Postmortem (Kay Scarpetta Series #1)

Postmortem (Kay Scarpetta Series #1)

by Patricia Cornwell

Hardcover(Library Binding)

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Under cover of night in Richmond, Virginia, a human monster strikes, leaving a gruesome trail of stranglings that has paralyzed the city. Medical examiner Kay Scarpetta suspects the worst: a deliberate campaign by a brilliant serial killer whose signature offers precious few clues. With an unerring eye, she calls on the latest advances in forensic research to unmask the madman. But this investigation will test Kay like no other, because it's being sabotaged from within and someone wants her dead.

Product Details

ISBN-13: 9780613085748
Publisher: San Val, Incorporated
Publication date: 04/28/1998
Series: Kay Scarpetta Series , #1
Product dimensions: 4.34(w) x 7.14(h) x 1.14(d)
Age Range: 12 - 17 Years

About the Author

Patricia Cornwell is recognized as one of the world’s top bestselling crime authors with novels translated into thirty-six languages in more than 120 countries. Her novels have won numerous prestigious awards including the Edgar, the Creasey, the Anthony, the Macavity, and the Prix du Roman d’Aventure. Beyond the Scarpetta series, Cornwell has written a definitive book about Jack the Ripper, a biography, and two more fiction series among others. Cornwell, a licensed helicopter pilot and scuba diver, actively researches the cutting-edge forensic technologies that inform her work. She was born in Miami, grew up in Montreat, NC, and now lives and works in Boston. Find out more at, at, on Twitter: @1pcornwell, and on Instagram: @1pcornwell.


Boston, MA and New York, NY

Date of Birth:

June 9, 1956

Place of Birth:

Miami, Florida


B.A. in English, Davidson College, 1979; King College

Read an Excerpt

From Chapter One

It was raining in Richmond on Friday, June 6.

The relentless downpour, which began at dawn, beat the lilies to naked stalks, and blacktop and sidewalks were littered with leaves. There were small rivers in the streets, and newborn ponds on playing fields and lawns. I went to sleep to the sound of water drumming the slate roof, and was dreaming a terrible dream as night dissolved into the foggy first hours of Saturday morning.

I saw a white face beyond the rain-streaked glass, a face formless and inhuman like the faces of misshapen dolls made of nylon hose. My bedroom window was dark when suddenly the face was there, an evil intelligence looking in. I woke up and stared blindly into the dark. I did not know what had awakened me until the telephone rang again. I found the receiver without fumbling.

"Dr. Scarpetta?"

"Yes." I reached for the lamp and switched it on. It was 2:33 A.M. My heart was drilling through my ribs.

"Pete Marino here. We got us one at 5602 Berkley Avenue. Think you better come."

The victim's name, he went on to explain, was Lori Petersen, a white female, thirty years old. Her husband had found her body about half an hour earlier.

Details were unnecessary. The moment I picked up the receiver and recognized Sergeant Marino's voice, I knew. Maybe I knew the instant the telephone rang. People who believe in werewolves are afraid of a full moon. I'd begun to dread the hours between midnight and 3:00 A.M. when Friday becomes Saturday and the city is unconscious.

Ordinarily, the medical examiner on call is summoned to a death scene. But this wasn't ordinary. I had made it clear after the second case that no matter thehour, if there was another murder, I was to be called. Marino wasn't keen on the idea. Ever since I was appointed chief medical examiner for the Commonwealth of Virginia less than two years ago he'd been difficult. I wasn't sure if he didn't like women, or if he just didn't like me.

"Berkley's in Berkley Downs, Southside," he said condescendingly. "You know the way?"

Confessing I didn't, I scribbled the directions on the notepad I always kept by the phone. I hung up and my feet were already on the floor as adrenaline hit my nerves like espresso. The house was quiet. I grabbed my black medical bag, scuffed and worn from years of use.

The night air was like a cool sauna, and there were no lights in the windows of my neighbors' houses. As I backed the navy station wagon out of the drive, I looked at the light burning over the porch, at the first-story window leading into the guest bedroom where my ten-year-old niece, Lucy, was asleep. This would be one more day in the child's life I would miss. I had picked her up at the airport Wednesday night. Our meals together, so far, had been few.

There was no traffic until I hit the Parkway. Minutes later I was speeding across the James River. Taillights far ahead were rubies, the downtown skyline ghostly in the rearview mirror. Fanning out on either side were plains of darkness with tiny necklaces of smudged light at the edges. Out there, somewhere, is a man, I thought. He could be anybody, walks upright, sleeps with a roof over his head, and has the usual number of fingers and toes. He is probably white and much younger than my forty years. He is ordinary by most standards, and probably doesn't drive a BMW or grace the bars in the Slip or the finer clothing stores along Main Street.

But, then again, he could. He could be anybody and he was nobody. Mr. Nobody. The kind of guy you don't remember after riding up twenty floors alone with him inside an elevator.

He had become the self-appointed dark ruler of the city, an obsession for thousands of people he had never seen, and an obsession of mine. Mr. Nobody.

Because the homicides began two months ago, he may have been recently released from prison or a mental hospital. This was the speculation last week, but the theories were constantly changing.

Mine had remained the same from the start. I strongly suspected he hadn't been in the city long, he'd done this before somewhere else, and he'd never spent a day behind the locked doors of a prison or a forensic unit. He wasn't disorganized, wasn't an amateur, and he most assuredly wasn't "crazy."

Wilshire was two lights down on the left, Berkley the first right after that.

I could see the blue and red lights flashing two blocks away. The street in front of 5602 Berkley was lit up like a disaster site. An ambulance, its engine rumbling loudly, was alongside two unmarked police units with grille lights flashing and three white cruisers with light bars going full tilt. The Channel 12 news crew had just pulled up. Lights had blinked on up and down the street, and several people in pajamas and housecoats had wandered out to their porches.

I parked behind the news van as a cameraman trotted across the street. Head bent, the collar of my khaki raincoat turned up around my ears, I briskly followed the brick wall to the front door. I have always had a special distaste for seeing myself on the evening news. Since the stranglings in Richmond began, my office had been inundated, the same reporters calling over and over again with the same insensitive questions.

"If it's a serial killer, Dr. Scarpetta, doesn't that indicate it's quite likely to happen again?"

As if they wanted it to happen again.

"Is it true you found bite marks on the last victim, Doc?"

It wasn't true, but no matter how I answered such a question I couldn't win. "No comment," and they assume it's true. "No," and the next edition reads "Dr. Kay Scarpetta denies that bite marks have been found on the victims' bodies..." The killer, who's reading the papers like everybody else, gets a new idea.

Recent news accounts were florid and frighteningly detailed. They went far beyond serving the useful purpose of warning the city's citizens. Women, particularly those who lived alone, were terrified. The sale of handguns and deadbolt locks went up fifty percent the week after the third murder, and the SPCA ran out of dogs—a phenomenon which, of course, made the front page, too. Yesterday, the infamous and prizewinning police reporter Abby Turnbull had demonstrated her usual brass by coming to my office and clubbing my staff with the Freedom of Information Act in an unsuccessful attempt at getting copies of the autopsy records.

Crime reporting was aggressive in Richmond, an old Virginia city of 220,000, which last year was listed by the FBI as having the second-highest homicide rate per capita in the United States. It wasn't uncommon for forensic pathologists from the British Commonwealth to spend a month at my office to learn more about gunshot wounds. It wasn't uncommon for career cops like Pete Marino to leave the madness of New York or Chicago only to find Richmond was worse.

What was uncommon were these sex slayings. The average citizen can't relate to drug and domestic shootouts or one wino stabbing another over a bottle of Mad Dog. But these murdered women were the colleagues you sit next to at work, the friends you invite to go shopping or to stop by for drinks, the acquaintances you chat with at parties, the people you stand in line with at the checkout counter. They were someone's neighbor, someone's sister, someone's daughter, someone's lover. They were in their own homes, sleeping in their own beds, when Mr. Nobody climbed through one of their windows.

Two uniformed men flanked the front door, which was open wide and barred by a yellow ribbon of tape, warning: CRIME SCENE—DO NOT CROSS.

"Doc." He could have been my son, this boy in blue who stepped aside at the top of the steps and lifted the tape to let me duck under.

The living room was immaculate, and attractively decorated in warm rose tones. A handsome cherry cabinet in a corner contained a small television and a compact disc player. Nearby a stand held sheet music and a violin. Beneath a curtained window overlooking the front lawn was a sectional sofa, and on the glass coffee table in front of it were half a dozen magazines neatly stacked. Among them were Scientific American and the New England Journal of Medicine. Across a Chinese dragon rug with a rose medallion against a field of cream stood a walnut bookcase. Tomes straight from a medical school's syllabi lined two shelves.

An open doorway led into a corridor running the length of the house. To my right appeared a series of rooms, to the left was the kitchen, where Marino and a young officer were talking to a man I assumed was the husband.

I was vaguely aware of clean countertops, linoleum and appliances in the off-white that manufacturers call "almond," and the pale yellow of the wallpaper and curtains. But my attention was riveted to the table. On top of it lay a red nylon knapsack, the contents of which had been gone through by the police: a stethoscope, a penlight, a Tupperware container once packed with a meal or a snack, and recent editions of the Annals of Surgery, Lancet and the Journal of Trauma. By now I was thoroughly unsettled.

Marino eyed me coolly as I paused by the table, then introduced me to Matt Petersen, the husband. Petersen was slumped in a chair, his face destroyed by shock. He was exquisitely handsome, almost beautiful, his features flawlessly chiseled, his hair jet-black, his skin smooth and hinting of a tan. He was wide-shouldered with a lean but elegantly sculpted body casually clad in a white Izod shirt and faded blue jeans. His eyes were cast down, his hands stiffly in his lap.

"These are hers?" I had to know. The medical items might belong to the husband.

Marino's "Yeah" was a confirmation.

Petersen's eyes slowly lifted. Deep blue, bloodshot, they seemed relieved as they fixed on me. The doctor had arrived, a ray of hope where there was none.

He muttered in the truncated sentences of a mind fragmented, stunned, "I talked to her on the phone. Last night. She told me she'd be home around twelve-thirty, home from VMC, the ER. I got here, found the lights out, thought she'd already gone to bed. Then I went in there." His voice rose, quivering, and he took a deep breath. "I went in there, in the bedroom." His eyes were desperate and welling, and he was pleading with me. "Please. I don't want people looking at her, seeing her like that. Please."

I gently told him, "She has to be examined, Mr. Petersen."

A fist suddenly banged the top of the table in a startling outburst of rage. "I know!" His eyes were wild. "But all of them, the police and everybody!" His voice was shaking. "I know how it is! Reporters and everybody crawling all over the place. I don't want every son of a bitch and his brother staring at her!"

Marino didn't bat an eye. "Hey. I got a wife, too, Matt. I know where you're coming from, all right? You got my word she gets respect. The same respect I'd want if it was me sitting in your chair, okay?"

The sweet balm of lies.

The dead are defenseless, and the violation of this woman, like the others, had only begun. I knew it would not end until Lori Petersen was turned inside out, every inch of her photographed, and all of it on display for experts, the police, attorneys, judges and members of a jury to see. There would be thoughts, remarks about her physical attributes or lack of them. There would be sophomoric jokes and cynical asides as the victim, not the killer, went on trial, every aspect of her person and the way she lived, scrutinized, judged and, in some instances, degraded.

A violent death is a public event, and it was this facet of my profession that so rudely grated against my sensibilities. I did what I could to preserve the dignity of the victims. But there was little I could do after the person became a case number, a piece of evidence passed from hand to hand. Privacy is destroyed completely as life.

Copyright © 1990 by Patrica Cornwell

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Customer Reviews

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Postmortem (Kay Scarpetta Series #1) 4.1 out of 5 based on 0 ratings. 410 reviews.
SusanMA More than 1 year ago
I have thoroughly enjoyed reading this series. I started reading in the fall of 2008 and am now re-reading #15 while I wait for #16 to arrive. I recommend it. Start with #1.
JessLucy More than 1 year ago
This book was so scary that I kept getting up to check the locks on the doors and windows as I was reading it. I love all the novels in the Kay Scarpetta series but this one just sticks with you. The psychological aspect of the plot; the fact that the killer is attacking women not within the same ethnic race; was very fascinating. I could not figure out who the culprit might be and was shocked and disturbed when it was finally revealed. I read this book twelve years ago and the sense of fear still stays with me. If you like this book, you may also enjoy: the novels of Tess Gerittsen, Tami Hoag (A Thin Dark Line, Ashes to Ashes, Dust to Dust), James Patterson's Kiss the Girls, and the true-crime books of Ann Rule.
Anonymous More than 1 year ago
I read this book for the first time many years ago, but it is still the best murder mystery I have ever read. I pull it out at least once a year to read it over and over again. It is so captivating that I read it straight through everytime.
Anonymous More than 1 year ago
Full of insiders info and a suspenseful ending. I've found a new series to read.
Caroline81 More than 1 year ago
This book wasn't my absolute favortie or anything, but it had a decent plot and really picked up in the last 200 or so pages. I recommend this book to forensic mystery lovers. It is a series so there is much more to read after this one. The only down this book has is that its very descriptive and can kind of drag a bit. Its not the high action I usually like so much, but all in all a decent book.
Anonymous More than 1 year ago
The book that hooked me on Kay Scarpetta.
Anonymous More than 1 year ago
I have read many P. Cornwell books and love the Kay Scarpetta series. I know when I start reading, I need to allow a few days because I won't be able to put the book down. It's always a challenge trying to figure out who the killer is, but I'm never able to figure it out until the end.
BrenW More than 1 year ago
Love the Scarpetta series.
Anonymous More than 1 year ago
good crime novel, started out a little slow and was a little hard getting into it but about half way through couldn't put it down
Jessah More than 1 year ago
I simply could not turn the pages fast enough. So intense.
songbirdsue More than 1 year ago
I really enjoyed this Gripping and intense murder mystery. It was written in 1990 so the Very detailed computer and forensics were dated but fun and extremely well explained. The story was good and well written with fully developed characters. It was easy to follow and hard to put down. It is very detailed and could cause fear and loss of sleep.
gigi9547 More than 1 year ago
Wanted to start with the first book in this series. The Kay Scarpetta series is awesome. Will be reading the series in order now!
Anonymous More than 1 year ago
I just started the Scarpetta series book #1and love it . Love reading her books and will def reccomend her books to others. Many thanks Patricia for being such an excellent writer. Keep up the good work.
Anonymous More than 1 year ago
I bought this because I like the Temperance Brennan series by Kathy Reich and read some reviews that said Patricia Cornwell's Kay Scarpetta series was better. I liked the book, but didn't necessarily think it was any better/worse than the "Bones" books. I like both authors and will continue to buy their books.
Cdrpete More than 1 year ago
Post Mortem, the first of the Scarpetta series, is a good story, but I found it to be complicated by too many characters that really didn't need to be there and too many side-tracks, some of which didn't really contribute to the main story. Nonetheless, it is a good read that will keep your mind working to keep track of it all, and that's not necessarily a bad thing, just a long read.
Guest More than 1 year ago
I have seen Patricia's books in the store for many years. I have never had the urge to pick one up. I started watching the series Bones on TV and loved it so I tried reading Kathy Reichs books. While they were good, they were a bit too much like a technical manual for my taste. (very dry) I decided I would try Postmortem to see what I thought. I loved it. It was very well writen, had a good strong plot, and was very enjoyable. I will absolutely continue to read this series.
Anonymous More than 1 year ago
I like the part of the series I have read and I am starting over at the beginning.
la_femme_jennifer on LibraryThing More than 1 year ago
I recently re-read this book after first reading it 10+ years ago. Though I remembered some of the main plot points, I had forgotten enough of it that it felt fresh again. This is definitely a graphic book with some grisly descriptions, but in my opinion it's not gratuitous and instead reflects the nature of some rather grisly work. There are a few predictable plot turns but still enough surprises and twists to make it suspenseful. Word of caution- not the best book to read alone late at night (as I did) unless you're not in need of much sleep. More than once I found myself actually jump in response to noises outside. But that's also a testament to the effectiveness of her writing. As an aside, the book was written in 1990 and her descriptions of the latest advances in computers for that time brought back some fond memories.
ralphmalph on LibraryThing More than 1 year ago
The first and best book in the Scarpetta series books by Cornwell. Deep suspense and memorable characters lead to a good story and you'll want to read the others in the series which are still being written, although they still haven't topped this first book in the series.
EmScape on LibraryThing More than 1 year ago
It is evident that Cornwell knows what she's talking about when it comes to forensic medicine. She is also a compelling writer. It doesn't happen often enough in this genre that a scientific or forensic professional is also gifted in the 'actually writing a story' department, but when it does, it's very much worth reading. This is Cornwell's first effort, in which Dr. Kay Scarpetta is introduced. A quite interesting character with much back story to draw on as the series continues. The plotting is excellent as well. I thought I had the killer figured out halfway through the book, but I was quite wrong, and the revelation somewhat defies convention. My one complaint is that I am not a fan of the 'female-protagonist-crime-solver is personally threatened by the killer and that's how they catch him' trope. I think it's lazy, and demeans all of the excellent investigative work that's been done throughout the book. Kathy Reichs is a huge perpetrator of this, and I'm hoping, because I do intend to read more of Cornwell's books, that this doesn't continue in the succeeding volumes.
sallyawolf on LibraryThing More than 1 year ago
When women in Virginia keep coming up brutally strangled to death. It is up to Chief Medical officer Dr Kay Scarpetta to use forensic evidence to solve the crimes and the only clue she has to go on is a lingering smell of maple syrup at the crime scene. This is good book that keeps you guessing until the very last page. It is well worth the read and I would recommend it to anyone who likes crime dramas. I acquired this copy from a used book shop.
litelady-ajh on LibraryThing More than 1 year ago
Good mystery, bloody & thick on the medical terminology, but kept my interest.
Crewman_Number_6 on LibraryThing More than 1 year ago
The first and best of Patricia Cornwell. Being a first novel, it is not without its flaws, but it is well written. It is also the best of the Scarpetta novels, they get increasingly disappointing as the series develops.
SmithSJ01 on LibraryThing More than 1 year ago
I loved this book. It's the first one with Dr Kay Scarpetta and also the first Cornwell book I've read. On both counts it won't be my last. I loved the characters and felt the plot raced along. I was never wondering how long to the next chapter or how many pages I had left to read. From the first line to the last this was enjoyable.
Darrol on LibraryThing More than 1 year ago
I enjoy this series; the interaction with Marino is what makes this series in the early going. I enjoyed the Lucy character as well (Kay's niece). It was interesting reading about the state of computer technology during this book.