World Fantasy Award Winner: Fiction that “combines a richly textured multicultural background with incisive storytelling,” by the author of The Salt Roads ( Library Journal ).
In Skin Folk , with works ranging from science fiction to Caribbean folklore, passionate love to chilling horror, Nalo Hopkinson is at her award-winning best spinning tales like “Precious,” in which the narrator spews valuable coins and gems from her mouth whenever she attempts to talk or sing. In “A Habit of Waste,” a self-conscious woman undergoes elective surgery to alter her appearance; days later she’s shocked to see her former body climbing onto a public bus. In “The Glass Bottle Trick,” the young protagonist ignores her intuition regarding her new husband’s superstitions—to horrifying consequences.Hopkinson’s unique and vibrant sense of pacing and dialogue sets a steady beat for stories that illustrate why she received the 1999 John W. Campbell Award for Best New Writer. Entertaining, challenging, and alluring, Skin Folk is not to be missed.
|Publisher:||Grand Central Publishing|
|Product dimensions:||8.00(w) x 5.00(h) x 0.62(d)|
About the Author
Nalo Hopkinson is a Jamaican-born Canadian whose taproots extend to Trinidad and Guyana. She has published numerous novels and short stories and occasionally edits anthologies. Her writing has received the John W. Campbell Memorial Award, the Locus Award, the World Fantasy Award, the Sunburst Award for Excellence in Canadian Literature of the Fantastic, and the Andre Norton Award. Hopkinson is a professor of creative writing at the University of California, Riverside. She has taught numerous times at both the Clarion Writers’ Workshop and the Clarion West Writers Workshop. Hopkinson’s short story collection Falling in Love With Hominids will appear in 2015.
Read an Excerpt
By Nalo Hopkinson
Warner AspectCopyright © 2001 Nalo Hopkinson
All right reserved.
Chapter OneIn my anthology Whispers from the Cotton Tree Root: Caribbean Fabulist Fiction, I introduced the following story with these words: "Eggs are seeds, perfectly white on the outside. Who knows what complexions their insides might reveal when they crack open to germinate and bear fruit?"
THE GLASS BOTTLE TRICK
The air was full of storms, but they refused to break. In the wicker rocking chair on the front verandah, Beatrice flexed her bare feet against the wooden slat floor, rocking slowly back and forth. Another sweltering rainy season afternoon. The arid heat felt as though all the oxygen had boiled out of the parched air to hang as looming rainclouds, waiting.
Oh, but she loved it like this. The hotter the day, the slower she would move, basking. She stretched her arms and legs out to better feel the luxuriant warmth, then guiltily sat up straight again. Samuel would scold if he ever saw her slouching like that. Stuffy Sammy. She smiled fondly, admiring the lacy patterns the sunlight threw on the floor as it filtered through the white gingerbread fretwork that trimmed the roof of their house.
"Anything more today, Mistress Powell? I finish doing the dishes." Gloria had come out of the house and was standing in front of her, wiping her chapped hands on her apron.
Beatrice felt the shyness come over her as it always did when she thought of giving the older woman orders. Gloria was older than Beatrice's mother. "Ah ... no, I think that's everything, Gloria ..."
Gloria quirked an eyebrow, crinkling her face like running a fork through molasses. "Then I go take the rest of the afternoon off. You and Mister Samuel should be alone tonight. Is time you tell him."
Beatrice gave an abortive, shamefaced "huh" of a laugh. Gloria had known from the start, she'd had so many babies of her own. She'd been mad to run to Samuel with the news from since. But yesterday, Beatrice had already decided to tell Samuel. Well, almost decided. She felt irritated, like a child whose tricks have been found out. She swallowed the feeling. "I think you right, Gloria," she said, fighting for some dignity before the older woman. "Maybe ... maybe I cook him a special meal, feed him up nice, then tell him."
"Well, I say is time and past time you make him know. A pickney is a blessing to a family."
"For true," Beatrice agreed, making her voice sound as certain as she could.
"Later, then, Mistress Powell." Giving herself the afternoon off, not even a by-your-leave, Gloria headed off to the maid's room at the back of the house to change into her street clothes. A few minutes later, she let herself out the garden gate.
"That seems like a tough book for a young lady of such tender years."
"Excuse me?" Beatrice threw a defensive cutting glare at the older man. He'd caught her off guard, though she'd seen his eyes following her ever since she entered the bookstore. "You have something to say to me?" She curled the Gray's Anatomy possessively into the crook of her arm, price sticker hidden against her body. Two more months of saving before she could afford it.
He looked shyly at her. "Sorry if I offended, Miss," he said. "My name is Samuel."
Would be handsome, if he'd chill out a bit. Beatrice's wariness thawed a little. Middle of the sun-hot day, and he wearing black wool jacket and pants. His crisp white cotton shirt was buttoned right up, held in place by a tasteful, unimaginative tie. So proper, Jesus. He wasn't that much older than she.
"Is just ... you're so pretty, and it's the only thing I could think of to say to get you to speak to me."
Beatrice softened more at that, smiled for him and played with the collar of her blouse. He didn't seem too bad, if you could look beyond the stocious, starchy behaviour.
Beatrice doubtfully patted the slight swelling of her belly. Four months. She was shy to give Samuel her news, but she was starting to show. Silly to put it off, yes? Today she was going to make her husband very happy; break that thin shell of mourning that still insulated him from her. He never said so, but Beatrice knew that he still thought of the wife he'd lost, and tragically, the one before that. She wished she could make him warm up to life again.
Sunlight was flickering through the leaves of the guava tree in the front yard. Beatrice inhaled the sweet smell of the sun-warmed fruit. The tree's branches hung heavy with the pale yellow globes, smooth and round as eggs. The sun reflected off the two blue bottles suspended in the tree, sending cobalt light dancing through the leaves.
When Beatrice first came to Sammy's house, she'd been puzzled by the two bottles that were jammed onto branches of the guava tree.
"Is just my superstitiousness, darling," he'd told her. "You never heard the old people say that if someone dies, you must put a bottle in a tree to hold their spirit, otherwise it will come back as a duppy and haunt you? A blue bottle. To keep the duppy cool, so it won't come at you in hot anger for being dead."
Beatrice had heard something of the sort, but it was strange to think of her Sammy as a superstitious man. He was too controlled and logical for that. Well, grief makes somebody act in strange ways. Maybe the bottles gave him some comfort, made him feel that he'd kept some essence of his poor wives near him.
"That Samuel is nice. Respectable, hard-working. Not like all them other ragamuffins you always going out with." Mummy picked up the butcher knife and began expertly slicing the goat meat into cubes for the curry.
Beatrice watched the red lumps of flesh part under the knife. Crimson liquid leaked onto the cutting board. She sighed, "But, Mummy, Samuel so boring! Michael and Clifton know how to have fun. All Samuel want to do is go for country drives. Always taking me away from other people."
"You should be studying your books, not having fun," her mother replied crossly.
Beatrice pleaded, "You well know I could do both, Mummy." Her mother just grunted.
Is only truth Beatrice was talking. Plenty men were always courting her, they flocked to her like birds, eager to take her dancing or out for a drink. But somehow she kept her marks up, even though it often meant studying right through the night, her head pounding and belly queasy from hangover while some man snored in the bed beside her. Mummy would kill her if she didn't get straight A's for medical school. "You going have to look after yourself, Beatrice. Man not going do it for you. Them get their little piece of sweetness and then them bruk away."
"Two patty and a King Cola, please." The guy who'd given the order had a broad chest that tapered to a slim waist. Good face to look at, too. Beatrice smiled sweetly at him, made shift to gently brush his palm with her fingertips as she handed him the change.
A bird screeched from the guava tree, a tiny kiskedee, crying angrily, "Dit, dit, qu'est-ce qu'il dit!" A small snake was coiled around one of the upper branches, just withdrawing its head from the bird's nest. Its jaws were distended with the egg it had stolen. It swallowed the egg whole, throat bulging hugely with its meal. The bird hovered around the snake's head, giving its pitiful wail of, "Say, say, what's he saying!"
"Get away!" Beatrice shouted at the snake. It looked in the direction of the sound, but didn't back off. The gulping motion of its body as it forced the egg farther down its own throat made Beatrice shudder. Then, oblivious to the fluttering of the parent bird, it arched its head over the nest again. Beatrice pushed herself to her feet and ran into the yard. "Hsst! Shoo! Come away from there!" But the snake took a second egg.
Sammy kept a long pole with a hook at one end leaned against the guava tree for pulling down the fruit. Beatrice grabbed up the pole, started jooking it at the branches as close to the bird and nest as she dared. "Leave them, you brute! Leave!" The pole connected with some of the boughs. The two bottles in the tree fell to the ground and shattered with a crash. A hot breeze sprang up. The snake slithered away quickly, two eggs bulging in its throat. The bird flew off, sobbing to itself.
Nothing she could do now. When Samuel came home, he would hunt the nasty snake down for her and kill it. She leaned the pole back against the tree.
The light breeze should have brought some coolness, but really it only made the day warmer. Two little dust devils danced briefly around Beatrice. They swirled across the yard, swung up into the air, and dashed themselves to powder against the shuttered window of the third bedroom.
Beatrice got her sandals from the verandah. Sammy wouldn't like it if she stepped on broken glass. She picked up the broom that was leaned against the house and began to sweep up the shards of bottle. She hoped Samuel wouldn't be too angry with her. He wasn't a man to cross, could be as stern as a father if he had a mind to.
That was mostly what she remembered about Daddy, his temper-quick to show and just as quick to go. So was he; had left his family before Beatrice turned five. The one cherished memory she had of him was of being swung back and forth through the air, her two small hands clasped in one big hand of his, her feet held tight in another. Safe. And as he swung her through the air, her daddy had been chanting words from an oldtime story:
Yung-Kyung-Pyung, what a pretty basket! Margaret Powell Alone, what a pretty basket! Eggie-law, what a pretty basket!
Then he had held her tight to his chest, forcing the air from her lungs in a breathless giggle. The dressing-down Mummy had given him for that game! "You want to drop the child and crack her head open on the hard ground? Ee? Why you can't be more responsible?"
"Responsible?" he'd snapped. "Is who working like dog sunup to sundown to put food in oonuh belly?" He'd set Beatrice down, her feet hitting the ground with a jar. She'd started to cry, but he'd just pushed her towards her mother and stormed out of the room. One more volley in the constant battle between them. After he'd left them Mummyhad opened the little food shop in town to make ends meet. In the evenings, Beatrice would rub lotion into her mother's chapped, work-wrinkled hands. "See how that man make us come down in the world?" Mummy would grumble. "Look at what I come to."
Privately, Beatrice thought that maybe all Daddy had needed was a little patience. Mummy was too harsh, much as Beatrice loved her. To please her, Beatrice had studied hard all through high school: physics, chemistry, biology, describing the results of her lab experiments in her copy book in her cramped, resigned handwriting. Her mother greeted every A with a noncommittal grunt and anything less with a lecture. Beatrice would smile airily, seal the hurt away, pretend the approval meant nothing to her. She still worked hard, but she kept some time for play of her own. Rounders, netball, and later, boys. All those boys, wanting a chance for a little sweetness with a light-skin browning like her. Beatrice had discovered her appeal quickly.
"Leggo beast ..." Loose woman. The hissed words came from a knot of girls that slouched past Beatrice as she sat on the library steps, waiting for Clifton to come and pick her up. She willed her ears shut, smothered the sting of the words. But she knew some of those girls. Marguerita, Deborah. They used to be friends of hers. Though she sat up proudly, she found her fingers tugging self-consciously at the hem of her short white skirt. She put the big physics textbook in her lap, where it gave her thighs a little more coverage.
The farting vroom of Clifton's motorcycle interrupted her thoughts. Grinning, he slewed the bike to a dramatic halt in front of her. "Study time done now, darling. Time to play."
He looked good this evening, as he always did. Tight white shirt, jeans that showed off the bulges of his thighs. The crinkle of the thin gold chain at his neck set off his dark brown skin. Beatrice stood, tucked the physics text under her arm, smoothed the skirt over her hips. Clifton's eyes followed the movement of her hands. See, it didn't take much to make people treat you nice. She smiled at him.
Samuel would still show up hopefully every so often to ask her to accompany him on a drive through the country. He was so much older than all her other suitors. And dry? Country drives, Lord! She went out with him a few times; he was so persistent and she couldn't figure out how to tell him no. He didn't seem to get her hints that really she should be studying. Truth to tell, though, she started to find his quiet, undemanding presence soothing. His eggshell-white BMW took the graveled country roads so quietly that she could hear the kiskedee birds in the mango trees, chanting their query: "Dit, dit, qu'est-ce qu'il dit?"
One day, Samuel brought her a gift.
"These are for you and your family," he said shyly, handing her a wrinkled paper bag. "I know your mother likes them." Inside were three plump eggplants from his kitchen garden, raised by his own hands. Beatrice took the humble gift out of the bag. The skins of the eggplants had a taut, blue sheen to them. Later she would realise that that was when she'd begun to love Samuel. He was stable, solid, responsible. He would make Mummy and her happy.
Beatrice gave in more to Samuel's diffident wooing. He was cultured and well spoken. He had been abroad, talked of exotic sports: ice hockey, downhill skiing. He took her to fancy restaurants she'd only heard of, that her other, young, unestablished boyfriends would never have been able to afford, and would probably only have embarrassed her if they had taken her. Samuel had polish. But he was humble, too, like the way he grew his own vegetables, or the self-deprecating tone in which he spoke of himself. He was always punctual, always courteous to her and her mother. Beatrice could count on him for little things, like picking her up after class, or driving her mother to the hairdresser's. With the other men, she always had to be on guard: pouting until they took her somewhere else for dinner, not another free meal in her mother's restaurant, wheedling them into using the condoms. She always had to hold something of herself shut away. With Samuel, Beatrice relaxed into trust.
"Beatrice, come! Come quick, nuh!"
Beatrice ran in from the backyard at the sound of her mother's voice. Had something happened to Mummy?
Her mother was sitting at the kitchen table, knife still poised to crack an egg into the bowl for the pound cake she was making to take to the shop. She was staring in open-mouthed delight at Samuel, who was fretfully twisting the long stems on a bouquet of blood-red roses. "Lord, Beatrice; Samuel say he want to marry you!"
Beatrice looked to Sammy for verification. "Samuel," she asked unbelievingly, "what you saying? Is true?"
He nodded yes. "True, Beatrice."
Excerpted from Skin Folk by Nalo Hopkinson Copyright © 2001 by Nalo Hopkinson. Excerpted by permission.
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Most Helpful Customer Reviews
Hopkinson's writing goes down like unsweetened cocoa, made with solid cream. Too rich to take in fast, but ultimately satisfying.These short stories would probably get called "magical realism" in a lit class. If like me you're wary of that title, be assured there's no coyness or pointless rambling here. There is a chilling revisit of the Bluebeard myth, a strange sort of cockatrice, and some genuinely erotic fiction.
Nalo Hopkinson mixes elements of fantasy, scifi, and historical fiction in these 15 short stories. Each story is rooted in Caribbean mythology, and many of them mix in traditional European myths. The stories varied a lot in tone and style, and there were a few that didn't thrill me, but I loved the majority of the stories. I've reread my favorite stories- Fisherman, Greedy Choke Puppy, and Precious- many times, and every time I see something new in them.
Nalo Hopkinson never fails to capture me with her writing. The stories and characters in Skin Folk are fully fleshed out (I couldn't help the pun). Although I came to this book after reading her novels, this would be an excellent introduction to the flavor and texture of her work. I highly recommend it.
There are things I really like about Nalo Hopkinson. Her language is one thing, it¿s a delight to read her narrators talking thick Caribbean dialects. Her perspective is another. Hopkinson has a keen post-colonial eye, and her writing is obviously as much about reclaiming as it is about breaking new ground. She¿s no tourist. Hopkinson knows her mythology, her culture and her narrative structures. True, she sometimes overrates how interesting it is to read long accounts about how to make hot chocolate the right way, but her blend of urban fantasy feels original and grounded. I want to love this book.But unfortunately, for me the stories themselves aren¿t really up to par with their frames. Most of them follow the same pattern: Stressed out city-dweller, out of touch with his/her Caribbean roots, suddenly gets a glimpse of the supernatural and changes his/her life. More often than not, I finish a story feeling just a little baffled that there wasn¿t more to it. In a few of the stories, she moves us into the future, but apart from single sci-fi elements (the possibility to buy a new body and second skin sex suits, respectively) there¿s really no world building going on. There are a few really good short stories in here ¿ my favorite being ¿Fisherman¿ the only one without any fantasy elements to it ¿ but all in all the presentation is better than the content. (Don¿t take my word for it though! This book has a whopping 4.2 average.)
Actually, most of the stories are too predictable, too much wish-fulfilment, ending with the heroines indulging in rich food and hot sex and righteous anger. But somehow that doesn't matter, I guess sometimes wish-fulfilment is exactly what you need. And because the language is rich and the mythological/fantastic/magical elements (I wouldn't call it sf!) are rich too that sort of makes up for it. A book that leaves a nice warm feeling despite some gory and disturbing content. The delightfully smutty piece of erotica called "Fisherman" is my favourite too.
This is a great collection of short fantasy and science fiction. Hopkinson deals with issues of race, sexuality, gender identity, and body image without heavy-handedness. My favorite stories in the collection are the ones in which Caribbean folk figures and themes are melded with European fairy tales.
SKIN FOLK is a unique anthology collection that contains fifteen Caribbean fantasy tales centering on a sly look at everyday people struggling with incredible often seemingly impossible situations. The key to each entry is that the cast feels genuine regardless of the scenario the individual encounters. That is quite an accomplishment from award winning Nalo Hopkinson when one considers that the characters include a geriatric Red Riding Hood and the wolf among other cast members. Anyone who enjoys a deep look at humanity¿s ability to overcome frailty, flaws, and errors will enjoy this divine speculative fiction anthology. Harriet Klausner