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About the Author
Hometown:New York, New York
Date of Birth:September 30, 1928
Place of Birth:Sighet, Romania
Read an Excerpt
Preface to the New Translation
by Elie Wiesel
IF IN MY LIFETIME I WAS TO WRITE only one book, this would be the one. Just as the past lingers in the present, all my writings after Night, including those that deal with biblical, Talmudic, or Hasidic themes, profoundly bear its stamp, and cannot be understood if one has not read this very first of my works.
Why did I write it?
Did I write it so as not to go mad or, on the contrary, to go mad in order to understand the nature of madness, the immense, terrifying madness that had erupted in history and in the conscience of mankind?
Was it to leave behind a legacy of words, of memories, to help prevent history from repeating itself?
Or was it simply to preserve a record of the ordeal I endured as an adolescent, at an age when one’s knowledge of death and evil should be limited to what one discovers in literature?
There are those who tell me that I survived in order to write this text. I am not convinced. I don’t know how I survived; I was weak, rather shy; I did nothing to save myself. A miracle? Certainly not. If heaven could or would perform a miracle for me, why not for others more deserving than myself? It was nothing more than chance. However, having survived, I needed to give some meaning to my survival. Was it to protect that meaning that I set to paper an experience in which nothing made any sense?
In retrospect I must confess that I do not know, or no longer know, what I wanted to achieve with my words. I only know that without this testimony, my life as a writer—or my life, period—would not have become what it is: that of a witness who believes he has a moral obligation to try to prevent the enemy from enjoying one last victory by allowing his crimes to be erased from human memory.
For today, thanks to recently discovered documents, the evidence shows that in the early days of their accession to power, the Nazis in Germany set out to build a society in which there simply would be no room for Jews. Toward the end of their reign, their goal changed: they decided to leave behind a world in ruins in which Jews would seem never to have existed. That is why everywhere in Russia, in the Ukraine, and in Lithuania, the Einsatzgruppen carried out the Final Solution by turning their machine guns on more than a million Jews, men, women, and children, and throwing them into huge mass graves, dug just moments before by the victims themselves. Special units would then disinter the corpses and burn them. Thus, for the first time in history, Jews were not only killed twice but denied burial in a cemetery.
It is obvious that the war which Hitler and his accomplices waged was a war not only against Jewish men, women, and children, but also against Jewish religion, Jewish culture, Jewish tradition, therefore Jewish memory.
CONVINCED THAT THIS PERIOD in history would be judged one day, I knew that I must bear witness. I also knew that, while I had many things to say, I did not have the words to say them. Painfully aware of my limitations, I watched helplessly as language became an obstacle. It became clear that it would be necessary to invent a new language. But how was one to rehabilitate and transform words betrayed and perverted by the enemy? Hunger—thirst—fear—transport—selection—fire—chimney: these words all have intrinsic meaning, but in those times, they meant something else. Writing in my mother tongue—at that point close to extinction—I would pause at every sentence, and start over and over again. I would conjure up other verbs, other images, other silent cries. It still was not right. But what exactly was “it”? “It” was something elusive, darkly shrouded for fear of being usurped, profaned. All the dictionary had to offer seemed meager, pale, lifeless. Was there a way to describe the last journey in sealed cattle cars, the last voyage toward the unknown? Or the discovery of a demented and glacial universe where to be inhuman was human, where disciplined, educated men in uniform came to kill, and innocent children and weary old men came to die? Or the countless separations on a single fiery night, the tearing apart of entire families, entire communities? Or, incredibly, the vanishing of a beautiful, well-behaved little Jewish girl with golden hair and a sad smile, murdered with her mother the very night of their arrival? How was one to speak of them without trembling and a heart broken for all eternity?
Deep down, the witness knew then, as he does now, that his testimony would not be received. After all, it deals with an event that sprang from the darkest zone of man. Only those who experienced Auschwitz know what it was. Others will never know.
But would they at least understand?
Could men and women who consider it normal to assist the weak, to heal the sick, to protect small children, and to respect the wisdom of their elders understand what happened there? Would they be able to comprehend how, within that cursed universe, the masters tortured the weak and massacred the children, the sick, and the old?
And yet, having lived through this experience, one could not keep silent no matter how difficult, if not impossible, it was to speak.
And so I persevered. And trusted the silence that envelops and transcends words. Knowing all the while that any one of the fields of ashes in Birkenau carries more weight than all the testimonies about Birkenau. For, despite all my attempts to articulate the unspeakable, “it” is still not right.
Is that why my manuscript—written in Yiddish as “And the World Remained Silent” and translated first into French, then into English—was rejected by every major publisher, French and American, despite the tireless efforts of the great Catholic French writer and Nobel laureate François Mauriac? After months and months of personal visits, letters, and telephone calls, he finally succeeded in getting it into print.
Though I made numerous cuts, the original Yiddish version still was long. Jérôme Lindon, the legendary head of the small but prestigious Éditions de Minuit, edited and further cut the French version. I accepted his decision because I worried that some things might be superfluous. Substance alone mattered. I was more afraid of having said too much than too little.
Example: in the Yiddish version, the narrative opens with these cynical musings:
In the beginning there was faith—which is childish; trust—which is vain; and illusion—which is dangerous.
We believed in God, trusted in man, and lived with the illusion that every one of us has been entrusted with a sacred spark from the Shekhinah’s flame; that every one of us carries in his eyes and in his soul a reflection of God’s image.
That was the source if not the cause of all our ordeals.
Other passages from the original Yiddish text had more on the death of my father and on the Liberation. Why not include those in this new translation? Too personal, too private, perhaps; they need to remain between the lines. And yet . . .
I remember that night, the most horrendous of my life:
“. . . Eliezer, my son, come here . . . I want to tell you something . . . Only to you . . . Come, don’t leave me alone . . . Eliezer . . .”
I heard his voice, grasped the meaning of his words and the tragic dimension of the moment, yet I did not move.
It had been his last wish to have me next to him in his agony, at the moment when his soul was tearing itself from his lacerated body—yet I did not let him have his wish.
I was afraid.
Afraid of the blows.
That was why I remained deaf to his cries.
Instead of sacrificing my miserable life and rushing to his side, taking his hand, reassuring him, showing him that he was not abandoned, that I was near him, that I felt his sorrow, instead of all that, I remained flat on my back, asking God to make my father stop calling my name, to make him stop crying. So afraid was I to incur the wrath of the SS.
In fact, my father was no longer conscious.
Yet his plaintive, harrowing voice went on piercing the silence and calling me, nobody but me.
“Well?” The SS had flown into a rage and was striking my father on the head: “Be quiet, old man! Be quiet!”
My father no longer felt the club’s blows; I did. And yet I did not react. I let the SS beat my father, I left him alone in the clutches of death. Worse: I was angry with him for having been noisy, for having cried, for provoking the wrath of the SS.
“Eliezer! Eliezer! Come, don’t leave me alone . . .”
His voice had reached me from so far away, from so close. But I had not moved.
I shall never forgive myself.
Nor shall I ever forgive the world for having pushed me against the wall, for having turned me into a stranger, for having awakened in me the basest, most primitive instincts.
His last word had been my name. A summons. And I had not responded.
In the Yiddish version, the narrative does not end with the image in the mirror, but with a gloomy meditation on the present:
And now, scarcely ten years after Buchenwald, I realize that the world forgets quickly. Today, Germany is a sovereign state. The German Army has been resuscitated. Ilse Koch, the notorious sadistic monster of Buchenwald, was allowed to have children and live happily ever after . . . War criminals stroll through the streets of Hamburg and Munich. The past seems to have been erased, relegated to oblivion.
Today, there are anti-Semites in Germany, France, and even the United States who tell the world that the “story” of six million assassinated Jews is nothing but a hoax, and many people, not knowing any better, may well believe them, if not today then tomorrow or the day after . . .
I am not so naïve as to believe that this slim volume will change the course of history or shake the conscience of the world.
Books no longer have the power they once did.
Those who kept silent yesterday will remain silent tomorrow.
THE READER would be entitled to ask: Why this new translation, since the earlier one has been around for forty-five years? If it is not faithful or not good enough, why did I wait so long to replace it with one better and closer to the original?
In response, I would say only that back then, I was an unknown writer who was just getting started. My English was far from good. When my British publisher told me that he had found a translator, I was pleased. I later read the translation and it seemed all right. I never reread it. Since then, many of my other works have been translated by Marion, my wife, who knows my voice and how to transmit it better than anyone else. I am fortunate: when Farrar, Straus and Giroux asked her to prepare a new translation, she accepted. I am convinced that the readers will appreciate her work. In fact, as a result of her rigorous editing, I was able to correct and revise a number of important details.
And so, as I reread this text written so long ago, I am glad that I did not wait any longer. And yet, I still wonder: Have I used the right words? I speak of my first night over there. The discovery of the reality inside the barbed wire. The warnings of a “veteran” inmate, counseling my father and myself to lie about our ages: my father was to make himself younger, and I older. The selection. The march toward the chimneys looming in the distance under an indifferent sky. The infants thrown into fiery ditches . . . I did not say that they were alive, but that was what I thought. But then I convinced myself: no, they were dead, otherwise I surely would have lost my mind. And yet fellow inmates also saw them; they were alive when they were thrown into the flames. Historians, among them Telford Taylor, confirmed it. And yet somehow I did not lose my mind.
BEFORE CONCLUDING this introduction, I believe it important to emphasize how strongly I feel that books, just like people, have a destiny. Some invite sorrow, others joy, some both.
Earlier, I described the difficulties encountered by Night before its publication in French, forty-seven years ago. Despite overwhelmingly favorable reviews, the book sold poorly. The subject was considered morbid and interested no one. If a rabbi happened to mention the book in his sermon, there were always people ready to complain that it was senseless to “burden our children with the tragedies of the Jewish past.”
Since then, much has changed. Night has been received in ways that I never expected. Today, students in high schools and colleges in the United States and elsewhere read it as part of their curriculum.
How to explain this phenomenon? First of all, there has been a powerful change in the public’s attitude. In the fifties and sixties, adults born before or during World War II showed a careless and patronizing indifference toward what is so inadequately called the Holocaust. That is no longer true.
Back then, few publishers had the courage to publish books on that subject.
Today, such works are on most book lists. The same is true in academia. Back then, few schools offered courses on the subject. Today, many do. And, strangely, those courses are particularly popular. The topic of Auschwitz has become part of mainstream culture. There are films, plays, novels, international conferences, exhibitions, annual ceremonies with the participation of the nation’s officialdom. The most striking example is that of the United States Holocaust Memorial Museum in Washington, D.C.; it has received more than twenty-two million visitors since its inauguration in 1993.
This may be because the public knows that the number of survivors is shrinking daily, and is fascinated by the idea of sharing memories that will soon be lost. For in the end, it is all about memory, its sources and its magnitude, and, of course, its consequences.
For the survivor who chooses to testify, it is clear: his duty is to bear witness for the dead and for the living. He has no right to deprive future generations of a past that belongs to our collective memory. To forget would be not only dangerous but offensive; to forget the dead would be akin to killing them a second time.
SOMETIMES I AM ASKED if I know “the response to Auschwitz”; I answer that not only do I not know it, but that I don’t even know if a tragedy of this magnitude has a response. What I do know is that there is “response” in responsibility. When we speak of this era of evil and darkness, so close and yet so distant, “responsibility” is the key word.
The witness has forced himself to testify. For the youth of today, for the children who will be born tomorrow. He does not want his past to become their future.
Reading Group Guide
The questions and discussion topics that follow are designed to enhance your reading of Elie Wiesel's Night. We hope they will enrich your experience as you explore this poignant and fiercely honest remembrance of the Holocaust.
Questions for Discussion
1. Compare Wiesel's preface to the memoir itself. Has his perspective shifted in any way over the years?
2. In his Nobel lecture, presented in 1986, Wiesel writes of the power of memory, including the notion that the memory of death can serve as a shield against death. He mentions several sources of injustice that reached a boiling point in the 1980s, such as Apartheid and the suppression of Lech Walesa, as well as fears that are still with us, such as terrorism and the threat of nuclear war. Will twenty-first-century society be marked by remembrance, or by forgetting?
3. How does the author characterize himself in Night? What does young Eliezer tell us about the town, community, and home that defined his childhood? How would you describe his storytelling tone?
4. Why doesn't anyone believe Moishe the Beadle? In what way did other citizens around the world share in Sighet's naïveté? Would you have heeded Moishe's warnings, or would his stories have seemed too atrocious to be true? Has modern journalism solved the problem of complacency, or are Cassandras more prevalent than ever?
5. As Eliezer's family and neighbors are confined to a large ghetto and then expelled to a smaller, ghostlier one whose residents have already been deported, what do you learn about the process by which Hitler implemented doom? How are you affected by the uncertainty endured by Sighet's Jews on their prolonged journey to the concentration camps?
6. With the words "Women to the right!" Eliezer has a final glimpse of his mother and of his sister, Tzipora. His father later wonders whether he should have presented his son as a younger boy, so that Eliezer could have joined the women. What turning point is represented by that moment, when their family is split and the gravity of every choice is made clear?
7. At Birkenau, Eliezer considers ending his life by running into the electric fence. His father tells him to remember Mrs. Schächter, who had become delusional on the train. What might account for the fact that Eliezer and his father were able to keep their wits about them while others slipped into madness?
8. Eliezer observes the now-infamous inscription above the entrance to Auschwitz, equating work with liberty. How does that inscription come to embody the deceit and bitter irony of the Nazi camps? What was the "work" of the prisoners? Were any of the Auschwitz survivors ever liberated emotionally?
9. Eliezer's gold crown makes him a target for spurious bargaining, concluding in a lavatory with Franek, the foreman, and a dentist from Warsaw. Discuss the hierarchies in place at Auschwitz. How was a prisoner's value determined? Which pris- oners were chosen for supervisory roles? Which ones were more likely to face bullying, or execution?
10. Eliezer expresses sympathy for Job, the biblical figure who experienced horrendous loss and illness as Satan and God engaged in a debate over Job's faithfulness. After watching the lynching and slow death of a young boy, Eliezer tells himself that God is hanging from the gallows as well. In his Nobel lecture, Wiesel describes the Holocaust as "a universe where God, betrayed by His creatures, covered His face in order not to see." How does Wiesel's understanding of God change throughout the book? How did the prisoners in Night, including rabbis, reconcile their agony with their faith?
11. After the surgery on Eliezer's foot, he and his father must face being marched to a more remote camp or staying behind to face possible eleventh-hour execution amid rumors of approaching Red Army troops. Observing that Hitler's deadliness is the only reliable aspect of their lives, Wiesel's father decides that he and his son should leave the camp. The memoir is filled with such crossroads, the painful outcomes of which can be known only in retrospect. How does Wiesel respond to such outcomes? Do you believe these outcomes are driven by destiny, or do they simply reflect the reality of decision-making?
12. In his final scenes with his father, Eliezer must switch roles with him, becoming the provider and comforter, despite advice from others to abandon the dying man. What accounts for the tender, unbreakable bond between Eliezer and his father long after other men in their camp begin fending for themselves? How does their bond compare to those in your family?
13. What is the significance of the book's final image, Wiesel's face, reflected in a mirror? He writes that a corpse gazed back at him, with a look that has never left him. What aspects of him died during his ordeal? What aspects were born in their place? What do you make of his observation that among the men liberated with him, not one sought revenge?
14. Wiesel faced constant rejection when he first tried to publish Night; numerous major publishing houses in France and the United States closed their doors to him. His memoir is now a classic that has inspired many other historians and Holocaust survivors to write important contributions to this genre of remembrance. What is unique about Wiesel's story? How does his approach compare to that of other memoirists whose work you have read?
Most Helpful Customer Reviews
NIGHT by Elie Wiesel is a piercing account of the horrors of concentration camp, which impressed an incredible toll both internally and externally on his being. As a young adolescent, he is ripped from his home, plummeted to the depths of suffering, and driven to the edge of his own humanity. Mr. Wiesel openly shares with readers the tremendous weight of these experiences etched within his soul. His courage in doing so should be lauded. From Mr. Wiesel we can learn that regardless of the burden from the sins of others imposed upon us and our own sins, it is possible to endure - and even to help others do so. In that vein, I would recommend another memoir to readers of NIGHT - called A BEAUTIFUL WORLD, written by Gregg Milligan. It is a book you will not be able to put down - a deeply moving account of the indomitable human spirit as seen in the heart of a young child subjected to severe physical, mental and sexual abuse. In the author's own words, he shares his story to help others 'buckle down and bear the ride' through their own hell - and know that they are not alone. A BEAUTIFUL WORLD is an incredible testament to the perseverance of hope. Exquisitely written and heart wrenching, it is an unforgettable story. Both A BEAUTIFUL WORLD and NIGHT offer readers a chance to adjust their own perspective on suffering through the examples of both authors. Though they have suffered greatly and will never leave this experience behind, they will not allow it to end them either. Further, both authors possess the incredible courage to reach out and share their stories, giving of themselves for the benefit of others. The astounding resiliency shown in that act alone speaks volumes of them as human beings -- and the words they press to paper will ever live on in the hearts of those that read them.
I'm amazed by what humans are capable of doing to one another and this book shows how devastating the cruelty can be for some. Night is the story of Elie Weisel, who spent his life during the Holocaust and knew how people were treated in the concentration camps.I recommend this book to anyone who wants to learn how people were during the Holocaust.
The book Night is a terrifyingly honest retelling of a holocausts survivor's story. Elie Wiesel, who was a teen when he and his whole town were forced into the camps, shows what really happened. He spoke of how everyone reacted, and showed how desperate everyone truly got when they realized how much trouble they were in. It offered a look inside the mind of one of the victims, and showed the constant battle they fought with themselves. Also, it put in his own experiences, showing how he felt during it. To start with, Night really captured the nature of humans perfectly. Some of the Nazis were cruel, while a few were simply there because they had to be. Some prisoners were helpful and nice, some were aggressive and selfish. He showed all sides of the people, that they're not all the same. Plus, the book also shows how his beliefs changed over time. As he was forced onto the cattle cars, he called himself religious. After years of starvation, abuse, and harsh conditions, he began to lose faith. By the time he escaped, he believed in only one person, himself. He let readers in on all he was thinking, not just what he was witnessing. Also, the novel is just well written. The flow is impeccable, with each even flowing seamlessly into the next one. The details Elie poured into this story really shine through. All of the sentences have a meaning, and aren't just some made up stuff to make the story seem more interesting. He turned his life story into a beautiful piece of literature. In addition, he talked about his father and about how hard he tried to help him. Plus, he even admitted to sort of feeling a wave of relief when his father passed away. He loved his father, but after constantly helping him as they both grew weaker and weaker, as well as doing hard labor to survive, it's no wonder he felt a weight lifted off his shoulders after his father's passing. To sum it all up, Night is a painful, but beautiful story. It somehow managed to capture the essence of desperation, and showed this off with ease. It also showed his own battles with faith. Elie remained truthful throughout; contributing to what makes this novel so breathtaking. He didn't shy away from the things he felt, he showed them to the world. Additionally, the book is just a magnificent piece of literature. Night is definitely a book worth reading.
When I first was told that I had to go out and buy this book for my high school class I was flustered. It was another book that we were going to pick apart during English class and that would ruin yet another book that could have been enjoyable. Well I am in a Pre-AP English class, so I thought it would be better if I read it before we started reading it in class. So I bought it last night and decided to begin reading it while we put up our Christmas tree and figured I'd get a chapter or two finished, but no, I started reading and couldn't find a good spot to put it down. Elie Wiesel's story is incredible and the fact that it is actually true makes it even more real in my mind. I would recommend this book to anyone who is interested in the Holocaust! It is 50/50 on research, because it depends on how you get your information, but from a survivor's point of view it is incredible! I loved it and found it extraordinary and I'm actually looking forward to annotating it during class in the upcoming weeks. GREAT READ! VERY INTERESTING! CAN'T PUT IT DOWN!
Wiesel discovered that, "God is there in the suffering." His explanation is anything but trite. Instead, it grapples candidly with the confusion that life can and does bring. Fortunately Wiesel's candor leads to hope--the confidence that behind the evils in this life there resides a good God working out plans in a mysterious, yet glorious, way. The inner depths and black darkness of "Night" call us not to squeamish forgetting but to stark remembering. For only in remembering will we insist, "Never again!" When you read this book...it is literally like you personally, were shipped off to a German Concentration camp. I recall feeling a deep sympathy for the unexpecting Jews. Noone should be treated as these people were...and we take the Freedom that we have as a given. But, what happened in "Night" just goes to show, that we can not take this free life that we live for granted. God can test your faith just as he did these Jews...but the challenge is on you...to see if you will with hold on your FAITH. Wiesel's popular witness his experiences as a Jewish teen swept up by the Nazi killing machine. Themes included in the book include Faith in God, Evil & the Ability of Human Beings to Inflict Harm on Others, Responsibility to Family, How Suffering & the Drive to Survive Changes People, The Power of Hope, A great book for introducing young people to the realities of the Holocaust so that its horror and scope will never be forgotten nor repeated. Further, it is a great resource for young people exploring their own faith because it prompts many questions in the readers mind about God, suffering, sin, faith, and evil.
The book Night touches the reader's heart. The story about Elie inspires the reader to take action against inhumane treatment. I like how all the descriptive words are used to describe all the hardships and troubles Elie and the other Jews faced. I didn't like how the book ended. It could've showed where Elie went after the camp was liberated. Overall a great book!
Elie Wiesel's Night is a very intriguing memoir that includes mystery, questioning, and suspense. I really enjoyed reading this book. The suspense kept adding up, to make it almost impossible stop. Every time I said to myself "After this page I have to go to sleep," a page later I'd continue on. The reason why I chose to read Night in the first place was because I visited the Holocaust Museum in Washington D.C. this past summer. Once I read the back cover of Night, it instantly reminded me of The Holocaust Museum. Some other books I was on the verge of choosing were interesting also, but my trip to Washington D.C. inspired me to read Night. Now that I've read it, I know I made the right choice. My favorite part of the memoir was the same scene that I did my oral interpretation on: the father is called by some prominent members of the community to discuss the plans for the transport starting the next day. This scene is really suspenseful and intense in a way that I can barely put into words. Imagine your whole life disappearing in a day. Elie Wiesel goes through this very tough time in his life where he has to leave his life, childhood, and memories in Sighet, Transylvania. In this scene, his father's horrific news flips his whole life instantly around. The main reasons why I enjoyed Night are because it added to my knowledge about the Holocaust, and helped me realize who I am. Before reading it, all I knew from the Holocaust was what I read from The Diary of Anne Frank, which didn't give as much background information as Night did. It made me, once again, realize how big of an impact this genocide was and the people it affected. Also, Night gave me a better understanding of our recent past, and reminded me how fortunate and lucky I am to be me.
Night by Elie Wiesel Reviewed by Nenny and Kolan Elie Wiesel’s book “Night” (ISBN number 9780374500016) is a documentative embodiment the horrors of the Holocaust. As a first hand witness, Elie Wiesel in 1958 captures both his experiences and those of all who suffered at the hands of Nazi Germany in this enticing novel. This book features bone chillingly accurate descriptions of the atrocities committed within the concentration and death camps scattered throughout the Eastern European region during Hitler’s reign. It is not one to disappoint the reader. In 1944 Elie Wiesel was taken from his home, captured, and forced to survive in a Nazi death camp with only his father to accompany him as they fight their way through to the end of the war. Starved, beaten, and his spirit broken, Elie survives to tell his tale to the world of what he went through during the terrible years of the Holocaust. “Night” proves to be a document written to express the importance of remembering our past and how inhumane people can be. By Elie’s account of the savage conditions and brutal actions he and his fellow prisoners were subject to, he continually reminds the reader of the events that nobody should ever experience. This is a volume dedicated to making sure the same atrocities never happen again in our history. The Holocaust was a time of misfortune and misery with lots of individuals who suffered throughout its intolerable existence in history. This “slim volume of terrifying power” as quoted by the New York Times, is popular throughout the world. “Night” can be found online and in most stores around the country for just under 10 dollars. This, combined with the incredibly interesting and easily read report of the experience in which the author was forced to survive make the book more than worthwhile. In short, “Night” summarizes the experiences of both survivors and the less fortunate during the Holocaust. Every turn of the page brings on a new sense of anxiety and excitement for the victims-you will never want to put it down.
I read this book for school this year at school and i was not excited about it but i ended up LOVING IT. It was great. Must read book!!!
I have always been very interested in the History of Aushwitz and other various concentration camp "horror" stories. I heard about this book first after watching Oprah when she had Elie Weisel on her show. After hearing his inspirational yet terrifying life story I knew I had to read this book. The descriptive words that Weisel uses within the pages paints a picture and makes you feel like you are there watching the things that were done to these innocent people. There were some chapters that were very hard to read because of the disturbing things that were done. But after reading the book I have a greater respect and sorrow for the people that went to through the horrible events within the concentration camps. After reading this book it will make you want to treat others with the respect that they deserve. This book was an amazing read and an incredibly inspirational story.
Book Review Night Makayla Cordell & Becca Coil Night is a book written by Elie Wiesel. The copyright date is 1958. Night is a really sad book but it is also a very good book. It is kind of like a chick flick. It is sad throughout the story but there is somewhat of a happy ending when Elie and everyone else who survived are let free. A paperback copy of Night cost $8.96. If you decide to get a copy the ISBN is 978-0-374-50001-6. Night is an easy read but you just have to think about what you are reading while you are reading it. The purpose for which Elie Wiesel wrote this book was to keep history from repeating itself. He states his own horrific personal experiences that he can never bring himself to forget. Wiesel explains the torture and death his family and others had to witness while going through the holocaust. He’s targeting all ages to read and hear the real story from his point of view. Night is all about Wiesel’s life during the Holocaust. It is also about how him and others survived during this time. Wiesel struggled through the Holocaust because of starvation, beating, thirst deprived and more. Even though he was struggling he still helped other including his father. By him helping others and himself he managed to survive. At times he wished he could just die but he never wanted to leave his father because he knew his father would not be able to survive if he was gone. Wiesel wrote this book because he wanted people to know what happened to the Jewish people when Adolf Hitler was the dictator in Germany. He also did not want history to repeat itself. The Jewish people were treated very poorly just because of the religion. Now we have Buddhist, Jews, Catholics, Christians, and so many more. All of the people who are from these religions are treated the same. They are all welcomed to any place. Wiesel uses irony, foreshadowing metaphors and similes. There are many twists in the book that bring grief and sadness to the readers. Flashbacks are used to explain many of Weisel experiences and memories that have happened. For example, at points throughout the story all he wanted to do was die and go to a better place. He refers to a lot of memories and foreshadows to what may happen next. Wiesel has received many rewards in his lifetime. They range from the Nobel Peace Prize to the Presidential Medal of Freedom. He also has received the National Jewish Book Award for Modern Jewish Thought & Experience. Night is the first book out of his trilogy. The books that follow are Dawn and Day, which are heart-wrenching stories that attack readers to keep reading. Elie Wiesel has a reputation of getting his audience involved. His books really open the eyes to all readers and their concerns of the holocaust. Night is one of the best books to read. It teaches readers about someone’s life during the Holocaust, how he survived, what he had to go through in order to survive, and things he had to see. The content of Wiesel’s book is very detailed but it is good. Wiesel and all of the other Jews had to go through the unthinkable. Wiesel’s story is extremely touching and a book that is recommended to all.
I've read this book twice in a lapse of 10 years and every time I read it it's almost as if I've read it for the first time. Its such a powerful book. A def must read!
this book refers many times about Wiesel and other inmates questioning there faith. i think its an outstanding book to give kids. especailly young adults who are being engulfed in the black and whites of religion. i will never forget the rabi's speech on god. maybe there is no god. Elie is a brave soul who should be looked up too. all the schools should read this. so many people today have forgotten the horrors of this event in history. one of the best biography's i have ever read. and possibly the most influencial messages. it certainly made me tear up a few times.
Inspiring, captivating, emotional, terror, are only some of the adjectives that remotely begin to describe the journey this will take you. A real life story of survival under the most horrific circumstances. Well told, unassuming, with vivid descriptions. The pace of the narration is also pitch perfect and does not betray what's coming next. Excellent gift to give for the traveler in your family or circle of friends.
This book will change your complete outlook on the harsh reality of the Holocaust. Weisel takes you into an indepth look of his experience in the concentration camps of Germany. Each line of Night leaves you speechless over the cruelty of what man is unfortunately capable of. Weisel is taken from a warm and comforting home with his Jewish family (who has the fear of God within them)to the utmost worst conditions a human being or any living thing can experience. His "once found" faith is tested within himself, and he begins to question, is there such a God whom would allow this? Does the faith he has left carry him through, or do the enemies of his hopes and dreams conquer over him? Weisel's Night is the closest and most initmate journey of the Holocaust you can experience. (Review- 4.5 stars!)
Night is the hesitantly told story of Elie Wiesel and his family and their experiences in the German concentration camps of Auschwitz and Buchenwald. Wiesel suffered his teenage years as a prisoner in both prison camps and vowed never to speak of his experiences there. In Wiesel's own words, "To be silent is impossible, to speak forbidden." Because of his lost spiritualism and faith in mankind he kept his word for ten years but was persuaded by French novelist Francois Mauriac to complete it for the world. Night exposes Wiesel's struggles during and after the Holocaust and it is brilliantly written and emotionally charged. This true documentary will upset your sensibilities but the spirit of the man who endured it will most certainly lift yours. Though not as well-known as The Diary of Anne Frank Elie Wiesel's Night is just as compelling and heartbreaking and should be on your essential WWII "To Read" list. 5 stars out of 5 The Alternative Southeastern Wisconsin http://thealternativeone.blogspot.com/
"Life isn't about how to survive the storm, but how to dance in the rain."The book Night was a the most shocking book I have ever read. This is the best autobiography I have ever read. It was shocking because he wrote this book from when he was in the concentration camps during World War 2. He is very descriptive as to everything the SS officers made him do and what they did to the other Jews around him. The most shocking thing was that toward the end they made him, his father and the rest of the Jews in the camp run fifty miles to another camp to get away from the Soviet army. Also, that they beat his father even though he was old and dying. All of this shows how much people could hate others just because they aren't like them and think they are an inferior race.
I hate this book so much because its so dang good.
This book is an "I can't put it down!" read. Tragic story, well told. It is indescribable the torturous conditions Mr. Wiesel went through, he is very lucky to be alive. Don't read this book expecting it to be light-hearted, because it isn't.
Great book had to read it for la 2
This is agreat book even though i am not the whole way through it i love it. Definitly not a book for anyone under 6th grade.
this was another summer reading book. [PHEW!] anouther one finnished. Yes, Night was a fantasticly written book about a Jewish boys' journey through the consentration camps. When I was reading the book I felt like i was feeling the boy's happieness, pain, suffering.... Such an amazing book. I definatly suggest it. (:
This book is about Elie Weisel and his survival during the holocaust. Elie wrote this book so that history may not repeat itself. Throughout the holocaust, humans were committing genocide in probably the cruelest ways possible.In this novel, Elie tells of his life when he had to live in concentration camps. Luckily, he was able to stay with his father. This is probably the only good thing that happened in this novel. Almost every page is filled with graphics so crucial that words can hardly explain it, but this is reality. Night is also filled with instances in which people are treated like animals. For example, one part in the book, the guards threw bread on the ground for the Jews to eat. Because they were so starved, the Jews literally killed each other for the bread. Unlike most books, Elie wrote the book exactly as he remembered it, and used many similes. This book is very inspirational. It reminds people to not give up when life gets you down.I really enjoyed this book even though some parts were hard to read. I would recommend this book to mature teens and adults because of some graphics told in the book. This novel tells the truth and people should know what really happened so that it won't happen again.
Night is a story about the harsh reality of the Holocaust. Elie Wiesel tells the story of his traumatic childhood he faced in the concentration camps. This story lets the reader know of all the cruel terrible things that people are capable of doing. Throughout the novel Elie is faced with many different challenges where he only has his own faith to turn to for help. Elie Wisel has written more than forty works of fiction and nonfiction. He has been awarded with many different awards for his talent for writing. Night opened my eyes to what millions of people faced during the Holocaust. Night is about a teenage boy (Elie Wiesel) who was taken from his home and sent to the Auschwitz concentration camp. While there he gets separated from all of his family except his father. Through all the obstacles that they encounter they stay by one another's side. Elie realizes that the only thing that he can truly trust is his own faith. This experience tests the faith he has within himself. Wiesel gets his point across very well about the reality of the Holocaust. He tells each event that occurs in very graphic detail. Elie Wiesel's story might be heartbreaking but it is beautifully told. Night is an inspirational story that teaches you to never give up on your own faith. Wiesel has many encounters along his journey in that camps that make him want to give up, but he never does. Elie Wiesel's positive attitude and his desire to keep his life is what makes him one of the survivors of the Holocaust. Overall I'm thankful that I read Night, although parts of the novel were very heartbreaking to read. I think that this book should be required reading for everyone at some time in their life. It was an inspirational story.
As a 13-year old boy who grew up in the Bronx, I'm one into sports, comedy, and action. I never really knew much about the Holocaust. The book "Night" taught me so much about it. It's super intense, emotional, and informative. I highly recommend this book to anyone who is looking for a poignant and breath-taking kind of book.