The Moonstone (Large Print): (Wilkie Collins Masterpiece Collection)

The Moonstone (Large Print): (Wilkie Collins Masterpiece Collection)

by Wilkie Collins

Paperback(Large Print)

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Overview

I address these lines-written in India-to my relatives in England.
My object is to explain the motive which has induced me to refuse the right hand of friendship to my cousin, John Herncastle. The reserve which I have hitherto maintained in this matter has been misinterpreted by members of my family whose good opinion I cannot consent to forfeit. I request them to suspend their decision until they have read my narrative. And I declare, on my word of honour, that what I am now about to write is, strictly and literally, the truth.
The private difference between my cousin and me took its rise in a great public event in which we were both concerned-the storming of Seringapatam, under General Baird, on the 4th of May, 1799.
In order that the circumstances may be clearly understood, I must revert for a moment to the period before the assault, and to the stories current in our camp of the treasure in jewels and gold stored up in the Palace of Seringapatam.

Product Details

ISBN-13: 9781508621478
Publisher: CreateSpace Publishing
Publication date: 02/24/2015
Edition description: Large Print
Pages: 500
Product dimensions: 8.50(w) x 11.00(h) x 1.01(d)

About the Author

Date of Birth:

December 8, 1824

Date of Death:

September 23, 1889

Place of Birth:

London, England

Place of Death:

London, England

Education:

Studied law at Lincoln¿s Inn, London

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The Moonstone (Illustrated + link to download FREE audiobook + Active TOC) 4.1 out of 5 based on 0 ratings. 54 reviews.
angie1984 More than 1 year ago
I READ WILKIE COLLINS'S "WOMAN IN WHITE" AND I LOVED IT, BUT THIS BOOK IS EVEN BETTER, THE ACTION AND MYSTERY FROM THE FIRST PAGE TO ALMOST THE END OF THE BOOK.
Anonymous More than 1 year ago
So cool!,
rfplwendy on LibraryThing More than 1 year ago
Over 100 years old and still a fantastic read!The first "detective novel" which heralded a whole new genre in fiction, long before Sherlock, Poe or even Clouseau.........Defines the term "enduring classic."
ParadisePorch on LibraryThing More than 1 year ago
Published in serial form in 1868 and now considered the first English language detective novel, the Moonstone sets up a closed room crime: the theft of the moonstone, a precious jewel stolen decades earlier from a Hindoo (sic) statue. Although all the clues were there for the reader to use, the solution seemed to me to be a little far-fetched.Nonetheless, I found The Moonstone to be a witty and entertaining book. If you¿re a dedicated mystery fan, you owe it to yourself to read this and appreciate the origins of the genre. 4 stars
Sholanki on LibraryThing More than 1 year ago
At the first glance this novel looks bland but the pace seems to catch up rapidly a few chapters onward. I loved the way the author fitted himself in various characters starting from the humble servant Gabriel Betteredge to the detective Sergeant Cuff and giving us different perspectives of the mystery that surrounds the moonstone. I do admit though that it is a tad bit different from the other detective novels I have read so far but it did quite make my day.
madamepince on LibraryThing More than 1 year ago
I was prepared for how funny this book is! Miss Clack is a hoot!
Terpsichoreus on LibraryThing More than 1 year ago
Perhaps it is not surprising that I managed to guess the 'who', if not the how of this prototype mystery. What may be somewhat of a surprise is that this recognition did not make the book tedious, nor did it become a plodding step-by-step towards inevitability like many mysteries are.Like The Virginian, this predecessor of a genre never seems to fall into the same traps as its innumerable followers. Indeed, with both these books, the focus itself becomes something entirely different than the obsession it inculcates in others.Though this book certainly contains a mystery, a set of clues and twists, and a brilliant detective, the focus is not on these but on the characters themselves. Firstly, there is the fact that the book is narrated in sections by different observers and participants. Secondly, there is the fact that the chief mover of the entire series of events is never the mystery itself, but the maddening effect that the unknowns and miscommunications have on the personal relationships surrounding the events.The characters themselves, chiefly in the case of the narrators, are such discrete and believable characters that part of the enjoyment of the book becomes an appreciation for the author's knowledge of human behavior and ability to represent wholly different mindsets without any lingering authorial voice intruding.It is not only the psychology of the characters and their movements which are represented here, but also the little shifting falsities of how they see themselves and how they are seen by others, none of which represent a truthful opinion, but all of which flow from the way people generalize one another.Collins succeeds greatly at the old authorial adage that one should show instead of tell, as innumerable details and observations build up to give us a more thorough view. He does have somewhat of an easier time of this due to his method, it may be noted. By using constant and somewhat unreliable narrators, he may be seem to be telling, but in truth these opinions represent more about the narrator than about those whom they cast their judgment upon.Also like The Virginian, Collins carries with him a strong and concise voice bred of that Victorian generation for whom Austen was the venerable master. He was also, it may be noted, a close friend to Dickens.Another pleasantry with both authors is that they retain a certain humility, such that they never seek out more lofty heights than their prose may bear up. This is the reason their stories each stand as the foundation of pulp movements, whose writers were more concerned with writing to their own ability than to reaching for far-flung achievements they might or might not be equal to.However, while those later authors attached themselves so much to archetype and rare coincidence to produce the strength of their work, the earliest hands to touch the page were fueled by human emotion and character. There is some sense of stereotypical characterization in The Moonstone, but it is tempered by extending even the joke characters a surfeit of humanity.That being said, the main joke character in this book nearly drove me down in the few chapters she stood as narrator. It was not because she was too ridiculous, not because she was annoying, nor too cliche. She was simply too accurate to a type of person I loathe to meet or to spend a free minute with; namely: the self-righteous, proselytizing old maid.This was the curious tangent which passed between this text and 'The Screwtape Letters', which I was also reading at the time. It was especially marked in comparison to the earlier narrator, who though simple, retained a charm and a welcoming humility in his various shortcomings.It always seems a shame to look at the first movement of a genre, be it Wister's, Collins', or Tolkien's, as those creators who later move to take up the torch miss the point: that independent of the magic or mystery or gunfight being the main event, what keeps and impresses the reader is the emotio
WWWDaryl on LibraryThing More than 1 year ago
I could not put this down. It has informed every detective story I have seen or read since. I thought the morphine sequence was exaggerated and then a week later I saw a Masterpiece Theatre story based on another morphine induced memory retrieval.
leore_joanne on LibraryThing More than 1 year ago
Loved the ending. Not your classical good guys win, bad guys die, but a little bit more sophisticated. I never knew (before now) that Wilkie Collins was one of Arthur Canon Doyle's inspirations. The book is a bit slow, but that's one of the pleasures in reading victorian books - taking the time to enjoy them properly. After all, they were written at a time when they were *supposed* to be time consuming. I also didn't like the general attitude towards servants, showing them as lowly all of the time. But again, that's what you get in 19th century novels, you just have to bear with it. Other than that, I just had a wonderfull adventure :) 3.12.07
littlegeek on LibraryThing More than 1 year ago
First rate, top drawer, loved it. Great characters, both male & female. Very accessible to modern readers.
samfsmith on LibraryThing More than 1 year ago
The first detective mystery novel? Yes, and still one of the best. Wilkie Collins was a contemporary of Charles Dickens. This novel has all the aspects of a good mystery. Interesting plot (the moonstone is a stolen diamond), a series of interesting characters, blind alleys, red herrings, unexpected twists and turns, and so on and so forth.It¿s told in an interesting way ¿ first person serial. Each character tells their part of the story from the first person perspective. This is a seldom-used method of writing the novel, later to be made famous by William Faulkner in As I Lay Dying.The only thing that is a little dated is the presence of opium in the plot ¿ understandable since Collins was an addict. I suppose he was writing from personal experience. The treatment of opium seems naive, but what can you expect from the nineteenth century.Highly recommended, and much more readable than some of the Dickens¿ novels.
bzedan on LibraryThing More than 1 year ago
That we're given the story by several different narrators, who¿in chronological order¿were involved with the whole Moonstone affair, is a very interesting device. There's a clear voice for each section, and the whole things comes around nicely in the end.Deception, family affairs, the mystery of the East. Nice little bundle here.
miriamparker on LibraryThing More than 1 year ago
19th Century ghost story/detective story/set in big fancy British mansion. LOVE THIS.
bikerevolution on LibraryThing More than 1 year ago
God, I love Wilkie Collins. As with Woman in White, there is mystery, complicated and well-developed characters, and strong female characters. It is obvious from his writing that Collins thought much differently than his counterparts about the abilities of women. In many ways this work could be compared to Woman in White, which is one of my favorite books of all time. The tempo and narration of Moonstone is just about perfect. I definitely recommend this for anyone who likes mysteries or novels of this time period.
abbie47 on LibraryThing More than 1 year ago
Very fun! And Rachel is pretty gutsy for her time. She is an admirable heroine. The doctor's theory that explains the mystery is wacky. I had to suspend my disbelief to read the last part, but that's my only complaint.
jmchshannon on LibraryThing More than 1 year ago
As mentioned by others, this is considered the first detective novel. To me, this is a character novel first and foremost. The narrative is told by various participants and eyewitnesses to the disappearance of the diamond. From an aging servant to a spinster activist to a charming bachelor to a lawyer to a great investigator and more, the different viewpoints not only further along the mystery to the point of resolution, Mr. Collins uses them to share pointed commentary on various characteristics found in real-life. It is equal parts amusing, uncomfortable and intriguing.This is actually the second time I read this book. The first time I read it, I focused on the mystery itself. I found myself trying to solve the crime before it was resolved, which is something I never really try to do. As far as mysteries go, while it may be considered the first great detective novel, with crime shows the primary focus on television these days and the proliferation of detective thrillers in general, The Moonstone is quite an easy mystery to solve. The twists and turns which may have kept Mr. Collins' readers on the edge of their seats waiting for the publication of the next installment just do not have the same impact that they do for today's reader. We've already seen them played out in hundreds of mysteries for them to be an effective plot device anymore. This second read found me focusing on everything but the mystery, even though I did not quite remember whodunit. As I mentioned, this is as much a character novel as it is a mystery. As a character piece, this book is one of the best I've ever read. The lovable, aging but extremely loyal servant, Gabriel Betteredge, on the surface appears to be nothing but a grandfatherly type, until he starts talking about his wife and women in general, why they are the inferior sex. He talks quite bluntly about treating pretty house servants differently, patting their cheek and other rather sexist behaviors towards women. Yes, he is lovable but his opinion on women is definitely a failing.Miss Clack is another narrator who is not quite as innocent as she professes on the page. Espousing Christian virtues, Miss Clack exhibits some of the most un-Christian behavior in the book. Comparing her actions with those of the mysterious but extremely devout Hindu servants, Mr. Collins is so subtly hinting at the fact that Christianity may not be the only, or best, religion.In fact, the charm of this story is the fact that Mr. Collins suggests that English imperialism has a lasting impact on both countries and not for the better. Given the fact that the Moonstone used to be part of a Hindu idol, the suggestion as to the rightful heirs of the diamond could be debated forever. It is an interesting foreshadowing to the imperialism debate when imperialism did not truly become popular until after The Moonstone was published. To say that Mr. Collins was ahead of his time with social commentary and with detective novels is definitely an understatement! In parting, this is such an enjoyable book. From a historical perspective, this is a great way to go back to the beginning origins of the detective mystery and discover just how many of our popular, beloved detectives got their start from Sergeant Cuff. As I mentioned, the social commentary, while subtle, is definitely worth discovering. I have thoroughly enjoyed my visit with Wilkie Collins!
clq on LibraryThing More than 1 year ago
I tend to be slightly sceptical toward books that are considered classics, especially the ones written ages ago. I was therefore somewhat sceptical toward The Moonstone, a classic which is almost 150 years old. My scepticism was put well and truly to shame. The Moonstone is an original mystery, in every sense of the word, which is centred around a valuable diamond said to be cursed. The story is told in the form of statements written after the fact by some of the people involved in the story, recounting events as they observed them. This works extremely well. The differences in perspective adds an additional level to a story which is already great. The personality of the writers shines through in the narratives written by them, and some of the more personal observations and musings of the characters made me laugh out loud to the extent at which I got looks, on both an airplane and a train. I could go on about how great this book is, and how much I enjoyed it, but I won't. I'd just encourage you to read it. Unless you really don't like the mystery-genre, I think you'll enjoy this book. If you're lucky, you'll enjoy it as much as I did.
hazelk on LibraryThing More than 1 year ago
What an excellent book. It held me to the last with its different perspectives and the linking character of the inimitable Sergeant Cusk. The only thing I'm wondering is why it's taken my so many decades to come to it.
stephxsu on LibraryThing More than 1 year ago
The Moonstone is a priceless yellow diamond stolen from its Indian temple and said to curse whoever has possession of it. When a dead uncle bequeaths the Moonstone to Rachel Verinder on her eighteenth birthday, it is promptly stolen from her own room overnight¿and everyone in the household, from esteemed guest to lowly servant, is under suspicion.The Moonstone is an incredible Victorian detective novel with a varied cast of characters, a delicious mystery, and plot twists you won¿t see coming. Collins does a fantastic job of balancing suspense throughout: just when you think things have slowed down, something happens to suck you back in. The last 100 or so pages are especially suspenseful almost to the point of being unbearable¿in a good way.While the characters hardly change throughout the course of the novel (the focus here is on the mystery and the multiple-narrative format that Collins employs to tell the story), they are interesting enough to make us curious, especially as all of them seem to be hiding something that you¿re just dying to find out. Overall, a highly recommended Victorian read, and not to be missed if you¿re a fan of Victorian literature and classic mysteries!
philippa58 on LibraryThing More than 1 year ago
I read this before reading The Woman in White...and while the technique of using various narrators to carry the story forward is identical, both the mechanics and the characterisations generally are more deftly drawn in The Moonstone, one of many delights being the character of Sergeant Cuff.
eleanor_eader on LibraryThing More than 1 year ago
Mr. Franklin Blake brings the moonstone - a gem of Indian origin, seeped in history, supposedly cursed ¿ to the home of Lady Verinder, and her daughter, Rachel with whom he is in love, and to whom the gemstone has been bequeathed. The next morning, the moonstone is missing, and suspicion points in a satisfying array of directions, setting the bar for every mystery novel to follow.I was delighted by the resolution of the puzzle, never having even begun to guess the circumstances, yet it followed the rules (or set the precedent for) the crime genre in being plausible within the book¿s events; there was no cheating on the author¿s part, and while the revelation was too out of left field for this reader to guess, it was satisfyingly set up and then engulfed in a sea of classic misdirection.I found this not quite as enjoyable as The Woman in White (which was rather more sensational and fun), but still a perfectly intriguing mystery with marvellous characters and a dash of that romance that Collins handles so well. It did take me an unusually long time to read, but that¿s more a slump in my reading habits than anything to do with Collins¿ book, which has great pace for one of the first mystery stories ever written.
extrajoker on LibraryThing More than 1 year ago
first line: "I address these lines--written in India--to my relatives in England."One night, as I was getting ready for bed, I plucked this book from my shelf and settled in to read it. I thought I'd just read a few chapters before sleeping.Several hours later, after daybreak, I had only a few scattered chapters left. While I didn't want to leave off reading, I was so tired I could hardly make sense of written words. So I slept for a while before returning to the book and devouring the last few chapters.Needless to say, I highly recommend this wonderfully gripping 19th-century British mystery to anyone with several hours to devote to it. (In other words, don't begin it at bedtime.)
miss_scarlet on LibraryThing More than 1 year ago
This book was very interesting and rather suspenseful. I enjoyed it somewhat more than "The Woman in White", however, this, too, dragged on a bit.
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