Hit List (Keller Series #2)

Hit List (Keller Series #2)

by Lawrence Block

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Keller is a regular guy. He goes to the movies, works on his stamp collection. Call him for jury duty and he serves without complaint. Then every so often he gets a phone call from White Plains that sends him flying off somewhere to kill a perfect stranger. Keller is a pro and very good at what he does. But the jobs have started to go wrong. The realization is slow coming yet, when it arrives, it is irrefutable: Someone out there is trying to hit the hit man. Keller, God help him, has found his way onto somebody else's hit list.

Product Details

ISBN-13: 9780061802331
Publisher: HarperCollins Publishers
Publication date: 10/13/2009
Series: Keller Series , #2
Format: NOOK Book
Pages: 384
Sales rank: 74,125
File size: 383 KB

About the Author

Lawrence Block is one of the most widely recognized names in the mystery genre. He has been named a Grand Master of the Mystery Writers of America and is a four-time winner of the prestigious Edgar and Shamus Awards, as well as a recipient of prizes in France, Germany, and Japan. He received the Diamond Dagger from the British Crime Writers' Association—only the third American to be given this award. He is a prolific author, having written more than fifty books and numerous short stories, and is a devoted New Yorker and an enthusiastic global traveler.

Read an Excerpt

Chapter One

Keller, fresh off the plane from Newark, followed the signs marked Baggage Claim. He hadn't checked a bag, he never did, but the airport signage more or less assumed that everybody checked their luggage, because you got to the exit by heading for the baggage claim. You couldn't count on a series of signs that said This is the way to get out of this goddam place.

There was a down escalator after you cleared security, and ten or a dozen men stood around at the foot of it, some in uniform, most holding hand-lettered signs. Keller found himself drawn to one man, a droopy guy in khakis and a leather jacket. He was the guy, Keller decided, and his eyes went to the sign the man was holding.

But you couldn't read the damn thing. Keller walked closer, squinting at it. Did it say Archibald? Keller couldn't tell.

He turned, and there was the name he was looking for, on a card held by another man, this one taller and heavier and wearing a suit and tie. Keller veered away from the man with the illegible signwhat was the point of a sign that nobody could read?--and walked up to the man with the Archibald sign. "I'm Mr. Archibald, " he said.

"Mr. Richard Archibald?"

What possible difference could it make? He started to nod, then remembered the name Dot had given him. "Nathan Archibald," he said.

"That's the ticket," the man said. "Welcome to Louisville, Mr. Archibald. Carry that for you?"

"Never mind," Keller said, and held on to his carry-on bag. He followed the man out of the terminal and across a couple of lanes of traffic to the short-term parking lot.

"About the name," the man said. "What I figured, anybodycan read a name off a card. Some clown's got to figure, why take a cab when I can say I'm Archibald and ride for free? I mean, it's not like they gave me a picture of you. Nobody here even knows what you look like."

"I don't come here often," Keller said.

"Well, it's a pretty nice town," the man said, "but that's beside the point. Which is I want to make sure I'm driving the right person, so I throw out a first name, and it's a wrong first name. 'Richard Archibald?' Guy says yeah, that's me, Richard Archibald, right away I know he's full of crap."

"Unless that's his real name."

"Yeah, but what's the odds of that? Two men fresh off a plane and they both got the name Archibald?"

"Only one."

"How's that?"

"My name's not really Archibald," Keller said, figuring he wasn't exactly letting state secrets slip by the admission. "So it's only one man named Archibald, so how much of a long shot is it?"

The man set his jaw. "Guy claims to be Richard Archibald," he said, "he's not my guy. Whether it's his name or not.

"You're right about that."

"But you came up with Nathan, so we're in business. Case closed. It's the Toyota there, the blue one. Get in and we'll take a run over to long-term parking. Your car's there, full tank of gas, registration in the glove box. When you're done, just put her back in the same spot, tuck the keys and the claim check in the ashtray. Somebody'll pick it up."

The car turned out to be a mid-size Olds, dark green in color. The man unlocked it and handed Keller the keys and a cardboard claim check. "Cost you a few dollars," he said apologetically. "We brought her over last night. On the passenger seat there you got a street map of the area. Open it up, you'll see two spots marked, home and office. I don't know how much you been told."

"Name and address," Keller said.

"What was the name?"

"It wasn't Archibald. "

"You don't want to say? I don't blame you. You seen a photo?"

Keller shook his head. The man drew a small envelope from his inside pocket, retrieved a card from it. The card's face displayed a family photograph, a man, a woman, two children and a dog. The humans were all smiling, and looked as though they'd been smiling for days, waiting for someone to figure out how to work the camera. The dog, a golden retriever, wasn't smiling, but he looked happy enough. "Season's Greetings . . ." it said below the photo.

Keller opened the card. He read: ". . . from the Hirschhorns--Walt, Betsy, Jason, Tamara, and Powhatan."

"I guess Powhatan's the dog," he said.

"Powhatan? What's that, an Indian name?"

"Pocahontas's father."

"Unusual name for a dog."

"It's a fairly unusual name for a human being," Keller said. "As far as I know it's only been used once. Was this the only picture they could come up with?"

"What's the matter with it? Nice clear shot, and I'm here to tell you it looks just like the man."

"Nice that you could get them to pose for you."

"It's from a Christmas card. Musta been taken during the summer, though. How they're dressed, and the background. You know where I bet this was taken? He's got a summer place out by McNeely Lake."

Wherever that was.

"So it woulda been taken in the summer, which'd make it what, fifteen months old? He still looks the same, so what's the problem?"

"It shows the whole family."

"Right, " the man said. "Oh, I see where you're going. No, it's just him, Walter Hirschhorn. just the man himself."

That was Keller's understanding, but it was good to have it confirmed. Still, he'd have been happier with...

Hit List. Copyright © by Lawrence Block. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.

Table of Contents


Barnes & Noble.com: Despite the fact that he's a stone-cold killer, Keller -- the hero of your latest novel, Hit List -- seems to have caught on with your readers in a big way. Do you find it at all surprising that your fans -- presumably normal, law-abiding people -- have responded so positively to the Keller saga?

Lawrence Block: I do...and so, evidently, do they. I've had quite a few letters that said something along the lines of "I really liked Keller, and I had the feeling I shouldn't." For some reason, readers seem to like the guy.

B&N.com: Did you find it much of a challenge to take a character who has previously appeared only in a series of short stories and set him loose in a full-length novel?

LB: No, because I thought of Hit Man as an episodic novel while I was writing the individual stories. And Hit List, while certainly a formal novel, is also inescapably episodic because of the nature of Keller's work. He gets a job, he goes somewhere, he kills a guy -- end of episode.

B&N.com: I'm told that Patrick McGrath (himself an excellent novelist) and his wife (actress Maria Aitken) have written a screenplay based on some of the Keller stories. Which stories did they adapt? And is the movie actually approaching the production stage?

LB:They did a fine job, dropping some episodes of Hit Man, but offhand I can't remember what they kept and what they skipped. And yes, the movie -- to be called Keller, with Jeff Bridges in the title role -- is inching closer to the production stage, but I don't know when it's likely to get there.

B&N.com: Do you think it's likely that you'll write about Keller again anytime soon?

LB: It's always hard to say what I'll do, because I generally don't know until I do it. Matter of fact, I have done a short story, "Keller's Designated Hitter," since I finished Hit List, so I'm evidently not through with the character. What form my future writing about Keller will take, though, and how much there'll be of it, I really don't know.

B&N.com: I'd like to ask you about your working methods. I've heard that you typically produce a full-length novel in under three weeks. How is this possible? Is it a result of intense focus, thorough preparation, or a combination of the two?

LB: That's exaggerated. I do sometimes seclude myself, most often at a writers' colony, where if all goes well I may get a book written in a month to six weeks. On other occasions I work at home, and it'll take me a couple of months. In either case, however, I'll have been thinking about the book and possibly doing some preliminary writing for some time. For years, occasionally.

B&N.com: You recently published an immense volume called Collected Mystery Stories in the U.K. Do you prefer the short form over the novel, or vice versa? And is there any chance that Collected Mystery Stories will be published in the States anytime soon?

LB: Orion's edition of Collected Mystery Stories just went into a second hardcover printing, a rare thing in the U.K., and I believe the book's selectively available in the States now, in both hardcover and trade paperback. An expanded version, with ten or a dozen new stories added, will be published by Morrow/HarperCollins in the States sometime in 2001; the title will be Long Story Short.

B&N.com: In recent years, some of your more obscure earlier titles (Threesome, Ronald Rabbit Is a Dirty Old Man, The Scoreless Thai) have been reissued in deluxe editions by specialty publishers such as Subterranean Press. How did this come about? What made those particular titles suitable candidates for revival?

LB: Small presses and specialty publishers play an important role in making available work that may not be suited to a mass audience and in bringing out collector editions, first hardcover editions, and other books with a strong but small collector market. The Scoreless Thai is the most recent of these. It's the fourth book of the Evan Tanner series, most of which appeared as paperback originals, and if it's well received I expect the other Tanner books will get similar treatment.

B&N.com: Over the years, you've run workshops for writers and have written a number of inspirational books on the craft of writing, books like Write for Your Life and Telling Lies for Fun & Profit. Are you still actively involved in this sort of work? Have you found this aspect of your career particularly useful or rewarding?

LB: I've been out of the seminar business for a long time, and I don't expect to do more writing about writing; I have a feeling I've long since exhausted my knowledge of the subject. What I have just done is record an unabridged audio of Telling Lies for Fun & Profit, which I'm self-publishing. I just felt the book ought to be available in audio, as that seems to be a particularly useful form for instructional books. And one of these years I'll get Write for Your Life back into print; I know it's useful but keep being daunted by the need to update it before reprinting it.

B&N.com: I have to ask you about Matt Scudder. When last seen (in Everybody Dies), Scudder was on the verge of leaving the "respectable" life of a licensed private investigator behind. What do you have in store for Scudder down the road? Is there a new installment of the Scudder series in the works?

LB: A new book is in the planning stages, but I'm afraid that's all I can tell you about it.

B&N.com: I understand that Scudder's been memorialized via a horse race (the Matt Scudder Stakes) that takes place annually at the Meadowlands Racetrack. Can you tell us a little of the history behind this event?

LB: I think this is the fourth year, with the race scheduled for October 28th. The idea originated with a fan of mine who was head of racing at the Meadowlands. Each year they throw a party and a roomful of us have dinner and watch the horses run, and I present a trophy to the winning horse. (I have a feeling he'd just as soon have a bag of oats.) I'm not much of a railbird, but each year I study the form and pick a horse and get a bet down. My three selections so far were, at last report, still running. I expect to do about as well this year.

B&N.com: At the moment, you've got -- in addition to the Keller stories -- three ongoing series simultaneously in play: the Scudder, Bernie Rhodenbarr, and Evan Tanner books. Do you plan to continue working on these various series? Or do you have any desire to work on stand-alone, nonseries fiction?

LB: It depends when you ask me. Right now I have no desire to work on anything, ever again -- but past experience suggests that's likely to change.

B&N.com: Final question: After all these years and all these books, is writing fiction still fun for you? Does the process get easier for you, or harder, as the years pass?

LB: It doesn't get easier. I think the books get better, but for all I know they get worse. But it sure doesn't get easier.

Customer Reviews

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Hit List 3.7 out of 5 based on 0 ratings. 23 reviews.
Guest More than 1 year ago
Well written, entertaining, enjoyable, fun characters, light, and didn't leave any loose ends, which I like. That said, this is a story of a hit man and his profession, but the action was all told in past tense, during discussions recounting the events, and very quickly, which never really gave me a feel for the dramatic impact of a 'hit'. The talking between characters, however lovable they may be, got increasingly irritating, and kept going off on some tangent or another, finally getting back to the point, at which point I had already lost interest in what was being discussed in the first place. To be stereotypical, a chick book about a guy theme. If you are a stamp collector, great, otherwise skip half of the book, which will leave you with no action and a lot of gabbing. I don't see myself picking another Block book anytime soon.
Guest More than 1 year ago
Three quarters of the way through this book and I am forced to read something else. Not because the story idea is bad, but just because I can't stand listening (think read) to the two main characters talk anymore!! Now I know why someone wants them dead!
harstan More than 1 year ago

John Keller¿s business requires frequent flyer miles and constant communication with his ¿agent¿ Dot. John relaxes by collecting stamps and dreams of one day settling in the towns and cities he frequently visits. If he ever honestly wrote his occupation on a 1040, John would describe his work as a HIT MAN.

John knows that many of his victims are innocent good people, but employment in the new economy has been booming lately as his skills are in greater demand than ever. However, John has a new problem as someone else is beating him to the hit, hurting his lucrative business that depends on reputation and completing the job, customized to meet the objective of the customer. As an unknown assailant hones in on his consulting services, John concludes that he personally has made the HIT LIST of a rival who plans to shut down John permanently.

HIT LIST contains all the humor and action that readers expect from a Lawrence Block novel. The story line is two parts amusement, two parts gloom and doom, and six parts irony. In spite of his profession and his tendency to languish in self-doubt, John retains a likable charm even if readers wonder why he continues to off decent folks. It is the killing of the innocent that leaves HIT LIST not for everyone, but those readers who relish a dark satirical look at life.

Harriet Klausner

Guest More than 1 year ago
Keller is a great character. The book is not. The story could have been 150 pages shorter and had the same effect. Keller discovers he's being targeted by another hitter, and then for about 200 pages the issue disappears only to become important again in the last few chapters. I liked the idea, I liked the characters, but the story comes up short by Block's insistance upon describing every single minute detail, whether it moves the story forward or not. The story stalls numerous times on conversations and events that have nothing to do with the story. If you want a novel that takes some time to read, this is for you. It's slow and plodding and the pages must be heavy, because I had a hard time turning them at points.
Guest More than 1 year ago
I began riding mass transit again so I could have more time with Keller. I not only read hit man and hit list, I have encourged all of my friends and family to do the same. They enjoyed the books and it's characters as much as I did. I look forward to more about Keller. I hope Lawrence Block has the next Keller book in progress.
Guest More than 1 year ago
This book is about 'likeable hit man.' It has all the features needed: great dialogue, an insightful character, a plot that keeps you thinking. Larry Block at the top of his form!
crazybatcow on LibraryThing More than 1 year ago
It is what you'd expect if you read Hit Man: it's fast and easy to read, the characters are engaging and interesting and the morals are not stogged down your throat.The only negatives are that the segue between "scenes" is a bit choppier than in Hit Man (or Hit and Run which were both excellent reads) and there is a bit too much coverage of Keller's stamp collecting hobby. Oh, and there is some "supernatural" stuff near the 2/3 mark that didn't really seem to fit Keller's character.
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RetrieverJR More than 1 year ago
Great easy read!
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Janus More than 1 year ago
Lawrence Block's Hit List reads something like a strange amalgamation of soap opera and sitcom in print. Block promises us a different kind of 'hired killer' story, and on this he does deliver. Keller is not a Jason Bourne or John Rain, and that is seemingly the problem. Keller is so different from what we've come to accept as the "heroic" assassin, that he feels awkward and uncomfortable to understand. Block pulled no punches in stating that Keller was going through what seemed to be a mid-life crisis, however, in the end he simply came across as neurotic and rather annoying. If you are a fan the genre and also happen to like the t.v. show Monk as well as Nicholas Cage in 'Matchstick Men', then this is the book for you. If you like your assassins tough, enigmatic and devoted, then you had best seek your fix elsewhere.
Anonymous More than 1 year ago
Guest More than 1 year ago
This has been the 13th book by Lawrence Block I've read, and by far the worst. After reading 'Hit man', I expected great time with its sequel, but... never-ending, pointless and sterile dialogs, as well as extended descriptions of uninteresting matter and boring situations, made it long time, with nothing great about it. Were it some 150 pages shorter, could have been a good book.