Winner of the New Blood Dagger, Arthur Ellis, Barry, Anthony, and Dilys awards.
Chief Inspector Armand Gamache of the Surêté du Québec and his team of investigators are called in to the scene of a suspicious death in a rural village south of Montreal. Jane Neal, a local fixture in the tiny hamlet of Three Pines, just north of the U.S. border, has been found dead in the woods. The locals are certain it's a tragic hunting accident and nothing more, but Gamache smells something foul in these remote woods, and is soon certain that Jane Neal died at the hands of someone much more sinister than a careless bowhunter.
Still Life introduces not only an engaging series hero in Inspector Gamache, who commands his forces---and this series---with integrity and quiet courage, but also a winning and talented new writer of traditional mysteries in the person of Louise Penny.
About the Author
LOUISE PENNY is the author of the #1 New York Times and Globe and Mail bestselling series of Chief Inspector Armand Gamache novels. She has won numerous awards, including a CWA Dagger and the Agatha Award (seven times), and was a finalist for the Edgar Award for Best Novel. In 2017, she received the Order of Canada for her contributions to Canadian culture. Louise lives in a small village south of Montréal.
Read an Excerpt
By Louise Penny
St. Martin's PressCopyright © 2005 Louise Penny
All rights reserved.
Miss Jane Neal met her maker in the early morning mist of Thanksgiving Sunday. It was pretty much a surprise all round. Miss Neal's was not a natural death, unless you're of the belief everything happens as it's supposed to. If so, for her seventy-six years Jane Neal had been walking toward this final moment when death met her in the brilliant maple woods on the verge of the village of Three Pines. She'd fallen spread-eagled, as though making angels in the bright and brittle leaves.
Chief Inspector Armand Gamache of the Sûreté du Quebec knelt down; his knees cracking like the report of a hunter's rifle, his large, expressive hands hovering over the tiny circle of blood marring her fluffy cardigan, as though like a magician he could remove the wound and restore the woman. But he could not. That wasn't his gift. Fortunately for Gamache he had others. The scent of mothballs, his grandmother's perfume, met him halfway. Jane's gentle and kindly eyes stared as though surprised to see him.
He was surprised to see her. That was his little secret. Not that he'd ever seen her before. No. His little secret was that in his mid-fifties, at the height of a long and now apparently stalled career, violent death still surprised him. Which was odd, for the head of homicide, and perhaps one of the reasons he hadn't progressed further in the cynical world of the Sûreté. Gamache always hoped maybe someone had gotten it wrong, and there was no dead body. But there was no mistaking the increasingly rigid Miss Neal. Straightening up with the help of Inspector Beauvoir, he buttoned his lined Burberry against the October chill and wondered.
Jane Neal had also been late, but in a whole other sense, a few days earlier. She'd arranged to meet her dear friend and next-door neighbor Clara Morrow for coffee in the village bistro. Clara sat at the table by the window and waited. Patience was not her long suit. The mixture of cafe au lait and impatience was producing an exquisite vibration. Throbbing slightly, Clara stared out the mullioned window at the village green and the old homes and maple trees that circled the Commons. The trees, turning breathtaking shades of red and amber, were just about the only things that did change in this venerable village.
Framed by the mullions, she saw a pick-up truck drift down rue du Moulin into the village, a beautiful dappled doe draped languidly over its hood. Slowly the truck circled the Commons, halting villagers in mid-step. This was hunting season and hunting territory. But hunters like these were mostly from Montreal or other cities. They'd rent pickups and stalk the dirt roads at dawn and dusk like behemoths at feeding time, looking for deer. And when they spotted one they'd slither to a stop, step out of the truck and fire. Not all hunters were like that, Clara knew, but enough of them were. Those same hunters would strap the deer on to the hood of their truck and drive around the countryside believing the dead animal on the vehicle somehow announced that great men had done this.
Every year the hunters shot cows and horses and family pets and each other. And, unbelievably, they sometimes shot themselves, perhaps in a psychotic episode where they mistook themselves for dinner. It was a wise person who knew that some hunters – not all, but some – found it challenging to distinguish a pine from a partridge from a person.
Clara wondered what had become of Jane. She was rarely late, so she could easily be forgiven. Clara found it easy to forgive most things in most people. Too easy, her husband Peter often warned. But Clara had her own little secret. She didn't really let go of everything. Most things, yes. But some she secretly held and hugged and would visit in moments when she needed to be comforted by the unkindness of others.
Croissant crumbs had tumbled on top of the Montreal Gazette left at her table. Between flakes Clara scanned the headlines: 'Parti Quebecois Vows to Hold Sovereignty Referendum', 'Drug Bust in Townships', 'Hikers Lost in Tremblant Park'.
Clara lifted her eyes from the morose headlines. She and Peter had long since stopped subscribing to the Montreal papers. Ignorance really was bliss. They preferred the local Williamsburg County News where they could read about Wayne's cow, or Guylaine's visiting grandchildren, or a quilt being auctioned for the seniors' home. Every now and then Clara wondered if they were copping out, running away from reality and responsibility. Then she realised she didn't care. Besides, she learned everything she really needed to survive right here at Olivier's Bistro, in the heart of Three Pines.
'You're a million miles away,' came the familiar and well-loved voice. There was Jane, out of breath and smiling, her laugh-lined face pink from the autumn chill and the brisk trot from her cottage across the village green.
'Sorry I'm late,' she whispered into Clara's ear as the two hugged, one tiny, plump and breathless, the other thirty years younger, slim, and still vibrating from the caffeine high. 'You're trembling,' said Jane, sitting down and ordering her own cafe au lait. 'I didn't know you cared so much.'
'Filthy old hag,' laughed Clara.
'I was this morning, that's for sure. Did you hear what happened?'
'No, what happened?' Clara leaned forward eager for the news. She and Peter had been in Montreal buying canvases and acrylics for their work. Both were artists. Peter, a success. Clara as yet was undiscovered and, most of her friends secretly felt, was likely to remain that way if she persisted in her unfathomable works. Clara had to admit her series of warrior uteruses were mostly lost on the buying public, though her household items with bouffant hair and huge feet had enjoyed a certain success. She'd sold one. The rest, roughly fifty of them, were in their basement, which looked a lot like Walt Disney's workshop.
'No,' whispered Clara a few minutes later, genuinely shocked. In the twenty-five years she'd lived in Three Pines she'd never, ever heard of a crime. The only reason doors were locked was to prevent neighbors from dropping off baskets of zucchini at harvest time. True, as the Gazette headline made clear, there was another crop that equaled zucchini in scope: marijuana. But those not involved tried to turn a blind eye.
Beyond that, there was no crime. No break-ins, no vandalism, no assaults. There weren't even any police in Three Pines. Every now and then Robert Lemieux with the local Sûreté would drive around the Commons, just to show the colors, but there was no need.
Until that morning.
'Could it have been a joke?' Clara struggled with the ugly image Jane had painted.
'No. It was no joke,' said Jane, remembering. 'One of the boys laughed. It was kind of familiar, now that I think of it. Not a funny laugh.' Jane turned her clear blue eyes on Clara. Eyes full of wonderment. 'It was a sound I'd heard as a teacher. Not often, thank God. It's the sound boys make when they're hurting something and enjoying it.' Jane shivered at the recollection, and pulled her cardigan around her. 'An ugly sound. I'm glad you weren't there.'
She said this just as Clara reached across the round dark wood table and held Jane's cold, tiny hand and wished with all her heart she had been there instead of Jane.
'They were just kids, you say?'
'They wore ski masks, so it was hard to tell, but I think I recognised them.'
'Who were they?'
'Philippe Croft, Gus Hennessey and Claude LaPierre,' Jane whispered the names, looking around to make sure no one could overhear.
'Are you sure?' Clara knew all three boys. They weren't exactly the Boy Scout types, but neither were they the sort to do this.
'No,' admitted Jane.
'Better not tell anyone else.'
'What do you mean, "too late"?'
'I said their names this morning, while it was happening.'
'Said their names in a whisper?' Clara could feel the blood tumbling from her fingers and toes, rushing to her core, to her heart. Please, please, please, she silently begged.
Seeing Clara's expression, Jane hurried to justify herself. 'I wanted to stop them. It worked. They stopped.'
Jane could still see the boys running away, tripping up du Moulin, out of the village. The one in the brilliant-green mask had turned to look back at her. His hands were still dripping duck manure. The manure put there as autumn mulch for the flower beds on the village green, and not yet spread. She wished she could have seen the boy's expression. Was he angry? Scared? Amused?
'So you were right. About their names, I mean.'
'Probably. I never thought I'd live to see the day this would happen here.'
'So that was why you were late? You had to clean up?'
'Yes. Well, no.'
'Could you be more vague?'
'Maybe. You're on the jury for the next Arts Williamsburg show, right?'
'Yes. We're meeting this afternoon. Peter's on it too. Why?' Clara was almost afraid to breathe. Could this be it? After all her cajoling and gentle ribbing, and sometimes not-so-gentle shoving, was Jane about to do it?
'I'm ready.' Jane gave the biggest exhale Clara had ever seen. The force of it sent a squall of croissant flakes from the front page of the Gazette on to Clara's lap.
'I was late,' said Jane slowly, her own hands beginning to tremble, 'because I had to decide. I have a painting I'd like to enter into the show.'
With that she started to cry.
Jane's art had been an open secret in Three Pines for ever. Every now and then someone walking in the woods or through a field would stumble upon her, concentrating on a canvas. But she'd made them swear that they wouldn't approach, wouldn't look, would avert their eyes as though witnessing an act almost obscene, and certainly would never speak of it. The only time Clara had seen Jane angry was when Gabri had come up behind her while she'd been painting. He thought she'd been joking when she'd warned them never to look.
He was wrong. She'd been deadly serious. It had actually taken a few months for Jane and Gabri to get back to a normal friendship; both had felt betrayed by the other. But their natural good nature and affection for each other had healed the rift. Still, it had served as a lesson.
No one was to see Jane's art.
Until now, apparently. But now the artist was overcome with an emotion so strong she sat in the Bistro and wept. Clara was both horrified and terrified. She looked furtively around, partly in hopes no one was watching, and partly desperately hoping someone was, and would know what to do. Then she asked herself the simple question that she carried with her and consulted like a rosary. What would Jane do? And she had her answer. Jane would let her cry, would let her wail. Would let her throw crockery, if she needed to. And Jane would not run away. When the maelstrom passed, Jane would be there. And then she would put her arms around Clara, and comfort her, and let her know she was not alone. Never alone. And so Clara sat and watched and waited. And knew the agony of doing nothing. Slowly the crying subsided.
Clara rose with exaggerated calm. She took Jane in her arms and felt the old body creak back into place. Then she said a little prayer of thanks to the gods that give grace. The grace to cry and the grace to watch.
'Jane, if I'd known it was this painful I'd never have kept at you to show your art. I'm so sorry.'
'Oh, no, dear,' Jane reached across the table where they were sitting once again, and took Clara's hands, 'you don't understand. Those weren't tears of pain. No. I was surprised by joy.' Jane gazed far off and nodded, as though carrying on a private conversation. 'Finally.'
'What's it called, your painting?'
'Fair Day. It's of the closing parade of the county fair.'
And so it was that on the Friday before Thanksgiving the painting was lifted on to an easel in the gallery of Arts Williamsburg. It was wrapped in butcher's paper and tied with string, like a child's bundle, against the cold, cruel elements. Slowly, meticulously, Peter Morrow picked at the knot, tugging the string until it came loose. Then he wound the old string around his palm as though winding yarn. Clara could have killed him. She was ready to shriek, to jump from her chair and shove him aside. To fling the pathetic bundle of string to the ground, and perhaps Peter with it, and tear the waxed paper from the canvas. Her face became even more placid, though her eyes had begun to bulge.
Peter neatly unfolded first one corner of the paper then the other, smoothing the creases with his hand. Clara had no idea a rectangle had so many corners. She could feel the edge of her chair cutting into her bottom. The rest of the jury, assembled to judge the submissions, looked bored. Clara had enough anxiety for them all.
Every last corner was finally smooth and the paper was ready to be removed. Peter turned around to face the other four jurors and make a little speech before revealing the work beneath. Something short and tasteful, he felt. A bit of context, a bit of – he caught his wife's bulging eyes in her purple face and knew that when Clara became abstract it was no time for speechifying.
He quickly turned back to the painting and whipped the brown paper off, revealing Fair Day.
Clara's jaw dropped. Her head jerked down as though suddenly insupportable. Her eyes widened and her breathing stopped. It was as though she'd died, for an instant. So this was Fair Day. It took her breath away. And clearly the other jurors felt the same way. There were varying degrees of disbelief on the semi-circle of faces. Even the chairperson, Elise Jacob, was silent. She actually looked like she was having a stroke.
Clara hated judging other people's work, and this was the worst so far. She'd kicked herself all the way there for convincing Jane to enter her first work ever for public viewing in an exhibition she herself was judging. Was it ego? Was it mere stupidity?
'This work is called Fair Day,' read Elise from her notes. 'It's being submitted by Jane Neal of Three Pines, a longtime supporter of Arts Williamsburg, but her first submission.' Elise looked around. 'Comments?'
'It's wonderful,' Clara lied. The others looked at her in astonishment. Facing them on the easel was an unframed canvas and the subject was obvious. The horses looked like horses, the cows were cows, and the people were all recognisable, not only as people but as specific people from the village. But they were all stick figures. Or at least perhaps one evolutionary notch up from stick figures. In a war between a stick figure army and these people in Fair Day, the Fair Day people would win, only because they had a little more muscle. And fingers. But it was clear that these people lived in only two dimensions. Clara, in trying to grasp what she was looking at, and trying not to make the obvious comparisons, felt that it was a little like a cave drawing put on canvas. If Neanderthals had county fairs, this was what they'd have looked like.
'Mon Dieu. My four-year-old can do better than that,' said Henri Lariviere, making the obvious comparison. Henri had been a laborer in a quarry before discovering that the stone spoke to him. And he listened. There was no going back after that, of course, though his family longed for the day when he made at least the minimum wage instead of huge stone sculptures. His face now, as ever, was broad and rough and inscrutable, but his hands spoke for him. They were turned up in a simple and eloquent gesture of appeal, of surrender. He was struggling to find the appropriate words, knowing that Jane was a friend of many of the jurors. 'It's awful.' He'd clearly given up the struggle and reverted to the truth. Either that or his description was actually kind compared to what he really thought.
In bold, bright colors Jane's work showed the parade just before the closing of the fair. Pigs were distinguishable from goats only because they were bright red. The children looked like little adults. In fact, thought Clara leaning tentatively forward as though the canvas might deal her another blow, those aren't children. They're small adults. She recognised Olivier and Gabri leading the blue rabbits. In the stands beyond the parade sat the crowd, many of them in profile, looking at each other, or looking away from each other. Some, not many, looked straight at Clara. All the cheeks had perfect round red circles, denoting, Clara supposed, a healthy glow. It was awful.
'Well, that's easy enough at least,' said Irenée Calfat. 'That's a reject.'
Clara could feel her extremities grow cold and numb.
Excerpted from Still Life by Louise Penny. Copyright © 2005 Louise Penny. Excerpted by permission of St. Martin's Press.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Table of Contents
9.30 a.m. Rise and Shine
9.45 a.m. Answering the Call of Nature
10 a.m. A Spot of Breakfast
10.45 a.m. Jumping in the Shower
11.15 a.m. Walking the Dog
12 p.m. Keeping in Touch
6 p.m. Picking an Outfit
7 p.m. A Champagne Aperitif
7.45 p.m. Dinner
9.30 p.m. Drinks
11.45 p.m. Brushing our Teeth
11.53 p.m. Getting into Bed
11.59 p.m. Setting the Alarm Clock
Reading Group Guide
Chief Inspector Armand Gamache of the Sûreté du Québec and his team of investigators are called in to the scene of a suspicious death in a rural village south of Montréal and yet a world away. Jane Neal, a long-time resident of Three Pines, has been found dead in the woods. The locals are certain it's a tragic hunting accident and nothing more but Gamache smells something foul this holiday season…and is soon certain that Jane died at the hands of someone much more sinister than a careless bowhunter. …
With this award-winning first novel, Louise Penny introduces an engaging hero in Inspector Gamache, who commands his forcesand this serieswith power, ingenuity, and charm.
Discussion questions for The Three Pines Mysteries, by Louise Penny
1. How important is the use of humor in this book?
2. Which Three Pines villager would you most like to have cafe au lait with at the bistro?
3. Why is Ruth a villager?
4 Louise Penny says her books are about murder, but at their heart they're about other things. What else is this book about? What are some other themes?
5. Agent Nichol is an extremely controversial character in the books. What do you think of her? What purpose does she serve
Discussion questions for Still Life
1. At the beginning of Still Life, we are told that "violent death still surprised" Chief Inspector Armand Gamache. Why is that odd for a homicide detective, and how does it influence his work? What are his strengths and his weaknesses?
2. The village of Three Pines is not on any map, and when Gamache and Agent Nicole first arrive there, they see "the inevitable paradox. An old stone mill sat beside a pond, the mid morning sun warming its fieldstones. Around it the maples and birches and wild cherry trees held their fragile leaves, like thousands of happy hands waving to them on arrival. And police cars. The snakes in Eden." Can you find other echoes of Paradise in Three Pines, and what role do snakesreal or metaphoricalplay there?
3. There are three main couples in the book: Clara and Peter, Olivier and Gabri, and Gamache and Reine-Marie. How would you characterize each of these relationships?
4. Gamache says "I've never met anyone uniformly kind and good," yet no one has anything bad to say about Janeexcept regarding her art. What is your impression of that art? How do you understand the game Jane used to play with Yolande and the Queen of Hearts?
5. When the charred arrowhead is found in his home, it is said that Matthew Croft "had finally been hurt beyond poetry." How does poetry help him and other characters in this novel? Does it ever have the power to hurt? What do you think of Timmer Hadley's idea that "there's something about Ruth Zardo, something bitter, that resents happiness in others, and needs to ruin it. That's probably what makes her a great poet, she knows what it is to suffer."
6. Consider Gamache's advice to Nichol: "Life is choice. All day, everyday. Who we talk to, where we sit, what we say, how we say it. And our lives become defined by our choices. It's as simple and as complex as that. And as powerful." Similarly, Myrna stopped practicing psychology because she lost patience with people who lead "still" lives, "waiting for someone to save them….The fault lies with us, and only us. It's not fate, not genetics, not bad luck, and it's definitely not Mom and Dad. Ultimately it's us and our choices." How do their choices affect the principal characters in the novel? Do any of their choices remind you of ones you have made in your own life?
7. There's a huge clue to the murder early in the book, when Jane gives Ben a meaningful look and then quotes from W. H. Auden: "Evil is unspectacular and always human, and shares our bed and eats at our own table." Why is it so easy to overlook that clue at the time, and what impact does it have when it's quoted again in the last chapter?
8. Who do you think Gamache has in mind when he tells Gabri and Olivier: "You're not the types to do murder. I wish I could say the same for everyone here."
9. Clara has "very specific tastes" in murder mysteries: "Most of them were British and all were of the village cozy variety." Do you see Still Life as a typical "cozy"? Why or why not?
Most Helpful Customer Reviews
Penny is Canadian, lives in Quebec, and that's her setting. Her detective is Armand Gamache, chief inspector of an elite branch of the state police in charge of investigating murders. Gamache believes the seeds that lead to murder are planted in the murderer's past, something emotional that most people would get over but in this particular individual, they remain and fester and eventually lead to the person committing a murder. The investigation, therefore, has to involve getting to know all those involved and delving back into the suspects' and victim's past to find the cause that eventually led to the murder. Her setting is the very small and seemingly idyllic village of Three Pines. It is not shown on any map; those who find it do so either by accident or while exploring randomly in the area south of Montreal but still north of the border with the USA. The village is home to artists and poets, very interesting characters. Penny is brilliant at including all the detail - when they eat, you get hungry - and presenting very interesting characters. Some of them feel that Three Pines is a sort of Brigadoon, the Scots village that magically appeared on earth for only a single day many years apart - a magical place apart from the rigors and ups and downs of the rest of the world. And yet, it is the site of murders which bring Chief Inspector Gamache and his eclectic team of investigators in to delve into everyone's lives because in Three Pines everyone is involved in all that goes on. Highly recommended. This work and the entire series.
A great fan of the Golden Age of Mysteries, I am frequently disappointed when I try new writers of this genre. There seems to be an abundance of modern authors who write in a style that is horrifically violent, and even more who weave a "cutesy" humor in and out of the fabric of the crime yarn. Louise Penny is above all this, a great story teller with intriguing and believable characters, grand plots, and settings that make you go put the kettle on and get comfortable for a good night's read.
I'm so glad that the NYT Book Review introduced me to this series last week. This book was wonderful. I was so excited when I checked it out and saw it was $2.99, so I got it immediately and devoured it. It is so much more than a "cozy" mystery - no cutsey gimmicks, no horribly convenient plot twists, no stupid coincidences. Just solid writing, engaging characters, and plenty of surprising, insightful lines of prose that definitely should make a reader step back and recognize that this goes well above and beyond most mysteries. I immediately downloaded book two, and I'm excited that I have several more waiting for me after that.
Louise Penny's first Three Pines Mystery with Armand Gamache is WONDERFUL! I love the way she writes - and her analysis of human nature and the foibles and failings. I love the way she explores not only the mystery of the murder, but also uses simple vignettes to illustrate the tragedy the murder visits on the people of Twin Pines, from the friends to the victim's dog. She writes about people as they really are, not idealized versions of themselves. It's one of those books, that when you have to put it down, it whispers to you and you can't stop wondering what the characters are doing now, what Gamache will observe next to move the story along. You want to meet and interact with the characters of the novel and can't wait to get back to the story.
The story takes place in Three Pines, a small rural village south of Montreal where gentle seventy-six year old woman named Jane Neal is shot through the heart with an arrow. This is a humorous, thoughtful, and captivating study of close-knit friends and relatives who celebrate their successes and mourn their losses together. Miss Marple anyone?
Louise Penny is my new favorite author. It is no wonder she is winning awards. She writes true literature. My husband agrees. Read her books in order and fall in love with the characters.
I started reading this series with the latest book, The Brutal Telling, and fell in love with the characters in Three Pines. I had to get all the books in this series. Still Life is an awesome read and is well written and thoughtful. Inspector Gamache is like a great big teddy bear, but with some bite when necessary. The inspector goes about his discovery with a slow and steady approach to finding the real killer, but the truth comes out eventually. And they do love to eat. It always leaves me wanting to have lunch in Three Pines, just listening in on their conversations or reading a book at the bistro and feeling so comfortable. All the characters are strange and wonderful at the same time. Can't wait to start the next book.
Still Life was a murder mystery written in such elegant prose it seems to create a new genre. Delightful, eccentric characters in a unique environment, and so many suspects I couldn’t put it down.
And of course we have harriet klausner along to ruin yet another book with her cliff note book report plot spoiler that totally ruins the book. Come on bn, when are you ever going to do something to this obnoxious postet. Ban her, delete her her posts, do something but get rid of her.
I absolutely LOVE these books! Each character becomes a part of your family while reading about them. After finishing this book I was sad to see my friends go...and looked forward to the next mystery awaiting me in 3 Pines.
Suprisingly good small town mystery. Anyone who likes to curl up with a good mystery full of interesting characters and strong main characters will love this book.
I'm really glad I discovered this author. She has a great writing style and the characters are wonderful! The setting is different and the whole package is just a refreshing change from the mysteries I've been reading. The ending was a surprise. I have fallen in love with this town and the characters that live in it, and can't wait to read the rest of these books.
I really enjoy mysteries like this one, set in a cozy little town where it seems talents such as artists and literary folks always end up. Not only is the inspector clever, but the townspeople as well. This one takes place in small-town Quebec, with some of the conflicts which that entails; the Anglos vs the French, the prejudice against gays, etc. A minor annoyance I found: I don't know if it was just my ebook edition or not, but I was often distracted by the way quotes in the book were laid out. Single quotation marks were used instead of double, and then quotes within quotes had double marks instead of single. Some quotation marks were missing entirely. Two different characters' quotes followed one another within a single paragraph, making me wonder who said what. I'm rather a stickler for proper punctuation, so maybe I'm just being anal; or, like I said, maybe my ebook was just thrown together too haphazardly.
I am so excited to have found this great series (Chief Inspector Armand Gamache) by Louise Penny. I started and finished reading the first of the series "Still Life" in one day, have now ordered the second in the series. You are pulled into the life of Three Pines and its inhabitants in a compelling manner without being bombarded with needless obscenities or vulgarity.
Looking to introduce myself to the modern mystery genre, I had asked mystery readers for a recommendation, and picked this book from the list I got back. I enjoyed the book, but found parts of it confusing and other parts simply bizarre. The mystery was interesting, and kept me guessing right until the end, just like a good mystery should. Once it was revealed, all of the pieces fell into place, and you could easily trace where all the clues had been dropped through the opening stages of the story. While the detective character didn't really go through any changes in the course of the story, many of the other characters, really the "main" characters of the story, faced challenges and went through changes that felt genuine and appropriate. Those aspects of the book were enjoyable. On the other hand, the author moves back and forward in time with fluid ease, but without signposts. It was jarring at first reading scenes where the victim was talking and interacting with people having read about her corpse with little indication that the author's eye had jumped back in time. Also, the author's use of third-person omniscient viewpoint sometimes sent me reeling as we moved from one character's head to another and then another again, all within the span of a couple of paragraphs. Finally, there seemed to be some characters that seemed at first to be central to the story but who were marginalized by the middle of the book, and then completely disappeared well before the end of the book, and never really had their issues resolved. Perhaps they'll come back in future books? I don't know, and I'm not sure I'll find out. I'm just not compelled to read further books in this series.
I read this a while back but I remember that I enjoyed it. So well written and engaging on many levels. Set in Quebec, the Chief Inspector is called in to investigate the death of an older woman, whose body is found in woods. He believes it's murder but the local think it's an accident.
This well written, well paced book just did not catch my fancy. I had some trouble keeping some of the characters straight, disliked one intensely, and didn't really care too much about the others. The setting was very nice, and very nicely written. The mystery was fairly plotted, but something fell short for me. I will read the next because I really don't understand what was lacking. This book should be a delight to any cozy reader.
The Armand Gamache series by Louise Penny portrays interesting characters from an ordinary, yet somewhat mystical village, who accept and love one another with their quirks and flaws. Penny's use of metaphors takes the reader to a deep level of human psychology - at the same time the plot moves along at an entertaining pace. There's a balance of the serious business of crime solving and cozy scenes with delicious food and humorous dialog. I can't wait to finish reading the series.
I enjoyed this book so much I immediately ordered the second in the series and now am ready to start the third one. The writing has a poetic quality that adds so much to the descriptions; I fell in love with Inspector Gamache, and the story itself is compelling--an old-fashioned whodunit.
I love this book! A wonderful mystery filled with characters so richly detailed that I want to meet them some day! Can't wait to read more of the series.
This book kept me guessing who done it until the very end. I enjoyed the character of Inspector Gamache very much and am looking forward to reading the other books in the series.
The first of a marvelous series of 9 books. Most wonderful writer. Could not put the books down.
Such a breath of fresh air from the thoughtlessly violent mystery books that abound the shelves today. Penny has a delightful way of getting us into the heads of the characters so that you can relate to them from a human perspective. At a few points the conversations were so true to life they became hard to follow. Penny seemed to have smoothed this awkwardness out in later books. As a Mystery you are kept guessing and second guessing all the way to the end but in hindsight makes perfect sense. And as life there are unresolved threads that wind throughout several books in the series keeping me wanting more. I look forward to curling up with a cafe au lait and visiting Three Pines and my new found friends many more times in this series!
Recommended by a friend. I read "Still Life" and then ordered the rest of the series. Have since finished the second book. I love the author and her stories!!
One of the best mystery authors currently writing. Amazing, well-developed characters that you follow through the series and become attached to. So many wish they could write like Louise Penny.