by Robert Harris, Roberta Rambelli

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Nel 1964 Berlino è la capitale di un impero che si estende dal Reno agli Urali. Il presidente degli Stati Uniti decide di recarsi in Germania per trattare con Hitler, ormai settantacinquenne e sempre al comando. Ma alla vigilia dell'incontro un gerarca nazista muore misteriosamente. Dalle indagini sul caso affidate a Xavier March, brillante investigatore berlinese, emerge il vivido ritratto di una società corrotta e scontenta, di un potere ancora forte, ma totalmente destinato alla disgregazione. Un thriller fantapolitico raggelante e grandioso. Un romanzo eccitante nato da un'ipotesi storica che fu sul punto di avverarsi e di cambiare il destino del mondo.

Product Details

ISBN-13: 9788852032103
Publisher: MONDADORI
Publication date: 03/04/2013
Format: NOOK Book
Sales rank: 698,321
File size: 880 KB

About the Author

Robert Harris is the author of eleven novels: Fatherland, Enigma, Archangel, Pompeii, Imperium, The Ghost Writer, Conspirata, The Fear Index, An Officer and a Spy, Dictator, and Conclave. Several of his books have been adapted to film, most recently The Ghost Writer. His work has been translated into thirty-seven languages. He lives in the village of Kintbury, England, with his wife, Gill Hornby.

Read an Excerpt

Chapter One

Thick cloud had pressed down on Berlin all night, and now it was lingering into what passed for the morning. On the city's western outskirts, plumes of rain drifted across the surface of Lake Havel like smoke.

Sky and water merged into a sheet of gray, broken only by the dark line of the opposite bank. Nothing stirred there. No lights showed.

Xavier March, homicide investigator with the Berlin Kriminalpolizei — the Kripo — climbed out of his Volkswagen and tilted his face to the rain. He was a connoisseur of this particular rain. He knew the taste of it, the smell of it. It was Baltic rain from the north, cold and seascented, tangy with salt. For an instant he was back twenty years, in the conning tower of a U-boat, slipping out of Wilhelmshaven, lights doused, into the darkness.

He looked at his watch. It was just after seven in the morning.

Drawn up on the roadside before him were three other cars. The occupants of two were asleep in the drivers' seats. The third was a patrol car of the Ordnungspolizei — the Orpo, as every German called them. It was empty.

Through its open window came the crackle of static, sharp in the damp air, punctuated by jabbering bursts of speech. The revolving light on its roof lit up the forest beside the road: blue-black, blue-black, blue-black.

March looked around for the Orpo patrolmen and saw them sheltering by the lake under a dripping birch tree. Something gleamed pale in the mud at their feet. On a nearby log sat a young man in a black tracksuit, SSinsignia on his breast pocket. He was hunched forward, elbows resting on his knees, hands pressed against the sides of his head — the image of misery.

March took a last draw on his cigarette and flicked it away. It fizzed and died on the wet road.

As he approached, one of the policemen raised his arm.

"Heil, Hitler!"

March ignored him and slithered down the muddy bank to inspect the corpse.

It was an old man's body — cold, fat, hairless and shockingly white. From a distance, it could have been an alabaster statue dumped in the mud. Smeared with dirt, the corpse sprawled on its back half out of the water, arms flung wide, head tilted back. One eye was screwed shut, the other squinted balefully at the filthy sky.

"Your name, Unterwachtmeister?" March had a soft voice. Without taking his eyes off the body, he addressed the Orpo man who had saluted.

"Ratka, Herr Sturmbannführer."

Sturmbannführer was an SS title, equivalent in Wehrmacht rank to major, and Ratka — dog tired and skin soaked though he was — seemed eager to show respect. March knew his type without even looking around: three applications to transfer to the Kripo, all turned down; a dutiful wife who had produced a football team of children for the Führer; an income of 200 Reichsmarks a month. A life lived in hope.

"Well, Ratka," said March in that soft voice again. "What time was he discovered?"

"Just over an hour ago, sir. We were at the end of our shift, patrolling in Nikolassee. We took the call. Priority One. We were here in five minutes."

"Who found him?"

Ratka jerked his thumb over his shoulder.

The young man in the tracksuit rose to his feet. He Could not have been more than eighteen. His hair was cropped so close the pink scalp showed through the dusting of light brown hair. March noticed how he avoided looking at the body.

"Your name?"

"SS-Schütze Hermann Jost, sir." He spoke with a Saxon accent — nervous, uncertain, anxious to please. "From the Sepp Dietrich training academy at Schlachtensee." March knew it: a monstrosity of concrete and asphalt built in the 1950s, just south of the Havel. "I run here most mornings. It was still dark. At first I thought it was a swan," he added helplessly.

Ratka snorted, contempt on his face. An SS cadet seared of one dead old man! No wonder the war in the Urals was dragging on forever.

"Did you see anyone else, Jost?" March spoke in a kindly tone, like an uncle.

"Nobody, sir. There's a telephone booth in the picnic area, half a kilometer back. I called, then came here and waited until the police arrived. There wasn't a soul on the road."

March looked again at the body. It was very fat. Maybe 110, kilos.

"Let's get him out of the water." He turned toward the road. "Time to raise our sleeping beauties." Ratka, shifting from foot to foot in the downpour, grinned.

It was raining harder now, and the Kladow side of the take had virtually disappeared. Water pattered on the leaves of the trees and drummed on the car roofs. There was a heavy rain-smell of corruption: rich earth and rotting vegetation. March's hair was plastered to his scalp, water trickled down the back of his neck. He did not notice. For March, every case, however routine, held — at the start, at least — the promise of adventure.

He was forty-two years old — slim, with gray hair and coot gray eyes that matched the sky. During the war, the Propaganda Ministry had invented a nickname for the men of the U-boats — the "gray wolves" — and it would have been a good name for March in one sense, for he was a determined detective. But he was not by nature a wolf, did not run with the pack, was more reliant on brain than on muscle, so his colleagues called him "the Fox" instead.

U-boat weather!

He flung open the door of the white Skoda and was hit by a gust of hot, stale air from the car heater.

"Morning, Spiedel!" He shook the police photographer's bony shoulder. "Time to get wet." Spiedel jerked awake. He gave March a glare.

Reading Group Guide

Fatherland is set in an alternative world where Hitler has won the Second World War. It is April 1964 and one week before Hitler's 75th birthday. Xavier March, a detective of the Kriminalpolizei, is called out to investigate the discovery of a dead body in a lake near Berlin's most prestigious suburb.

As March discovers the identity of the body, he uncovers signs of a conspiracy that could go to the very top of the German Reich. And, with the Gestapo just one step behind, March, together with an American journalist, is caught up in a race to discover and reveal the truth -- a truth that has already killed, a truth that could topple governments, a truth that will change history.


1. Did you find the alternative history of Fatherland convincing? If so, what details strengthened that conviction?

2. 'Fatherland works on all levels' -- Washington Post. What do you think this means? How do you think Fatherland works best?

3. Do you think Robert Harris's portrayal of women effectively reflects the society he has created?

4. 'History is told through the eyes of the victor.' How does this statement apply to Fatherland?

5. 'You're an irony yourself, March, in a way... We set out to breed a generation of supermen to rule an empire...we trained them to apply hard fact -- pitilessly, even cruelly...And what happens? A few of you...begin to turn this pitiless clear thinking on us...' (page 240). What other ironies do you think there are in Fatherland?

6. How does the theme of deception work in the novel?

7. Do you think Xavier March had a fatal flaw? If so, what was it?

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Fatherland 1 out of 5 based on 0 ratings. 2 reviews.
Anonymous More than 1 year ago
Beware. This is in Italian.
Anonymous More than 1 year ago
This sounds like an entertaining book if it wasn't in Spanish or Italian!