The true story of a resilient circle of shrimp boat captains who faced and withstood the wreckage of Katrina but now find their courage tested by a greater threat: the disappearance of their livelihood and their centuries-old bayou culture.
|Publisher:||Yale University Press|
|Product dimensions:||6.10(w) x 9.20(h) x 0.90(d)|
About the Author
Called “the Cajun Carl Hiaasen” by Tom Wolfe, Ken Wells is an editor-at-large for Bloomberg News in New York and a contributor to Bloomberg Businessweek.
Table of Contents
Preface to the Paperback Edition ix
Map of the St. Bernard Parish region xix
A Monster Cometh 11
1 Ricky at the Helm 13
2 Ronald on the Invincible Vance 19
3 Susan Robin Goes for a Drive 26
4 Stormy Traditions 33
5 Cajun-Spanish Roots and Pirate Connections 37
6 Charlo's Dawn 49
7 Matine's Dilemma 56
8 Ricky's Ark 69
9 Charlo Adrift 83
10 The Human Tide 87
11 Charlo in Limbo 97
12 Herbie and Mike's Strange Adventure 101
13 The Long March 108
14 Cruel Tuesday 113
15 A Day of Reckoning 126
16 Nine Days Beyond the Flood 135
17 The Imperfect Storm: Anatomy of a Not Altogether Natural Disaster 146
18 Pioneers in the Rubble 162
19 Dancing with Boats 179
20 A Short Journey of Hope 193
21 Hard Realities of the "Federal Storm" 199
22 The Toll upon the Land: The MR-GO Must Go 208
Epilogue: South Toward Home 217
Notes on Sources 235
About the Author 245
A conversation with Ken Wells
Q: Unlike other books on Katrina that focus on the destruction of property, your book really is about cultural destruction, isn’t it?
A: My book is about the struggle for survival of Louisiana’s distinctand irreplaceablebayou culture and the wetlands ecosystem that has nourished that culture for more than two and a half centuries. This is a place that had sat, pretty much until the postWorld War II oil boom, isolated and relatively unchanged for two hundred years.
Q: Tell me a little about the place where the story is setSt. Bernard Parish.
A: In its pristine state, it was a low-country paradise that sprawled with game-rich marshes and primeval cypress forests, and bays and bayous teeming with fish, shrimp, crabs, and oysters. Even today, though its wetlands have been battered by development and industrialization, it supports (or did until Katrina struck) a robust seafood industry and a colony of indigenous, self-taught boatbuilders practicing a level of craftsmanship found in few other places in America.
Q: What about the main character in the book, Ricky Robin?
A: Ricky barely squeaked out of high school, yet as a high school senior he sketched out plans for his 56-foot steel shrimp boat, the Lil’ Rick, on the pavement of a school parking lot with a piece of chalk. With no drafting or engineering training, he welded the boat together by himself in the backyard of his parents’ home, designing and making all the mechanical systems as well (all before he turned twenty years old). By that time, though, he was already a master boat handler and a preternaturally good fisherman who had learned, in his parlance, “to think like a shrimp.”
Q: It is hard to think about a book on Katrina as uplifting, but yours is.
A: I’m writing about a decidedly blue-collar, ruggedly independent people whose decisions to face down Katrina lay in deep cultural anchors. It’s a story of people whowhen they realize no one is coming to save themrise up to save themselves and their neighbors in the face of raw peril and a disaster of unimaginable proportions. Finally, it’s a story about a resilience rooted in an exquisitely deep notion of home, and the tug of home, family, and culture in a place terribly upended.