness.CHAPTER 2
Of all people, Lady Jane perhaps sensed her friend's state of mind most delicately. When she came out of the dressmaker's, a look that was difficult to read passed across her face, as if she knew where his thoughts had turned.
"Everything acceptable?" he asked cheerfully.
"Yes, they're still making dresses."
They resumed their stroll. A few shops down the long boulevard, they passed the optician. "I really would like a barometer above anything," Lenox said longingly, pausing before a beautiful brass one in the optician's window. "Ah, well."
"What a waste of money it would be," she said.
"They say it is good to have friends who support one's interests," Lenox replied, studying the barometer.
"You are dead in the center of the largest city on earth. When was the last time you even saw a ship?"
"Ha! There you're going to feel foolish, because I see them nearly every day on the Thames."
"From a cab." She pulled his arm. "Let's go, you can't be late to your duke."
They proceeded down New Bond, talking of this and that. It seemed Lady Jane had a kind word for every person they passed, and it occurred to Lenox that just as he had been struggling to find his feet in his profession, she had perhaps felt something like an impostor in her first years in London — in the very earliest days of her grand marriage, to an earl's first son. Perhaps this was why she shopped for herself; perhaps it gave her a sense of intimacy with their leafy, occasionally intimidating London neighborhood, making a community of it. Like him, she belonged, from the first, to a small place, a village. Now she had made a small place here, in the biggest place. A village of its own.
They spent some time discussing the duke. A duke, after all! The whole of the United Kingdom, in its population of thirty million, possessed just twenty-eight such creatures. The least of them was a figure of overpowering consequence. Yet even among their rank were finer gradients, and the man Lenox was shortly to see held one of the three or four greatest dukedoms.
Theirs was the highest tier of the nobility, the dukes, first in the land beneath the royal family. Not only that, but in their innermost souls not a few dukes and duchesses would have pointed to their lineage (the title of "duke" had come into existence in 1337) and claimed a greater stake in the leadership of Britain than the come-lately family currently chattering around the throne in German accents.
After them, it went so: first the marquesses, thirty-five of these, and their wives, the marchionesses. Then earls — and there it became complicated, because the title of "earl" was nearly oldest of all, originating as long ago as the year 600, historians said, when each shire of England had a jarl (Norse for "noble warrior"), which was the reason that in England each earl was still entitled to a small crown: a coronet.
Many earls in England (including Lady Jane's father, Lord Houghton) would not have admitted for a second to being beneath a duke. Their wives were called countesses, because nobody had ever thought to name them earlesses — which had struck many schoolboys memorizing these facts as extremely stupid indeed.
Thereafter it got greatly simpler. Viscounts were next, nearly a hundred of these, common as church mice, the poor devils. Finally came barons, last rank in the peerage.
"And there you'll be, at the very top of the heap," said Jane.
"I doubt he'll make me a duke there on the spot," Lenox said.
"Probably just a baron or something."
"I do wonder what he wants. A possession upon which he places high value. I only hope it's not his lucky kilt, or something like that."
Lady Jane laughed. "And the laundress has lost it, yes. I could see that being the calamity, I fear."
Lenox himself held none of these titles. Just to confuse things, there was still one title left over, and it was here that he entered the picture: Baronets were called "sir," as Lenox's older brother, Sir Edmund, had now been in the eighteen months since their father's death.
A knight was also called "sir," but his children couldn't inherit the title. It belonged to a sole person and died with him, a great writer, say, or artist, or dear intimate of the Queen's ninth-favorite cousin.
All of these gentry taken together with their families numbered not more than ten thousand, but Lenox, as the second son even of a very old, landed, and honored baronetcy, was as far down the slopes of the mountain of aristocracy from the Duke of Dorset as the thirty-millionth Briton, drunk in a ditch, was from Lenox himself.
It was an absurd system. Almost nobody believed in it as more than a matter of chance, except for the very old aunts and uncles who kept the genealogies. Yet all of them also, somehow, believed in it implicitly.
Strange to be an Englishman, an Englishwoman.
At last they reached the turn of New Bond Street, where they saw the most dignified shop in the whole row, housed inside a handsome stone building with purple wisteria climbing its white face. This was the leecher's — the best leecher in town, people generally agreed, where they boxed the living leeches in boxes bound with blue ribbon, as if they were marzipan cakes themselves.
Despite this enticement, Lenox and Lady passed by the leecher's in favor of their own favorite shop, which stood just around the corner, behind a short porch made of plain, unsanded boards. Over the door it said nothing but BERGSON in plain white stenciled lettering.
They pushed the door open and saw Bergson himself in a chair behind a broad counter, looking infernally grumpy and making absolutely no movement to rise and greet them. A duke or an earl or a murderer or anyone on God's green earth could have walked in and his reaction would have been the same.
He was a silent old Swede, Bergson, who had spent most of his life in America and then, for reasons known only to himself, come to London and set up an exact replica of the shop he had once owned in the Wisconsin territory.
An exact replica, truly exact, which meant that there were items of no conceivable use to a Londoner, like two-hundred-pound bags of cornmeal (enough to last a long cabin winter, in lesser demand here), mixed with those of delightful novelty and tireless fascination.
"Look!" said Jane, handling a necklace with a large polished turquoise at the end of two rubbed-leather ropes. "These are the fashion right now, Duch says."
Lenox looked at it doubtfully, then at the stone-faced Bergson, who, in bib overalls of a denim that was either very dark or had never been washed, did not look even adjacent to the world of fashion. Some people said he had lost his whole family to a fever, others that that he had left America when Wisconsin had become a state five years before, because he had murdered another man over a plot of property once and could not survive a land with laws.
Lenox suspected him simply of being shrewd; this was one of the most popular shops in London, its stock replenished just often enough to be endlessly fascinating.
Bergson was not telling — he barely deigned to speak to his customers — but he did sell Charles and Jane a variety of items: bars of pine soap, bags of sifted brown sugar, rough lumps of silver, a woven fishing creel that Lenox thought he might give his brother, Edmund. Lady Jane bought a handsome leather cap for her husband, who was due back from India with his troops in August. Lenox considered a tinderbox before buying Lancelot an arrowhead, silvered with mica.
"See, you do like having Lancelot," said Lady Jane as they left.
"In fact I do not, but I love Eustacia very dearly." This was Lancelot's mother, Lenox's first cousin. "As for Lancelot, he'll slit my neck with this arrowhead tonight."
She mulled this over. "Better than the tinderbox, then, all things considered, since our houses are side by side. Look, it's eleven forty, Charles. You had better go and see about your duke."(Continues…)
Excerpted from "The Vanishing Man"
Copyright © 2019 Charles Finch.
Excerpted by permission of St. Martin's Press.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Most Helpful Customer Reviews
As much as I would like to make my living reviewing books, right now reviewing is only a passionate hobby that I immensely enjoy. My full-time career is in sales. The goal of those in sales is to give the customer what they want while still making a profit for your company and yourself. A good salesman doesn’t want to disappoint his customer. If you live by the motto “under promise but over deliver,” you should be successful with a clientele willing to return time and again. Authors, dedicated to their craft and desiring to make a living share like goals with sales personnel. Authors need to sell their book to a targeted audience in hopes you will enjoy it and then recommend it to others and thus build a following for future work. With that being said, I feel that Charles Finch’s novel, The Vanishing Man, does not “over deliver” a great historical fictional mystery novel. The story and plot were spot on but it dragged and became at times tedious to read. I feel that a good edit of this book would have helped streamline the dialogue between the characters and quicken the pace to that which a good mystery should be. As I said earlier, the story that Charles Finch writes is quite intriguing and ends with a more than satisfactory conclusion. Amateur sleuth, Charles Lennox, who has earned some renown by solving a case that Scotland Yard couldn’t solve, is asked to consult the Duke of Dorset about a painting. It turns out that someone has stolen a portrait of the Duke’s great grandfather. Now given the era of the 1850s, that would be a tantalizing mystery on it’s own as art theft is historically full of diabolical characters and borderline genius criminal masterminds. But the Duke wants Charles to find out why the thief or thieves did not take the infinitely more valuable painting that was below the stolen portrait. Does the thief know that he made a mistake? Will the thief come back for the other painting? What secrets do these paintings hold? As Charles Lennox puts all of his investigative skills to work, Dorset fears more harm to his family and those close to him. All of his money and nobility cannot stop a murder and save his reputation. Can Lennox find the mastermind before anymore of Dorset’s family suffers? What price will Lennox have to pay for involving himself with unsavory individuals as he unmasks secrets behind the paintings? As in the previous Charles Lennox series, he will need the help and friendship of Lady Jane, a source of friendship and a worthy ally. Charles Finch’s, The Vanishing Man, is a great story and mystery, plain and simple. Had he spent a little less time in teaching about the different levels of aristocracy, it would have been a five star book. There are details that would enhance the reading of this book by reading the first installment in this series but it is satisfactory as a stand alone book. The characters are likable and believable. Lennox is smart and clever with a sense of humor that will make you chuckle throughout the book. This is a true mystery, not a mystery/thriller. No need for that “OMG” thriller moment because Finch gives us an honest to goodness old fashioned detective mystery. Clues are there but only the cleverest of sleuths will solve it before Charles Lennox does. I received an advance copy of this book from NetGalley. #NetGalley #TheVanishingMan
Charles Lennox is trying his hand at being a detective. Not for money, but for the delight in using his talents to help others. However, when the Duke of Dorset calls upon him, he wonders if he may have chosen the right trade. Lennox knows that London has a dark side, but he is baffled by the missing portrait of the Dorset’s relative. Surely there were more important things for a thief to take, but as Lennox continues to press the details, he finds himself caught up in an intricate plot surrounding a decade’s old secret and… Shakespeare, himself! Charles Finch has provided a fascinating mystery for fans of historical fiction and detective series. Both Shakespeare and Sherlock Holmes would be proud of all the twists and turns throughout this story. The Vanishing Man is a prequel to a well-established series that will have readers hooked by the first chapter. Historical London comes alive, in the pages, and readers will feel like they are walking the streets with Charles Lennox. Charles Finch is a definite must-read author! Notes: I voluntarily reviewed an Advanced Reader Copy, all opinions are my own. This review was written for My Sister's Books.
The author decided to write a prequel trilogy for his series featuring Charles Lenox, and this is the second book in that trio. Finch takes us back in time to when Lennox was just beginning his investigative career. In this outing, set in 1853, Lenox is hired to find a painting stolen from the Duke of Dorset’s home. Many things make no sense to the young investigator, like why was only the painting of the Duke’s grandfather taken when right next to it was a more valuable painting? The Duke believes that the thief took the wrong painting and will undoubtedly return for painting, he should have taken in the first place, which is of Shakespeare and is rumored to contain clues to an unpublished manuscript by the playwright. Lenox’s life is further complicated with a few other events, like the arrival of his cousin Lancelot to stay with him for two weeks and the Duke is arrested for murder and put into the Tower of London. This is a very well-written and well-plotted complex mystery with characters who stand out in their likability. Finch knows how to use his descriptive skills so the reader will feel she is in 1853 London with Lenox. If you love historical mysteries set in England, this book is for you. An added bonus is the trivia Finch provides on such things/people as Bedlam, Shakespeare, and the Tower of London. The entire series needs to be on the top of your TBR file. My thanks to the Minotaur for providing me with an ARC.
Charles Finch’s new book ‘The Vanishing Man’ is a prequel to his Charles Lenox mystery series set during the mid-1800’s Victorian England. This is the first book in the series that I’ve read, and as it’s a prequel seemed like a good place to start. The story is set when Charles is just starting his career in investigation and still trying to prove himself, especially among England’s rich, powerful and elite. The Duke of Dorset has had a painting stolen, and there are secrets he would rather not have revealed through a police investigation. He contacts Charles to investigate, and there is much more here than meets the eye. There is a lot of great historical detail shared throughout this highly entertaining story which is extremely well written, with wonderful characters and a fun mystery to unravel. A wrong step could be the ruin of Charles Lenox’s reputation and career. I’m glad I discovered Charles Finch and am looking forward to the other books in this excellent and fun series. Very highly recommended.
Enjoy the authors descriptions and explanations of the British i.e. Dukes, private clubs etc. and time in general of the 1850s. Easy to read. cant wait until the next book is released.
One of the best stories I have read in a very long time Excellent writing Just extremely enjoyable
A great addition to the Charles Lenox series. I was fascinated by the premise of an unknown painting of Shakespeare. I raced through the book--clever plot and great characters. Looking forward to the next one!
Another Lennox book that you can't put down. The characters are rich, but the book is not over-descriptive. You are pulled along at a quick pace and hate to see the end come. On my list of "go to" authors.
The Vanishing Man by Charles Finch is the second of a planned trilogy of prequels to his Charles Lennox detective series. In this epoch we visit Charles as a young man, living on his own but still at the very earliest stages of his career. He is called upon by the mighty Duke of Dorset, one of the highest-ranking peers in the nation, to find a painting that has been stolen from his home. The juxtaposition of a man of this stature and a man who is little more than an amateur makes the story even more compelling as the duke is at one point arrested and housed in the Tower of London in an apartment that rivals Charles' own home. Seeing the steps Charles has taken to hone his craft: the people he has paid to teach him, is, in itself, endearing. To see the compassion he has, even for an inmate of a lunatic asylum, obviously is part of him, even at this young age. To learn about Lady Jane's husband through Charles' eyes helps us to understand his strong feelings for her than run throughout the series. And as always, a good mystery, which the reader solves in steps, right along with Charles and Graham. Fans of the series will be fans of the prequels. It is our Charles Lennox; the one we love. Charles Finch has created and endearing picture of Charles Lennox and his world. One we continue to want to visit. I received a free ARC of The Vanishing Man in exchange for a fair and honest review. #netgalley #thevanishingman
Charles Finch’s twelfth book in his Charles Lenox series returns to the early years of Lenox’s career. The idea of a private detective is a new one and Lenox has encountered scorn toward his chosen profession from his peers. Still dealing with the death of his father, even he questions his decision to continue. After receiving credit for solving an important case, however, he is contacted by the Duke of Dorset to discreetly handle a theft from his home. A portrait of his great-grandfather was stolen. Hanging next to a rare portrait of Shakespeare, the Duke believes that the portrait was taken by mistake and fears that the thief will return. A kidnapping, a murder and the hunt for a missing treasure keep this story moving at a good pace. While Lenox is a keen observer and has the assistance of his butler Graham, he is still working to improve his skills, learning to track and studying the psychology of criminal minds. As he travels from society gatherings and gentlemen’s clubs to the less savory parts of the city, Finch brings 1853 London to life. This is a series that I have enjoyed from the beginning. Returning to Lenox’s early cases will once again entertain his readers and serve as a wonderful introduction to the series for new readers. I would like to thank NetGalley and Minotaur Books for allowing me to review this book.
Young Charles Lenox is called upon by the Duke of Dorset, one of England’s most revered noblemen, for help. A painting of the Duke’s great-grandfather has been stolen from his private study. But the Duke’s concern is not for his ancestor’s portrait; hiding in plain sight nearby is another painting of infinitely more value, one that holds the key to one of the country’s most famous and best-kept secrets. Sometimes prequels are not great, especially if you know what is going to happen to the characters later on in life. There was a bit of this with the interaction of Charles and Lady Jane. She is one of my favorite characters with her constant search for Charles a bride. And all along knowing that she will be his which did not spoil this story. And now I have another favorite character--Lancelot. Way to go young man. I was laughing at him so very hard. While Charles would say that Lancelot is not perfect. Far from it, in fact. Lancelot certainly had his way with the Duke. Until the last couple of years, I had no idea what young men could be like but like the cook, Lancelot can come an stay with me anytime. As far as the story, I was definitely surprised as to how it unfolded. I certainly had not guessed the perpetrator of the crime. A couple more clues or perhaps making the ones that were in there a little more obvious might have helped. But alas we must work with what is given. And was I satisfied with the conclusion? Not totally. Nor do I think Charles was either. A jolly good story and a prequel worth reading. I received a copy of the book for review. The comments are my very own.
I am a big Charles Lenox fan and have really enjoyed getting to know a younger, less secure and experienced Lenox through these “Prequel” mysteries, though I do miss the older Lenox of the original series. THE VANISHING MAN is a well thought out, richly executed mystery including theft, murder, scandal, and secrets. It is somewhat convoluted but not too difficult to solve, interesting but not quite as engrossing as some of author Finch’s other efforts. The descriptions of London and the aristocracy are inspired, and the character interactions are my favorite aspect of the tale. Lenox and his valet Graham are my favorite characters, and their relationship is fabulous. There is a scene with the Duke of Dorset and Lenox’s 12 year old cousin Lancelot that is laugh-out-loud hilarious. These lighter moments help balance the darker elements of the mystery. THE VANISHING MAN is an excellent addition to the Charles Lenox canon, and I impatiently await the next installment. Recommended to any historical mystery fan. I received an ARC of this title from the publisher through NetGalley and voluntarily shared my uninfluenced opinions here.
I had this book for two months before I was able to read it (too much happening during the holidays to give proper attention to a "new to me" author), but once I started yesterday morning I couldn't put it down. Nicely written with wonderful descriptions of Victorian England, Charles Finch's The Vanishing Man is the second of three prequels to his popular Charles Lenox series. It's the first book in this series, and by this author, that I've read, and it worked perfectly as a standalone. That being said, I'll certainly be delving further into this series, I just need to decide if I want to start with the first prequel (The Woman in the Water) or the first book in the series (A Beautiful Blue Death). The author does an admirable job of creating real characters, with real relationships, true to the period but still somehow not as strict as one would imagine in Victorian times. The mystery was very well told, and even to this first time reader of Mr. Finch's work it was obvious that this prequel sets the groundwork for the series. I'm so glad I read this book, and will definitely seek out the others. 5 stars!
June 1853 after some months without a case Charles Lenox is invited to call on the Duke of Dorset at his home. It seems that something of value has been stolen and the Duke wishes to know why. The Duke believes that the wrong painting was taken and is now concerned. Unfortunately the Duke has his secrets which will lead to murder. But Lenox needs help in unraveling the mystery. A very enjoyable and interesting mystery and I look forward to the next prequel before I start reading the series.