John Deacon uses hypnosis to research altered states of consciousness. One of his subjects, Michael Peacocke, is unusually susceptible and in their first session together he recalls a Close Encounter which took place some years before. Deacon is sceptical of UFOs and dismisses Peacocke's story as an adolescent sexual fantasy. But then inexplicable things happen - the tape of the session is mysteriously erased, Deacon's dog is killed, he and Michael see a pterodactyl, Michael's girlfriend is menaced by Men in Black - and Deacon is forced to reconsider. Could UFOs be symbols projected from the collective unconscious? Are they messages from the biomatrix? Does the mind have the ability to project tulpas, objects and people which are physically real yet somehow illusory?
|Publisher:||Orion Publishing Group, Limited|
|Sold by:||Hachette Digital, Inc.|
|File size:||897 KB|
About the Author
Ian Watson (1943 - )Ian Watson was born in England in 1943 and graduated from Balliol College, Oxford, with a first class Honours degree in English Literature. He lectured in English in Tanzania (1965-1967) and Tokyo (1967-1970) before beginning to publish SF with "Roof Garden Under Saturn" for the influential New Worlds magazine in 1969. He became a full-time writer in 1976, following the success of his debut novel The Embedding. His work has been frequently shortlisted for the Hugo and Nebula Awards and he has won the BSFA Award twice. From 1990 to 1991 he worked full-time with Stanley Kubrick on story development for the movie A.I. Artificial Intelligence, directed after Kubrick's death by Steven Spielberg; for which he is acknowledged in the credits for Screen Story. Ian Watson lives in Spain.