Angela Carter was a storytelling sorceress, the literary godmother of Neil Gaiman, David Mitchell, Audrey Niffenegger, J. K. Rowling, Kelly Link, and other contemporary masters of supernatural fiction. In her masterpiece, The Bloody Chamber—which includes the story that is the basis of Neil Jordan’s 1984 movie The Company of Wolves—she spins subversively dark and sensual versions of familiar fairy tales and legends like “Little Red Riding Hood,” “Bluebeard,” “Puss in Boots,” and “Beauty and the Beast,” giving them exhilarating new life in a style steeped in the romantic trappings of the gothic tradition.
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About the Author
Kelly Link is the author of the story collections Get in Trouble, Stranger Things Happen, and Magic for Beginners. She has won the Nebula and World Fantasy awards and has had stories published in The Best American Short Stories, the Magazine of Fantasy and Science Fiction, and Prize Stories: The O. Henry Awards. Born in Miami, Florida, she now lives in Northampton, Massachusetts.
What People are Saying About This
“A wonderfully written book, ironical, cerebral, elegant . . . distinguished by bold, inflected language and ornate, indeed often bloody, imagery.” —Joyce Carol Oates, The New York Times Book Review
“The tales are retold by Angela Carter with all her supple and intoxicating bravura.” —The New York Review of Books
“She was, among other things, a quirky, original, and baroque stylist, a trait especially marked in The Bloody Chamber—her vocabulary a mix of finely tuned phrase, luscious adjective, witty aphorism, and hearty, up-theirs vulgarity.” —Margaret Atwood, The Observer
“She writes a prose that lends itself to magnificent set pieces of fastidious sensuality . . . dreams, myths, fairy tales, metamorphoses, the unruly unconscious, epic journeys, and a highly sensual celebration of sexuality in both its most joyous and darkest manifestations.” —Ian McEwan
“The best horror writer of the 20th century you’ve probably never heard of . . . Her most celebrated book is a high gothic collection of short stories called The Bloody Chamber that you should read immediately if the genre holds any appeal for you.” —New York magazine’s Vulture
“Since I first came across The Bloody Chamber, I have kept a copy with me wherever I have been living. . . . The things that I needed, when I was beginning to think about writing short stories, were the things that I found in The Bloody Chamber. . . . Reading Carter, each time, [is] electrifying. It [lights] up the readerly brain and all the writerly nerves. . . . What we don’t have, of course, is any more Angela Carter stories. And how I yearn for exactly this.” —Kelly Link, from the Introduction