"[ Selected Poems ] offers readers a chance to catch on to one of the most distinctive talents of our time, one of the few who can genuinely startle. . . . Ruefle is clearly one of the best American poets writing, and her body of work is remarkable for its spiritual force, intelligence, stylistic virtuosity, and adventurousness."Tony Hoagland
of all things standing furthest
from what is real, stand these trees
shaking with dispensable joy . . .
Mary Ruefle is the winner of the 2011 William Carlos Williams Award and has authored ten collections of poetry; The Most of It , a book of prose; and A Little White Shadow , a collection of erasures. She teaches at Vermont College.
|Edition description:||Second Edition|
|Product dimensions:||6.00(w) x 9.00(h) x 1.10(d)|
About the Author
Mary Ruefle is the author of Madness, Rack, and Honey: Collected Lectures , a finalist for the 2012 National Book Critics Circle Award in criticism (Wave Books, 2012), and Selected Poems (Wave Books, 2010), winner of the William Carlos Williams Award. She has published ten other books of poetry, a book of prose ( The Most of It , Wave Books, 2008), and a comic book, Go Home and Go to Bed! , (Pilot Books/Orange Table Comics, 2007); she is also an erasure artist, whose treatments of nineteenth century texts have been exhibited in museums and galleries, and include the publication of A Little White Shadow (Wave Books, 2006). Ruefle is the recipient of numerous honors, including an Award in Literature from the American Academy of Arts and Letters, a Guggenheim fellowship, a National Endowment for the Arts fellowship, and a Whiting Award. She lives in Bennington, Vermont, and teaches in the MFA program at Vermont College.
Table of Contents
Standing Furthest; Transpontine; Replica; The Intended; From Memory; Patient; Without an Acre; All the Activity There Is; Barbarians; Perfume River; At the North Pole; The Beautiful Is Negative; The Last Supper; Pen and Ink; Depicted on a Screen; Heaven on Earth; The Beginnings of Idleness in Assisi; Lapland; Diary of Action and Repose; How It Is; Timberland; Cul-de-Sac; The Pedant's Discourse; Instrument of the Highest; Naked Ladies; Towards the Correction of Youthful Ignorance; Trust Me; Entirely, Eventually; Nice Hands; Rain Effect; Cold Pluto; Out of a Hundred; Merengue; Topophilia; Perpetually Attempting to Soar; Talking to Strangers; The Brooch; The Cart; The March; Ancestors; The Butcher's Story; The Hand; Minor Figure; Glory; The Wild Rose Bush; The Balloon; Perfect Reader; Tilapia; The Passing of Time; When Adults Talk; Marked; Argosy; Sentimental Education; Chilly Autumn Evenings; The Jewel; County Fair; The Letter; Pressed for Details; The Edge; Furtherness; Thistle; Nothing Like the Earth; Full Moon; Silk Land; Against the Sky; Mariposa and the Doll; Patina; Mercy; Among the Musk Ox People; Seven Postcards from Dover; The Tragic Drama of Joy; The Great Loneliness; The Feast; Zettel; Japanese Bloodgod; Magnificat; My Life as a Farmer (by James Dean); Critique of Little Errors; Concerning Essential Existence; Do Not Disturb; The Little I Saw of Cuba; In the Office of the Therapist I Behold the Extinguished Guests; The Nutshell; Why I Am Not a Good Kisser; Proscenium Arch; Oh Myrtie; From Here to Eternity; A Picture of Christ; Gathered on a Friday in the Hour of Jupiter; How I Became Impossible; The Tenor of Your Yes; My Happiness; The Meal That Way Always There; Kiss of the Sun; Pontiac; My Timid Eternity; Sweet Morning; The Imperial Ambassador of the Infinite; After a Rain; Thirteen; Lines Written on a Blank Space; Little Questions; Quick Note About the Think Source; Kettle; Lullaby