Jolie Blon's Bounce (Dave Robicheaux Series #12)

Jolie Blon's Bounce (Dave Robicheaux Series #12)

by James Lee Burke


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Dave Robicheaux is back in this powerful New York Times bestseller that takes him into the underbelly of New Iberia’s mafia to solve the brutal murder of two teenage girls.

When a beautiful teenage girl is killed, New Iberia police detective Dave Robicheaux senses that the most likely suspect, Tee Bobby Hulin, is not the actual killer. Though a drug addict and general neer-do-well, Hulin just doesn’t fit the profile for this kind of crime. He’s a Cajun blues singer (one of his songs is titled “Jolie Blon’s Bounce”), and he’s been raised by his grandmother Ladice Hulin, a proud and strong-willed black woman.

But when there’s another, similar murder—this victim a drugged-out prostitute who happens to be the daughter of one of the local mafia bigwigs—the cries for an arrest become too loud to ignore. The mafia figure, however, prefers to take matters in his own hand and sets out to find—and punish—the killer himself. Once again, Tee Bobby Hulin seems the most likely suspect.

Added to the mix of characters on the good guy side of the balance sheet is Clete Purcel, a long-time buddy of Robicheaux’s and a confirmed boozer and womanizer. Coming to New Iberia for a visit, Clete is quickly drawn into the struggle between the various forces of evil in the town: Jimmy Dean Styles, a black man intent on maintaining his empire of corruption; Joe Zeroski, a trailer-park mafioso with palatial aspirations—and of course Legion Guidrey, the devil incarnate.

Product Details

ISBN-13: 9781982100247
Publisher: Simon & Schuster
Publication date: 04/24/2018
Series: Dave Robicheaux Series , #12
Edition description: Reissue
Pages: 464
Sales rank: 134,223
Product dimensions: 5.50(w) x 8.37(h) x 1.20(d)

About the Author

James Lee Burke is a New York Times bestselling author, two-time winner of the Edgar Award, and the recipient of the Guggenheim Fellowship for Creative Arts in Fiction. He’s authored thirty-six novels and two short story collections. He lives in Missoula, Montana.


New Iberia, Louisiana and Missoula, Montana

Date of Birth:

December 5, 1936

Place of Birth:

Houston, Texas


B.A., University of Missouri, 1959; M.A., University of Missouri, 1960

Read an Excerpt

Chapter 1

Growing up during the 1940s in New Iberia, down on the Gulf Coast, I never doubted how the world worked. At dawn the antebellum homes along East Main loomed out of the mists, their columned porches and garden walkways and second-story verandas soaked with dew, the chimneys and slate roofs softly molded by the canopy of live oaks that arched over the entire street.

The stacks of sunken U.S. Navy ships lay sideways in Pearl Harbor and service stars hung inside front windows all over New Iberia. But on East Main, in the false dawn, the air was heavy with the smell of night-blooming flowers and lichen on damp stone and the fecund odor of Bayou Teche, and even though a gold service star may have hung in a window of a grand mansion, indicating the death of a serviceman in the family, the year could have been mistaken for 1861 rather than 1942.

Even when the sun broke above the horizon and the ice wagons and the milk delivery came down the street on iron-rimmed wheels and the Negro help began reporting for work at their employers' back doors, the light was never harsh, never superheated or smelling of tar roads and dust as it was in other neighborhoods. Instead it filtered through Spanish moss and bamboo and philodendron that dripped with beads of moisture as big as marbles, so that even in the midst of summer the morning came to those who lived here with a blue softness that daily told them the earth was a grand place, its design vouchsafed in heaven and not to be questioned.

Down the street was the old Frederic Hotel, a lovely pink building with marble columns and potted palms inside, a ballroom, an elevator that looked like a brassbirdcage, and a saloon with wood-bladed fans and an elevated, scrolled-iron shoeshine chair and a long, hand-carved mahogany bar. Amid the palm fronds and the blue and gray swirls of color in the marble columns were the slot and racehorse machines, ringing with light, their dull pewterlike coin trays offering silent promise to the glad at heart.

Farther down Main were Hopkins and Railroad Avenues, like ancillary conduits into part of the town's history and geography that people did not talk about publicly. When I went to the icehouse on Saturday afternoons with my father, I would look furtively down Railroad at the rows of paintless cribs on each side of the train tracks and at the blowsy women who sat on the stoops, hung over, their knees apart under their loose cotton dresses, perhaps dipping beer out of a bucket two Negro boys carried on a broom handle from Hattie Fontenot's bar.

I came to learn early on that no venal or meretricious enterprise existed without a community's consent. I thought I understood the nature of evil. I learned at age twelve I did not.

My half brother, who was fifteen months younger than I, was named Jimmie Robicheaux. His mother was a prostitute in Abbeville, but he and I were raised together, largely by our father, known as Big Aldous, who was a trapper and commercial fisherman and offshore derrick man. As children Jimmie and I were inseparable. On summer evenings we used to go to the lighted ball games at City Park and slip into the serving lines at barbecues and crab boils at the open-air pavilions. Our larceny was of an innocent kind, I suppose, and we were quite proud of ourselves when we thought we had outsmarted the adult world.

On a hot August night, with lightning rippling through the thunderheads over the Gulf of Mexico, Jimmie and I were walking through a cluster of oak trees on the edge of the park when we saw an old Ford automobile with two couples inside, one in the front seat, one in the back. We heard a woman moan, then her voice mount in volume and intensity. We stared openmouthed as we saw the woman's top half arch backward, her naked breasts lit by the glow from a picnic pavilion, her mouth wide with orgasm.

We started to change direction, but the woman was laughing now, her face sweaty and bright at the open window.

"Hey, boy, you know what we been doin'? It make my pussy feel so good. Hey, come here, you. We been fuckin', boy," she said.

It should have been over, a bad encounter with white trash, probably drunk, caught in barnyard copulation. But the real moment was just beginning. The man behind the steering wheel lit a cigarette, his face flaring like paste in the flame, then stepped out on the gravel. There were tattoos, like dark blue smears, inside his forearms. He used two fingers to lift the blade out of a pocketknife.

"You like to look t'rew people's windows?" he asked.

"No, sir," I said.

"They're just kids, Legion," the woman in back said, putting on her shirt.

"Maybe that's what they gonna always be," the man said.

I had thought his words were intended simply to frighten us. But I could see his face clearly now, the hair combed back like black pitch, the narrow white face with vertical lines in it, the eyes that could look upon a child as the source of his rage against the universe.

Then Jimmie and I were running in the darkness, our hearts pounding, forever changed by the knowledge that the world contains pockets of evil that are as dark as the inside of a leather bag.

Because my father was out of town, we ran all the way to the icehouse on Railroad Avenue, behind which was the lit and neatly tended house of Ciro Shanahan, the only man my father ever spoke of with total admiration and trust.

Later in life I would learn why my father had such great respect for his friend. Ciro Shanahan was one of those rare individuals who would suffer in silence and let the world do him severe injury in order to protect those whom he loved.

On a spring night in 1931, Ciro and my father cut their boat engines south of Point Au Fer and stared at the black-green outline of the Louisiana coast in the moonlight. The waves were capping, the wind blowing hard, puffing and snapping the tarp that was stretched over the cases of Mexican whiskey and Cuban rum that my father and Ciro had off-loaded from a trawler ten miles out. My father looked through his field glasses and watched two searchlights sweeping the tops of the waves to the south. Then he rested the glasses on top of the small pilothouse that was built out of raw pine on the stern of the boat and wiped the salt spray off his face with his sleeve and studied the coastline. The running lights of three vessels pitched in the swells between himself and the safety of the shore.

"Moon's up. I done tole you, bad night to do it," he said.

"We done it before. We still here, ain't we?" Ciro said.

"Them boats off the bow? That's state men, Ciro," my father said.

"We don't know that," Ciro said.

"We can go east. Hide the load at Grand Chenier and come back for it later. You listen, you. Don't nobody make a living in jail," my father said.

Ciro was short, built like a dockworker, with red hair and green eyes and a small, down-hooked Irish mouth. He wore a canvas coat and a fedora that was tied onto his head with a scarf. It was unseasonably cold and his face was windburned and knotted with thought inside his scarf.

"The man got his trucks up there, Aldous. I promised we was coming in tonight. Ain't right to leave them people waiting," he said.

"Sitting in an empty truck ain't gonna put nobody in Angola," my father said.

Ciro's eyes drifted off from my father's and looked out at the southern horizon.

"It don't matter now. Here come the Coast Guard. Hang on," he said.

The boat Ciro and my father owned together was long and narrow, like a World War I torpedo vessel, and had been built to service offshore drilling rigs, with no wasted space on board. The pilothouse sat like a matchbox on the stern, and even when the deck was stacked with drill pipe the big Chrysler engines could power through twelve-foot seas. When Ciro pushed the throttle forward, the screws scoured a trough across the swell and the bow arched out of the water and burst a wave into a horsetail spray across the moon.

But the searchlights on the Coast Guard cutter were unrelenting. They dissected my father's boat, burned red circles into his eyes, turned the waves a sandy green and robbed them of all their mystery, illuminating the bait fish and stingrays that toppled out of the crests. The boat's hull pounded across the water, the liquor bottles shaking violently under the tarp, the searchlights spearing through the pilothouse windows far out into the darkness. All the while the moored boats that lay between my father and the safety of the coastline waited, their cabin windows glowing now, their engines silent.

My father leaned close to Ciro's ear. "You going right into them agents," he said.

"Mr. Julian taken care of them people," Ciro said.

"Mr. Julian taken care of Mr. Julian," my father said.

"I don't want to hear it, Aldous."

Suddenly the boats of the state liquor agents came to life, lurching out over the waves, their own searchlights now vectoring Ciro and my father. Ciro swung the wheel hard to starboard, veering around a sandbar, moving over shallow water, the bow hammering against the outgoing tide.

Up ahead was the mouth of the Atchafalaya River. My father watched the coastline draw nearer, the moss straightening on the dead cypress trunks, the flooded willows and gum trees and sawgrass denting and swaying in the wind. The tarp on the cases of whiskey and rum tore loose and flapped back against the pilothouse, blocking any view out the front window. My father cut the other ropes on the tarp and peeled it off the stacked cases of liquor and heaved it over the gunnel. When he looked at the shore again, he saw a series of sandbars ridging out of the bay like the backs of misplaced whales.

"Oh, Ciro, what you gone and did?" he said.

The boat rocketed between two sandbars, just as someone began firing an automatic weapon in short bursts from one of the state boats. Whiskey and rum and broken glass fountained in the air, then a tracer round landed on the deck like a phosphorus match and a huge handkerchief of flame enveloped the pilothouse.

But Ciro never cut the throttle, never considered giving up. The glass in the windows blackened and snapped in half; blue and yellow and red fire streamed off the deck into the water.

"Head into them leafs!" my father yelled, and pointed at a cove whose surface was layered with dead leaves.

The boat's bow crashed into the trees, setting the canopy aflame. Then my father and Ciro were overboard, splashing through the swamp, their bodies marbled with firelight.

They ran and trudged and stumbled for two miles through chest-deep water, sloughs, air vines, and sand bogs that were black with insects feeding off cows or wild animals that had suffocated or starved in them.

Three hours later the two of them sat on a dry levee and watched the light go out of the sky and the moon fade into a thin white wafer. Ciro's left ankle was the size of a cantaloupe.

"I'm gonna get my car. Then we ain't touching the liquor bidness again," my father said.

"We ain't got a boat to touch it wit'," Ciro said.

"T'ank you for telling me that. The next time I work for Mr. Julian LaSalle, go buy a gun and shoot me."

"He paid my daughter's hospital bills. You too hard on people, Aldous," Ciro said.

"He gonna pay for our boat?"

My father walked five miles to the grove of swamp maples where he had parked his automobile. When he returned to pick Ciro up, the sky was blue, the wildflowers blooming along the levee, the air bright with the smell of salt. He came around a stand of willows and stared through the windshield at the scene he had blundered into.

Three men in fedora hats and ill-fitting suits, two of them carrying Browning automatic rifles, were escorting Ciro in wrist manacles to the back of a caged wagon, one with iron plates in the floor. The wagon was hooked to the back of a state truck and two Negroes who worked for Julian LaSalle were already sitting inside it.

My father shoved his transmission in reverse and backed all the way down the levee until he hit a board road that led through the swamp. As he splashed through the flooded dips in the road and mud splattered over his windshield, he tried not to think of Ciro limping in manacles toward the jail wagon. He hit a deer, a doe, and saw her carom off the fender into a tree, her body broken. But my father did not slow down until he was in Morgan City, where he entered the back of a Negro café and bought a glass of whiskey that he drank with both hands.

Then he put his big head down on his arms and fell asleep and dreamed of birds trapped inside the foliage of burning trees.

Copyright © 2002 by James Lee Burke

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Jolie Blon's Bounce (Dave Robicheaux Series #12) 3.9 out of 5 based on 0 ratings. 44 reviews.
RichardSutton More than 1 year ago
So far, JL hasn't failed me yet. I've been reading his New Iberia series through two books now and Joli Blon's Bounce kept me riveted and pulled me back to the bayou country as I expected it would. Unexpected gems of brilliant writing jumped off the pages from time to time and really captivated this reader. If you like to read for diversion that stretches your brain, Deputy Dave Robicheaux makes an incredible guide. Normally, First Person POV jangles me, but Dave is as soothing as an old sweater, despite his often vitriolic tempers, occasional forays into substance abuse and the occasional demon sitting on his shoulders. This story is one of redemption lost, and redemption denied. The antagonist(s) are really memorable and effectively chilling. Nothing is made of cardboard here. Everything breathes and stinks. Burke's use of the beauty of the waterways and cane fields is especially effective as counterpoint to the depravity laid out as the story unfolds to an incredibly satisfying conclusion. I'll be heading back down, soon.
Anonymous More than 1 year ago
Cant believe anyone thinks this stuff is worth reading . It is bad enough these things really happen( ed). Don't need to visit or revisit it.
Guest More than 1 year ago
While any of the Robicheaux books are good, James Lee Burke seemed to have got mechanical in his last three. They just didn't have the heart of earlier Robicheaux books such as 'A Stained White Radiance' or 'Black Cherry Blues.' 'Jolie Blon's Bounce' is a quantum leap up from Burke's most recent novels. Robicheaux himself is grittier and more philosophical; his boss is a theological presence, reminiscent of Slim in 'Of Mice and Men'; and the warped, acidic creatures, Legion Guidry and Marvin Oates, remind us that Burke can take Flannery O'Connor a few notches further into contemplation of the origins of evil. 'Jolie Blon's Bounce' is one of the best selections in the Robicheaux series without a doubt.
jepeters333 on LibraryThing More than 1 year ago
Two women are raped and murdered; a singer is accused and was present but didn't do it; another character, Legion, is so evil he could be Satan.
ElizabethPisani on LibraryThing More than 1 year ago
This is my symbolic entry for all the Dave R novels. Pulp fiction with a heart, a lovely turn of phrase, and an appallingly endearing anti-hero. When I should be reading some trenchant political biography, I often sneak off instead into the World of Dave. That's as confessional as I will ever be in an on-line forum.
DanaJean on LibraryThing More than 1 year ago
This was my first read in this series; apparently this is book 12. It stood alone as far as I can tell, and I enjoyed the voice of the Louisiana setting. Listening to it on audio brought the flavor of the south right to me, some of the good ol' boy mentality of many of the characters was appalling. The narrator did a fabulous job bringing the characters to life.The story is around rape and murder. Someone is accused, but Dave Robicheaux, the main character, isn't sure they've got the right guy. The more he digs, the more tangled things become.I enjoyed it, but the end did have a bit of deux ex machina to wrap things up. A little too quick after the big set-up of the whole story. It seemed a bit forced as if Burke just wanted to be done with the story.It held my attention.
JBreedlove on LibraryThing More than 1 year ago
One of Burke's better Robicheaux novels (They are all at the very least good). Another almost other-worldy bad guy crosses paths with Dave as he tries to solve a couple of brutal murders. Full of the sights and sounds of southern Louisiana w sharp insights on its human denizens and their culture. Some of the situations and characters developed a little fast and throwing in the mystery vet and death by lightning of Legion stretched it a bit. Still a very good book.
SimmonsFan on LibraryThing More than 1 year ago
Fantastic book up until the end. A little bit of air letting out of the balloon but otherwise a quick and fun read.
andyray on LibraryThing More than 1 year ago
I love visiting New Iberia and the Lake Pontrachain areas, and all i have to do is ead Burke. David Robincheaux and Clete, his buddy,k really seem to be the same person. Burke hasn't been able to differentiate each from the other as MacDonald does with McGee and Meyer. Burke can create peersonalities, however, and i continue to wonder whyhe does change out Cletes for someone maybe a little more sophisicated (sophistication is not often shown in these Burke books, and when it is, it is sardonically lampooned). Plot is good, twisting and continuouis and i cannot lay the book down, but the continual presence of Clete keep the Robencheaux series on a four-star level.
lizhawk on LibraryThing More than 1 year ago
A horrendous murder shocks even the depths of the bayou country as Dave Robicheaux fights his own demons while trying to find the killer of teen Amanda Boudreau. Other killings come into murky view, complicating the search. Quirky, dark characters abound -- somehow they're as scary as Carl Hiassen's Florida denizens are bizaare.
jennyo on LibraryThing More than 1 year ago
I've been a fan of the Dave Robicheaux books for a long, long time now, and this is one of Burke's best. Burke's not afraid to explore evil; even his heroes have darkness and violence in them that bubbles to the surface more often than I expect. But that violence is usually there for a reason: VietNam flashbacks, deep poverty, victimization, racism. In this book though, there's a man called Legion, and like the Biblical demon of that name, he's pure evil. I may have nightmares about him for a few days.I'd like to tell you that everything works out in the end of this book, but that's not always Burke's way. He's realistic about the deeply entrenched racism and poverty that hold sway in Louisiana, and he's not always optimistic that something that deep can ever be overcome. There was a quote early on in this book that stuck in my head, and I'm having a hard time coming to terms with it: I came to learn early on that no venal or meretricious enterprise existed without a community's consent.I'll be chewing on that for a while, I think.If you can stomach hardboiled mysteries with a tortured hero who makes mistakes, I definitely recommend Burke's books. He's a marvelous writer, and Louisiana is as much a character in these stories as Dave or Clete Purcel or Batist. He's been called the Faulkner of detective fiction, and I understand why; the comparisons are evident both in his themes and in the quality of his storytelling. But these are not books for the faint of heart. Be prepared.
Anonymous More than 1 year ago
Always worth reading the next book. I live in NOLA so it's also nice to be familiar with actual places and atmosphere being written about.
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mcbjack More than 1 year ago
Has to be one of his best! I really enjoyed the book from start to finish. I am a big fan of the Dave Robicheaux series. I love the little supernatural touch that he gave it. My only question is why aren't books 5 - 9 in the Dave Robicheaux series not available in Nook Books?
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