The Pink Fairy Book

The Pink Fairy Book

by Andrew Lang

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Overview

Forty-one Japanese, Scandinavian, and Sicilian tales: "The Snow-Queen," "The Cunning Shoemaker," "The Two Brothers," "The Merry Wives," "The Man without a Heart," and more. All the stories are narrated in the clear, lively prose for which Lang was famous and are considered to be the very best English versions available. Includes 69 illustrations.

Product Details

ISBN-13: 9780486121437
Publisher: Dover Publications
Publication date: 01/02/2013
Series: Dover Children's Classics
Sold by: Barnes & Noble
Format: NOOK Book
Pages: 384
Sales rank: 1,044,336
File size: 25 MB
Note: This product may take a few minutes to download.
Age Range: 8 - 14 Years

About the Author

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Read an Excerpt

THE PINK FAIRY BOOK


By Andrew Lang, H. J. Ford

Dover Publications, Inc.

Copyright © 1967 Dover Publications, Inc.
All rights reserved.
ISBN: 978-0-486-12143-7



CHAPTER 1

THE CAT'S ELOPEMENT


ONCE upon a time there lived a cat of marvellous beauty, with a skin as soft and shining as silk, and wise green eyes, that could see even in the dark. His name was Gon, and he belonged to a music teacher, who was so fond and proud of him that he would not have parted with him for anything in the world.

Now not far from the music master's house there dwelt a lady who possessed a most lovely little pussy cat called Koma. She was such a little dear altogether, and blinked her eyes so daintily, and ate her supper so tidily, and when she had finished she licked her pink nose so delicately with her little tongue, that her mistress was never tired of saying, soma, Koma, what should I do without you?'

Well, it happened one day that these two, when out for an evening stroll, met under a cherry tree, and in one moment fell madly in love with each other. Gon had long felt that it was time for him to find a wife, for all the ladies in the neighbourhood paid him so much attention that it made him quite shy; but he was not easy to please, and did not care about any of them. Now, before he had time to think, Cupid had entangled him in his net, and he was filled with love towards Koma. She fully returned his passion, but, like a woman, she saw the difficulties in the way, and consulted sadly with Gon as to the means of overcoming them. Gon entreated his master to set matters right by buying Koma, but her mistress would not part from her. Then the music master was asked to sell Gon to the lady, but he declined to listen to any such suggestion, so everything remained as before.

At length the love of the couple grew to such a pitch that they determined to please themselves, and to seek their fortunes together. So one moonlight night they stole away, and ventured out into an unknown world. All day long they marched bravely on through the sunshine, till they had left their homes far behind them, and towards evening they found themselves in a large park. The wanderers by this time were very hot and tired, and the grass looked very soft and inviting, and the trees cast cool deep shadows, 'when suddenly an ogre appeared in this Paradise, in the shape of a big, big dog! He came springing towards them showing all his teeth, and Koma shrieked, and rushed up a cherry tree. Gon, however, stood his ground boldly, and prepared to give battle, for he felt that Koma's eyes were upon him, and that he must not run away. But, alas! his courage would have availed him nothing had his enemy once touched him, for he was large and powerful, and very fierce. From her perch in the tree Koma saw it all, and screamed with all her might, hoping that some one would hear, and come to help. Luckily a servant of the princess to whom the park belonged was walking by, and he drove off the dog, and picking up the trembling Gon in his arms, carried him to his mistress.

So poor little Koma was left alone, while Gon was borne away full of trouble, not in the least knowing what to do. Even the attention paid him by the princess, who was delighted with his beauty and pretty ways, did not console him, but there was no use in fighting against fate, and he could only wait and see what would turn up.

The princess, Gon's new mistress, was so good and kind that everybody loved her, and she would have led a happy life, had it not been for a serpent who had fallen in love with her, and was constantly annoying her by his presence. Her servants had orders to drive him away as often as he appeared; but as they were careless, and the serpent very sly, it sometimes happened that he was able to slip past them, and to frighten the princess by appearing before her. One day she was seated in her room, playing on her favourite musical instrument, when she felt something gliding up her sash, and saw her enemy making his way to kiss her cheek. She shrieked and threw herself backwards, and Gon, who had been curled up on a stool at her feet, understood her terror, and with one bound seized the snake by his neck. He gave him one bite and one shake, and flung him on the ground, where he lay, never to worry the princess any more. Then she took Gon in her arms, and praised and caressed him, and saw that he had the nicest bits to eat, and the softest mats to lie on; and he would have had nothing in the world to wish for if only he could have seen Koma again.

Time passed on, and one morning Gon lay before the house door, basking in the sun. He looked lazily at the world stretched out before him, and saw in the distance a big ruffian of a cat teasing and ill-treating quite a little one. He jumped up, full of rage, and chased away the big cat, and then he turned to comfort the little one, when his heart nearly burst with joy to find that it was Koma. At first Koma did not know him again, he had grown so large and stately; but when it dawned upon her who it was, her happiness knew no bounds. And they rubbed their heads and their noses again and again, while their purring might have been heard a mile off.

Paw in paw they appeared before the princess, and told her the story of their life and its sorrows. The princess wept for sympathy, and promised that they should never more be parted, but should live with her to the end of their days. By-and-bye the princess herself got married, and brought a prince to dwell in the palace in the park. And she told him all about her two cats, and how brave Gon had been, and how he had delivered her from her enemy the serpent.

And when the prince heard, he swore they should never leave them, but should go with the princess wherever she went. So it all fell out as the princess wished; and Gon and Koma had many children, and so had the princess, and they all played together, and were friends to the end of their lives.

CHAPTER 2

HOW THE DRAGON WAS TRICKED


ONCE upon a time there lived a man who had two sons, but they did not get on at all well together, for the younger was much handsomer than his elder brother, who was very jealous of him. When they grew older, things became worse and worse, and at last one day as they were walking through a wood the elder youth seized hold of the other, tied him to a tree, and went on his way, hoping that the boy might starve to death.

However, it happened that an old and humpbacked shepherd passed the tree with his flock, and seeing the prisoner, he stopped and said to him, 'Tell me, my son, why are you tied to that tree?'

'Because I was so crooked,' answered the young man; 'but it has quite cured me, and now my back is as straight as can be.'

'I wish you would bind me to a tree,' exclaimed the shepherd, 'so that my back would get straight.'

'With all the pleasure in life,' replied the youth. ' If you will loosen these cords I will tie you up with them as firmly as I can.'

This was soon done, and then the young man drove off the sheep, leaving their real shepherd to repent of his folly; and before he had gone very far he met with a horse boy and a driver of oxen, and he persuaded them to turn with him and to seek for adventures.

By these and many other tricks he soon became so celebrated that his fame reached the king's ears, and his majesty was filled with curiosity to see the man who had managed to outwit everybody. So he commanded his guards to capture the young man and bring him before him.

And when the young man stood before the king, the king spoke to him and said, 'By your tricks and the pranks that you have played on other people, you have, in the eye of the law, forfeited your life. But on one condition I will spare you, and that is, if you will bring me the flying horse that belongs to the great dragon. Fail in this, and you shall be hewn in a thousand pieces.'

'If that is all,' said the youth, you shall soon have it.'

So he went out and made his way straight to the stable where the flying horse was tethered. He stretched his hand cautiously out to seize the bridle, when the horse suddenly began to neigh as loud as he could. Now the room in which the dragon slept was just above the stable, and at the sound of the neighing he woke and cried to the horse, ' What is the matter, my treasure? is anything hurting you?' After waiting a little while the young man tried again to loose the horse, but a second time it neighed so loudly that the dragon woke up in a hurry and called out to know why the horse was making such a noise. But when the same thing happened the third time, the dragon lost his temper, and went down into the stable and took a whip and gave the horse a good beating. This offended the horse and made him angry, and when the young man stretched out his hand to untie his head, he made no further fuss, but suffered himself to be led quietly away. Once clear of the stable the young man sprang on his back and galloped off, calling over his shoulder, 'Hi! dragon! dragon! if anyone asks you what has become of your horse, you can say that I have got him!'

But the king said, 'The flying horse is all very well, but I want something more. You must bring me the covering with the little bells that lies on the bed of the dragon, or I will have you hewn into a thousand pieces.'

'Is that all?' answered the youth. 'That is easily done.'

And when night came he went away to the dragon's house and climbed up on to the roof. Then he opened a little window in the roof and let down the chain from which the kettle usually hung, and tried to hook the bed covering and to draw it up. But the little bells all began to ring, and the dragon woke and said to his wife, 'Wife, you have pulled off all the bed-clothes!' and drew the covering towards him, pulling, as he did so, the young man into the room. Then the dragon flung himself on the youth and bound him fast with cords saying as he tied the last knot, 'To-morrow when I go to church you must stay at home and kill him and cook him, and when I get back we will eat him together.'

So the following morning the dragoness took hold of the young man and reached down from the shelf a sharp knife with which to kill him. But as she untied the cords the better to get hold of him, the prisoner caught her by the legs, threw her to the ground, seized her and speedily cut her throat, just as she had been about to do for him, and put her body in the oven. Then he snatched up the covering and carried it to the king.

The king was seated on his throne when the youth appeared before him and spread out the covering with a deep bow. 'That is not enough,' said his majesty; 'you must bring me the dragon himself, or I will have you hewn into a thousand pieces.'

'It shall be done,' answered the youth; 'but you must give me two years to manage it, for my beard must grow so that he may not know me.'

'So be it,' said the king.

And the first thing the young man did when his beard was grown was to take the road to the dragon's house and on the way he met a beggar, whom he persuaded to change clothes with him, and in the beggar's garments he went fearlessly forth to the dragon.

He found his enemy before his house, very busy making a box, and addressed him politely, 'Good morning, your worship. Have you a morsel of bread?'

'You must wait,' replied the dragon, 'till I have finished my box, and then I will see if I can find one.'

'What will you do with the box when it is made?' inquired the beggar.

'It is for the young man who killed my wife, and stole my flying horse and my bed covering,' said the dragon.

'He deserves nothing better,' answered the beggar, 'for it was an ill deed. Still that box is too small for him, for he is a big man.'

'You are wrong,' said the dragon. 'The box is large enough even for me.'

'Well, the rogue is nearly as tall as you,' replied the beggar, 'and, of course, if you can get in, he can. But I am sure you would find it a tight fit.'

'No, there is plenty of room,' said the dragon, tucking himself carefully inside.

But no sooner was he well in, than the young man clapped on the lid and called out, 'Now press hard, just to see if he will be able to get out.'

The dragon pressed as hard as he could, but the lid never moved.

'It is all right,' he cried; 'now you can open it.'

But instead of opening it, the young man drove in long nails to make it tighter still; then he took the box on his back and brought it to the king. And when the king heard that the dragon was inside, he was so excited that he would not wait one moment, but broke the lock and lifted the lid just a little way to make sure he was really there. He was very careful not to leave enough space for the dragon to jump out, but unluckily there was just room for his great mouth, and with one snap the king vanished down his wide red jaws. Then the young man married the king's daughter and ruled over the land, but what he did with the dragon nobody knows.

CHAPTER 3

THE GOBLIN AND THE GROCER


THERE was once a hard-working student who lived in an attic, and he had nothing in the world of his own. There was also a hard-working grocer who lived on the first floor, and he had the whole house for his own.

The Goblin belonged to him, for every Christmas Eve there was waiting for him at the grocer's a dish of jam with a large lump of butter in the middle.

The grocer could afford this, so the Goblin stayed in the grocer's shop; and this teaches us a good deal. One evening the student came in by the back door to buy a candle and some cheese; he had no one to send, so he came himself.

He got what he wanted, paid for it, and nodded a good evening to the grocer and his wife (she was a woman who could do more than nod; she could talk).

When the student had said good night he suddenly stood still, reading the sheet of paper in which the cheese had been wrapped.

It was a leaf torn out of an old book—a book of poetry.

'There's more of that over there!' said the grocer. ' I gave an old woman some coffee for the book. If you like to give me twopence you can have the rest.'

'Yes,' said the student, 'give me the book instead of the cheese. I can eat my bread without cheese. It would be a shame to leave the book to be torn up. You are a clever and practical man, but about poetry you understand as much as that old tub over there! '

And that sounded rude as far as the tub was concerned, but the grocer laughed, and so did the student. It was only said in fun.

But the Goblin was angry that anyone should dare to say such a thing to a grocer who owned the house and sold the best butter.

When it was night and the shop was shut, and everyone was in bed except the student, the Goblin went upstairs and took the grocer's wife's tongue. She did not use it when she was asleep, and on whatever object in the room he put it that thing began to speak, and spoke out its thoughts and feelings just as well as the lady to whom it belonged. But only one thing at a time could use it, and that was a good thing, or they would have all spoken together.

The Goblin laid the tongue on the tub in which were the old newspapers.

'Is it true,' he asked, 'that you know nothing about poetry?'

'Certainly not!' answered the tub. 'Poetry is something that is in the papers, and that is frequently cut out. I have a great deal more in me than the student has, and yet I am only a small tub in the grocer's shop.'

And the Goblin put the tongue on the coffee-mill, and how it began to grind! He put it on the butter-cask, and on the till, and all were of the same opinion as the waste-paper tub. and one must believe the majority.

'Now I will tell the student!' and with these words he crept softly up the stairs to the attic where the student lived.

There was a light burning, and the Goblin peeped through the key-hole and saw that he was reading the torn book that he had bought in the shop.

But how bright it was! Out of the book shot a streak of light which grew into a large tree and spread its branches far above the student. Every leaf was alive, and every flower was a beautiful girl's head, some with dark and shining eyes, others with wonderful blue ones. Every fruit was a glittering star, and there was a marvellous music in the student's room. The little Goblin had never even dreamt of such a splendid sight, much less seen it.

He stood on tiptoe gazing and gazing, till the candle in the attic was put out; the student had blown it out and had gone to bed, but the Goblin remained standing outside listening to the music, which very softly and sweetly was now singing the student a lullaby.

'I have never seen anything like this!' said the Goblin. 'I never expected this! I must stay with the student.'

The little fellow thought it over, for he was a sensible Goblin. Then he sighed, 'The student has no jam!'

And on that he went down to the grocer again. And it was a good thing that he did go back, for the tub had nearly worn out the tongue. It had read everything that was inside it, on the one side, and was just going to turn itself round and read from the other side when the Goblin came in and returned the tongue to its owner.


(Continues...)

Excerpted from THE PINK FAIRY BOOK by Andrew Lang, H. J. Ford. Copyright © 1967 Dover Publications, Inc.. Excerpted by permission of Dover Publications, Inc..
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Table of Contents

The Cat's Elopement
How the Dragon was Tricked
The Goblin and the Grocer
The House in the Wood
Uraschimataro and the Turtle
The Slaying of the Tanuki
The Flying Trunk
The Snow Man
The Shirt-Collar
The Princess in the Chest
The Three Brothers
The Snow-queen
The Fir-Tree
"Hans, the Mermaid's Son"
Peter Bull
The Bird 'Grip'
Snowflake
I know what I have learned
The Cunning Shoemaker
The King who would have a Beautiful Wife
Catherine and her Destiny
How the Hermit helped to win the King's Daughter
The Water of Life
The Wounded Lion
The Man without a Heart
The Two Brothers
Master and Pupil
The Golden Lion
The Spring of Rosemary
The White Dove
The Troll's Daughter
Esben and the Witch
Princess Minon-Minette
Maiden Bright-eye
The Merry Wives
King Lindorm
"The Jackal, the Dove, and the Panther"
The Little Hare
The Sparrow with the Slit Tongue
The Story of Ciccu
Don Giovanni de la Fortuna

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The Pink Fairy Book 4.5 out of 5 based on 0 ratings. 12 reviews.
Guest More than 1 year ago
Lang's collected fairy tales from all over the world, including Native American, which combine to make a fantastic book for any child from anywhere in the world.
Guest More than 1 year ago
My friends and i absolutely LOVE fairies...i think i'm gonna buy this book 'cause i've read it at my friends' houses...
Guest More than 1 year ago
My mother actully bought this for me when I was little. I still have the book and enjoy reading it. Specially like the Japanese tale, The Cat's Elopement.
MontglaneChess on LibraryThing More than 1 year ago
Another one of Andrew Lang¿s colorful collections of fairy stories and folk tales, this time diverting from a mostly European collection to include a heavily animal-based collection of Scandinavian and Japanese stories. Artist H.J. Ford returns with another gorgeous set of plates and illustrations, his princesses unmatched in intricate detail. The stories feature classic tales of princes, princesses, and assorted magical folk and creatures.The collection loses half a star because, as another reviewer noted, ¿as is usually the case with Lang's collections, the writing is clear and enjoyable, but highly colonial.¿ The English versions are all completed from previous European translations, making for a supremely unreliable editor who has purged much of the local flavor from some of the tales, making even some of the exotic folk tales seem traditionally European. For those looking for a classic source of obscure or unusual fairy tales not found in Disney¿s repertoire, however, Andrew Lang¿s extensive collection is a wonderful, if slightly repetitious addition to any school or public library.
xicanti on LibraryThing More than 1 year ago
A collection of fairy stories and folktales from around the world.This installment of the coloured fairy books does include stories from Japan, Italy, Africa and Spain, but there's a real emphasis on Scandinavian stories. Several of Hans Christian Anderson's less morbid stories help open the volume, and a large number of the remaining stories hale from Sweden and Denmark, in particular. The tales themselves are a combination of prince and princess stories, (with differing levels of fairy involvement), brother stories and animal fables, with the occasional story about simple folk who make good.As is usually the case with Lang's collections, the writing is clear and enjoyable, but highly colonial. It's virtually impossible to tell where each of these stories originated based on the writing style. Lang has purged them of all local colour and regional feel. Many of the animal stories are easily identifiable for obvious reasons, (ie, leopards are not native to northern Europe), and sometimes the climate helps determine the location, but in most cases I wouldn't have recognized the source country from the story itself.If you're looking for careful ethnography, these collections probably aren't the way to go. If you're just interested in entertaining stories, however, or are looking for a bit of a nostalgia trip, they can be a good resource. The illustrations are another high point.
Anonymous More than 1 year ago
Dude
Anonymous More than 1 year ago
Can you just say if it's good or bad instead of writing randome things that don't mean anything!
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