Homeland and Other Stories

Homeland and Other Stories

by Barbara Kingsolver

Hardcover(Large Print)

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Overview

Homeland and Other Stories offers comic, often heart-warming but always true to life tales told as only the author can, creating a world of love and possibility that listeners will want to take as their own.

Author Biography:

Barbara Kingsolver was born on April 8, 1955. She grew up "in the middle of an alfalfa field," in the part of eastern Kentucky that lies between the opulent horse farms and the impoverished coal fields. While her family has deep roots in the region, she never imagined staying there herself. "The options were limited—grow up to be a farmer or a farmer's wife."

Kingsolver has always been a storyteller: "I used to beg my mother to let me tell her a bedtime story." As a child, she wrote stories and essays and, beginning at the age of eight, kept a journal religiously. Still, it never occurred to Kingsolver that she could become a professional writer. Growing up in a rural place, where work centered mainly on survival, writing didn't seem to be a practical career choice. Besides, the writers she read, she once explained, "were mostly old, dead men. It was inconceivable that I might grow up to be one of those myself . . . "

Kingsolver left Kentucky to attend DePauw University in Indiana, where she majored in biology. She also took one creative writing course, and became active in the last anti-Vietnam War protests. After graduating in 1977, Kingsolver lived and worked in widely scattered places. In the early eighties, she pursued graduate studies in biology and ecology at the University of Arizona in Tucson, where she received a Masters of Science degree. She also enrolled in a writing class taught by author FrancineProse, whose work Kingsolver admires.

Kingsolver's fiction is rich with the language and imagery of her native Kentucky. But when she first left home, she says, "I lost my accent . . . [P]eople made terrible fun of me for the way I used to talk, so I gave it up slowly and became something else." During her years in school and two years spent living in Greece and France she supported herself in a variety of jobs: as an archaeologist, copy editor, X-ray technician, housecleaner, biological researcher and translator of medical documents. After graduate school, a position as a science writer for the University of Arizona soon led her into feature writing for journals and newspapers. Her numerous articles have appeared in a variety of publications, including The Nation, The New York Times, and Smithsonian, and many of them are included in the collection, High Tide in Tucson: Essays from Now or Never. In 1986 she won an Arizona Press Club award for outstanding feature writing, and in 1995, after the publication of High Tide in Tucson, Kingsolver was awarded an Honorary Doctorate of Letters from her alma mater, De Pauw University.

Kingsolver credits her careers in scientific writing and journalism with instilling in her a writer's discipline and broadening her "fictional possiblities." Describing herself as a shy person who would generally prefer to stay at home with her computer, she explains that "journalism forces me to meet and talk with people I would never run across otherwise."

From 1985 through 1987, Kingsolver was a freelance journalist by day, but she was writing fiction by night. Married to a chemist in 1985, she suffered from insomnia after becoming pregnant the following year. Instead of following her doctor's recommendation to scrub the bathroom tiles with a toothbrush, Kingsolver sat in a closet and began to write The Bean Trees, a novel about a young woman who leaves rural Kentucky (accent intact) and finds herself living in urban Tucson.

The Bean Trees, published by HarperCollins in 1988, and reissued in a special ten-year anniversary hardcover edition in 1998, was enthusiastically received by critics. But, perhaps more important to Kingsolver, the novel was read with delight and, even, passion by ordinary readers. "A novel can educate to some extent," she told Publishers Weekly. "But first, a novel has to entertain—that's the contract with the reader: you give me ten hours and I'll give you a reason to turn every page. I have a commitment to accessiblity. I believe in plot. I want an English professor to understand the symbolism while at the same time I want the people I grew up with—who may not often read anything but the Sears catalogue—to read my books."

For Kingsolver, writing is a form of political activism. When she was in her twenties she discovered Doris Lessing. "I read the Children of Violence novels and began to understand how a person could write about the problems of the world in a compelling and beautiful way. And it seemed to me that was the most important thing I could ever do, if I could ever do that."

The Bean Trees was followed by the collection, Homeland and Other Stories (1989), the novels Animal Dreams (1990), and Pigs in Heaven (1993), and the bestselling High Tide in Tucson: Essays from Now and Never (1995). Kingsolver has also published a collection of poetry, Another America: Otra America (Seal Press, 1992, 1998), and a nonfiction book, Holding the Line: Women in the Great Arizona Mine Strike of l983 (ILR Press/Cornell University Press, 1989, 1996). Her most recent work is The Poisonwood Bible, a story of the wife and four daughters of a fierce, evangelical Baptist who takes his family and mission to the Belgian Congo in 1959. A tale of one family's tragic undoing and remarkable reconstruction, over the course of three decades in post-colonial Africa, The Poisonwood Bible is set against one of history's most dramatic political parables. It is a compelling exploration of religion, conscience, imperialist arrogance and the many paths to redemption and Barbara Kingsolver's most ambitious work ever.

Barbara Kingsolver presently lives outside of Tucson with her husband Steven Hopp, and her two daughters, Camille from a previous marriage, and Lily, who was born in 1996. When not writing or spending time with her family, Barbara gardens, cooks, hikes, and works as an environmental activist and human-rights advocate.

Given that Barbara Kingsolver's work covers the psychic and geographical territories that she knows firsthand, readers often assume that her work is autobiographical. "There are little things that people who know me might recognize in my novels," she acknowledges. "But my work is not about me. I don't ever write about real people. That would be stealing, first of all. And second of all, art is supposed to be better than that. If you want a slice of life, look out the window. An artist has to look out that window, isolate one or two suggestive things, and embroider them together with poetry and fabrication, to create a revelation. If we can't, as artists, improve on real life, we should put down our pencils and go bake bread."

Product Details

ISBN-13: 9781587240911
Publisher: Cengage Gale
Publication date: 09/28/2001
Edition description: Large Print
Pages: 316
Product dimensions: 6.68(w) x 8.94(h) x 1.17(d)

About the Author

Barbara Kingsolver's work has been translated into more than twenty languages and has earned a devoted readership at home and abroad. She was awarded the National Humanities Medal, our country's highest honor for service through the arts. She received the 2011 Dayton Literary Peace Prize for the body of her work, and in 2010 won Britain's Orange Prize for The Lacuna. Before she made her living as a writer, Kingsolver earned degrees in biology and worked as a scientist. She now lives with her family on a farm in southern Appalachia.

Barbara Kingsolver's work has been translated into more than twenty languages and has earned a devoted readership at home and abroad. She was awarded the National Humanities Medal, our country's highest honor for service through the arts. She received the 2011 Dayton Literary Peace Prize for the body of her work, and in 2010 won Britain's Orange Prize for The Lacuna. Before she made her living as a writer, Kingsolver earned degrees in biology and worked as a scientist. She now lives with her family on a farm in southern Appalachia.

Date of Birth:

April 8, 1955

Place of Birth:

Annapolis, Maryland

Education:

B.A., DePauw University, 1977; M.S., University of Arizona, 1981

Read an Excerpt

Chaptet One

HOMELAND

My great-grandmother belonged to the Bird Clan. one of the fugitive bands of Cherokee who resisted he year that General Winfield Scott was in charge of prodding the forest people from their beds and removing them westward. Those few who escaped his notice moved like wildcat families through the Carolina mountains, leaving the ferns unbroken where they passed, eating wild grapes and chestnuts, drinking when they found streams. The ones who could not travel, the aged and the infirm and the very young, were hidden in deep cane thickets where they would remain undiscovered until they were bones. When the people's hearts could not bear any more, they laid their deerskin packs on the ground and settled again.

General Scott had moved on to other endeavors by this time, and he allowed them to thrive or perish as they would. They built clay houses with thin, bent poles for spines, and in autumn they went down to the streams where the sycamore trees had let their year's work fall, the water steeped brown as leaf tea, and the people cleansed themselves of the sins of the scattered-bone time. They called their refugee years The Time When We Were Not, and they were for given, because they had carried the truth of themselves in a sheltered place inside the flesh, exactly the way a fruit that has gone soft still carries inside itself the clean, hard stone of its future...

Homeland and Other Stories. Copyright © by Barbara Kingsolver. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.

Reading Group Guide

Plot Summary:

"Remember that story," she often commanded at the end, and I would be stunned with guilt because my mind had wandered onto crickets and pencil erasers and Black Beauty.

"I might not remember," I told her. "It's too hard."

Great Mam allowed that I might think I had forgotten. "But you haven't. You keep it stored away," she said. "If it's important, your heart remembers."

I had known that hearts could break and sometimes even be attacked, with disastrous result, but I had not heard of hearts remembering. I was eleven years old. I did not trust any of my internal parts with the capacity of memory.

-Gloria St. Clair in Homeland

In these twelve tender and humorous stories, Kingsolver creates a series of memorable characters, mostly women who are barely scraping by, but whose inner lives are rich and deep as they struggle to make sense of their lives. In the midst of poverty, abandonment, or loss, these women are determined to articulate for themselves what it means to be who they are, and in so doing, assert the significance of their lives. The more remarkable of these tales evoke the legendary and visionary qualities of myth. Among these is the title story, a story Russell Banks called "pure poetry," written in a language so exquisite that "no synopsis can do it justice." In it, the narrator describes a childhood memory of her family's trip to her grandmother's homeland, Cherokee, Tennessee, so that Great Mam could see it before she died. What they see are ugly, depressing results of theviolent destruction of the Cherokee past; against these losses, the grandmother's storytelling becomes a form of genuine cultural preservation. In "Rose-Johnny" a ten-year-old girl confronts the sexual and racial complexities of the South in the figure of a strange woman. Another story, "Why I am a Danger to the Public," is about the sharp-tongued Vicki Morales, a crane operator in a New Mexico mining town, who, at great risk, leads a wildcat strike. At once realistic and idealistic, these stories suggest that humans are both poignantly fragile, but also, luckily, resilient.

-1990 American Library Association Best Books of the Year

Kingsolver on the Characters in her Fiction
"I write about people who may not automatically command respect because of their positions in life. They aren't people who are normally thought to be the stuff of literature. They're not heroes. They're the single mom who lives next door to you and runs over to ask if you'll watch her baby while she takes her cat to the vet because it just swallowed mothballs. They're two women in a kitchen, not the three muskateers. Beginning with the understanding that they are not automatically invested with greatness, I want them to tell their own stories, in their own words. I want your sympathy -- I want you to listen to these people and to believe them and to understand the value of their lives. That's why I rely so heavily on the first-person narrative. Even if hese characters don't have flashy vocabularies, they still have poetic thoughts. And there's no way you, the reader, will ever know that unless I let you inside their minds."

For additional copies, contact your local bookseller.

Topics for Discussion:
1.A number of these stories deal with mother-daugther relationships. What are some of the very different kind of mother-daughter bonds that occur in various stories (both positive and negative)? What different themes are explored in these relationships?

2. One theme of these tales is the deliberate destruction of the past, on a personal level and a cultural level. How does this annihilation of the past affect specific characters in the present? What do these stories suggest about what is happening in the world?

3. Why do you think the story "Homeland" might have been chosen to be the title story in this collection? Would you have chosen a different one, on the basis of its strength or theme that unifies the collection?

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Homeland and Other Stories 3.8 out of 5 based on 0 ratings. 13 reviews.
Anonymous More than 1 year ago
I loved this collection of short stories. I wished each one would've kept going into a full-length book! The only two I didn't care for were Bereaved Apartments and Jump-up Day. I didn't understand the point of them. But the rest were superb! You can't miss with Barbara Kingsolver. She is one of my all-time favorite authors.
Anonymous More than 1 year ago
enjoyed the book, easy read. Barbara has written another book that takes the reader to other places. Would recommend it without reservations.
Guest More than 1 year ago
Lovers whose relationship nearly founders when a new environment changes both partners in ways neither expects. A woman working in a 'man's job' (mining) who suffers the consequences of a strike in ways no man possibly could. A seemingly pleasant neighbor who abuses an elderly lady's trust, but doesn't see his own actions in that light. In each of these 12 short stories, Barbara Kingsolver draws her characters clearly and says something worth remembering about life, love, and human nature. Not every writer can handle this format and the novel equally well, but Kingsolver's touch is as deft here as in her much longer works. Especially good reading for those nights when you don't want (or can't afford) to be kept up by a book you can't put down!
Guest More than 1 year ago
'Homeland and Other Stories' showcases Barbara Kingsolver's remarkable ear for heartland speech as well as her talent for painting the every day struggles of people through exquisite but understated detail. Kingsolver never falls into melodrama nor does she show disrespect for her characters. This is a beautiful and powerful collection.
barefeet4 on LibraryThing More than 1 year ago
Not as good as her novels but, like her longer works believable stories about real people. In some ways these stories remind me of Steinbeck's short stories.
rachelprz on LibraryThing More than 1 year ago
some wonderful stories inside this book. very strong mother theme.
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