The Earth Shall Weep: A History of Native America

The Earth Shall Weep: A History of Native America

by James Wilson

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Overview

“A sweeping, well-written, long-view history” of Native American societies and “a sad epic of misunderstanding, mayhem, and massacre” (Kirkus Reviews).
 
In this groundbreaking, critically acclaimed historical account of the Native American peoples, James Wilson weaves a historical narrative that puts Native Americans at the center of their struggle for survival against the tide of invading European peoples and cultures, combining traditional historical sources with new insights from ethnography, archaeology, oral tradition, and years of his own research.
 
The Earth Shall Weep charts the collision course between Euro-Americans and the indigenous people of the continent—from the early interactions at English settlements on the Atlantic coast, through successive centuries of encroachment and outright warfare, to the new political force of the Native American activists of today.
 
This “stylishly written . . . Beautifully organized” (Boston Globe) tour de force is a powerful, moving chronicle of the Native American peoples that has been hailed as “the most balanced account of the taking of the American continent I’ve ever seen” (Austin American-Statesman).

Product Details

ISBN-13: 9780802197467
Publisher: Grove/Atlantic, Inc.
Publication date: 12/01/2007
Sold by: Barnes & Noble
Format: NOOK Book
Pages: 496
Sales rank: 77,338
File size: 3 MB

About the Author

James Wilson was born in 1948, and brought up near Cambridge, England. After attending a small village school, run by an eccentric but brilliant teacher who fired his enthusiasm for history and stories, he was educated first at a 'progressive' boarding school (which he hated); then at Cambridgeshire College of Arts and Technology (which he loved); and finally at Worcester College, Oxford, where he read History. While still at Oxford he wrote his first attempt at a novel (now mercifully lost), and began to develop his deep interest in native north American history and culture. After working variously as a clerk at Oxfam, an English teacher, and an assistant in a children's home in London-all the while trying to write fiction, and researching his historical interests-in 1973 James persuaded the Minority Rights Group in London to commission him to produce a report on the native people of Canada. This project involved an extensive trip to indigenous communities from Quebec to Alberta, and led to the offer of a Ford Foundation grant to research and write a companion piece on the Indians of the United States, which was published in 1976. In the same year, at the invitation of the Canadian National Indian Brotherhood, James attended the first World Congress of Indigenous Peoples on Vancouver Island. From 1976 to 1990, James was Director of Studies at the British and European Studies Group, an academically-intensive programme for US undergraduates in London. He continued to write during this period-producing articles, new editions of his MRG reports, and several plays-and remained active in native North American issues through his involvement with Survival International, a London-based charity campaigning for tribal peoples' rights, for which he served (and still serves) as a board-member and consultant. In 1989, James was asked to act as consultant for a British TV film, Hunters and Bombers (dir. Hugh Brody, Channel 4, 1990; winner of the Mannheim Festival Best Documentary Award), about the Innu people of north-eastern Canada, which involved an eye-opening trip to Labrador. A year later, he was commissioned as consultant and scriptwriter for a two-part BBC documentary, Savagery and the American Indian (producer Ken Kirby; BBC2 and A&E Network, 1991; winner of a National Education Association Award, 1992), travelling widely in the United States to interview historians and visit reservation communities. The same year, he left his job in London and moved with his wife and two sons to Bristol to pursue his writing full-time. During the early 1990's, James made another extended research trip to North America and worked on several more TV projects, including The Two Worlds of the Innu (BBC2, 1994), for which he acted as Associate Producer. He also continued to write plays-two of which, Let's Do It and Rough Music, were produced in Bristol. At the same time, he began work on The Earth Shall Weep-the distillation of his twenty-year experience of researching, thinking and talking about Native American history-which was published by Picador in the United Kingdom (1998) and by Grove/Atlantic in the United States (1999), where it received a Myers Outstanding Book Award in 2000. The Earth Shall Weep has also been (or is being) translated into Swedish, German and French. The Dark Clue continues James' passion for historical storytelling-and finally returns him to his first love, fiction. It springs from a long-standing fascination with J.M.W. Turner and the disturbing ambiguities surrounding his work and reputation. It was published by Faber in the United Kingdom and by Grove/Atlantic in the United States, and has also been sold to Canada, Germany, Holland, Portugal, Sweden, Spain and Catalonia. James is currently working on a second novel, The Bastard Boy, set on the eve of the American Revolution, which has been commissioned by Faber and is due for delivery in early 2003.

Read an Excerpt

CHAPTER 1

This is How It Was: Two Views of History

Long, long ago, when the world was so new that even the stars were dark, it was very, very flat. Chareya, Old Man Above, could not see through the dark to the new, flat earth. Neither could he step down to it because it was so far below him. With a large stone he bored a hole in the sky. Then through the hole he pushed down masses of ice and snow, until a great pyramid rose from the plain. Old Man Above climbed down through the hole he had made in the sky, stepping from cloud to cloud, until he could put his foot on top of the mass of ice and snow. Then with one long step he reached the earth.

The sun shone through the hole in the sky and began to melt the ice and snow. It made holes in the ice and snow. When it was soft, Chareya bored with his finger into the earth, here and there, and planted the first trees. Streams from the melting snow watered the new trees and made them grow. Then he gathered the leaves which fell from the trees and blew upon them. They became birds. He took a stick and broke it into pieces. Out of the small end he made fishes and placed them in the mountain streams. Of the middle of the stick, he made all the animals except the grizzly bear. From the big end of the stick came the grizzly bear, who was made master of all. Grizzly was large and strong and cunning. When the earth was new he walked upon two feet and carried a large club. So strong was Grizzly that Old Man Above feared the creature he had made. Therefore, so that he might be safe, Chareya hollowed out the pyramid of ice and snow as a tepee. There he lived for thousands of snows. The people knew he lived there because they could see the smoke curling from the smoke-hole of his tepee. When the white man came, Old Man Above went away. There is no longer any smoke from the smoke-hole. White men call the tepee Mount Shasta.

Shastika, California

Within most Native American cultures there is no clear distinction between 'story' and 'history'. Both are part of the oral tradition, the rich profusion of anecdotes and legends by which each tribe and nation explains the creation of the world and its own origins and experience. As a result, from the perspective of most Western scholars, they are simply 'myths', which - with few exceptions - can tell us almost nothing worthwhile about 'what really happened.'

But a 'myth' - despite the widespread use of the word to mean 'falsehood' - is not simply a 'lie' or a childish fantasy. As the writer Ronald Wright puts it:

Myth is an arrangement of the past, whether real or imagined, in patterns that resonate with a culture's deepest values and aspirations. Myths create and reinforce archetypes so taken for granted, so seemingly axiomatic, that they go unchallenged. Myths are so fraught with meaning that we live and die by them. They are the maps by which cultures navigate through time.

And the myths of Western culture, even if we have consciously rejected them, continue to shape and pervade our contemporary view of the world - including our view of history. Many of the West's most fundamental assumptions about the universe - the assumptions that separate us most profoundly from other cultures - are deeply rooted in our own origin legend. The Book of Genesis is a story of sin, banishment and loss: it tells us that we are the Lords of Creation, made for a life of ease and harmony in the Garden of Eden, but that we forfeited Paradise through our own wickedness. Finding that Eve has taken the fruit of the tree of the knowledge of good and evil, God first curses the serpent who 'beguiled' her, and then:

To the woman he said,

'I will greatly multiply your pain in childbearing; in pain you shall bring forth children, yet your desire shall be for your husband, and he shall rule over you.'

And to Adam he said,

'Because you have listened to the voice of your wife, and have eaten of the tree of which I commanded you, "You shall not eat of it," cursed is the ground because of you; in toil you shall eat of it all the days of your life; thorns and thistles it shall bring forth to you; and you shall eat the plants of the field. In the sweat of your face you shall eat bread till you return to the ground, for out of it you were taken; you are dust, and to dust you shall return.'

Then, 'lest [man] put forth his hand and take also of the tree of life, and eat, and live for ever ... the LORD God sent him forth from the garden of Eden, to till the ground from which he was taken. He drove out the man; and at the east of the garden of Eden he placed the cherubim, and a flaming sword which turned every way, to guard the way to the tree of life.'

This primal catastrophe has left us profoundly dislocated: we are exiles in an alien wilderness which we must struggle to subdue. With every generation we move further and further from the gates of Eden, sustained only by dreams of somehow regaining our lost innocence or of creating a new heaven on earth.

Rather than returning us to our original state of grace, the incarnation only deepens our separation from it by enshrining the concept of linear time: by intervening in our destiny at a specific, defined moment, God gives us a fixed point from which our history unravels away from Eden like a ball of string. As the philosopher Alan Watts puts it: '... according to St. Augustine of Hippo, the universe is going along in a straight line ... If time is cyclic, Jesus Christ would have to be crucified again and again. There would not be, therefore, that one perfect and sufficient sacrifice, oblation and satisfaction for the sins of the whole world. Time had to be a straight line from the creation to the consummation to the last judgement.' This concept is one of the fundamental organizing principles by which we try to make sense of reality, underpinning not only the Enlightenment idea of Progress and the theory of Evolution but also our very notion of history itself.

In most Native American cultures, by contrast, there is no fall from grace to begin with. Some traditions have stories about a Creator God or Spirit, but his relationship with his creation is very different from Jehovah's. According to the Lakota, for instance, Inyan (who existed 'at the time of first motion ... before anything had meaning') 'desired that another exist.'

But there was only Inyan, so no other could be unless Inyan created the other from himself, as a part of himself, to remain, forever, attached to him ...

He would also have to give this creation some of his power and a portion of his spirit.

So, Inyan took of himself and shaped a disc, this he wrapped over and around himself. He named this new being, 'Maka'. He desired that Maka be great, so he opened his veins and allowed his blood to run freely.

At that point, Maka became the earth and the liquid of his blood became the water, Mini, circling the earth, the blue of his blood surrounded Maka to become the sky - Marpiya To.

So the other would be, Inyan took of himself, completely, now his spirit, power and meaning were reduced. He now became inyan - the stone - brittle and hard, first of all things, existing from the beginning of motion.

In other words, Inyan is not removed from what he has made, or any part of it: his spirit inhabits the totality, making everything - rocks, water, earth, plants, animals and people - sacred. Again and again, in Native American stories, human beings are seen as an integral part of a 'natural' order which embraces the whole of creation.

Similarly, although there are numerous myths about wrongdoing and its consequences, there is almost no Native American equivalent to the Judaeo-Christian idea of a kind of communal sin, an inherited curse which isolates us and opposes us to a hostile material world. The created landscape, however forbidding it may seem to an outsider, is as it should be, and 'the people' - like the pre-lapsarian Adam and Eve -are an essential part of it. It is their relationship with the land and its other inhabitants which identifies them as who they are. Their destiny is not to change it or move away from it but to maintain it according to the instructions they received 'long ago' from their Creator or culture hero.

This idea is woven into the life of almost every Native American culture. Small hunting groups express it in rituals like the Shaking Tent, which directly reconnect 'the people' with the sacred powers that created them. Many larger societies have elaborate annual ceremonies the Plains Indian Sun Dance, the Cherokee Green Corn Dance, the Summer and Winter celebrations of the Pueblos - which renew their relationship with the eternal and allow them to relive the drama of their own origins. The sacred realm and sacred time run parallel to ours, and, through ritual, human beings still have access to them. Historic time is therefore less a straight line than a repeating cycle: instead of taking you a step further from your beginning, each year in some sense brings you back to it.

It is, of course, dangerous to generalize: the precise understanding of Time, and the significance attached to it, varied widely from culture to culture. Among some tribes, it was a comparatively hazy notion: when the Kiowa writer and artist Scott Momaday was asked about it, for instance, he replied: '[It] is an interesting concept ... I don't know that anyone can really explain it ... I think instead of being something that passes by, it is static, and people walk through time as they might walk through a canyon, and one can pause and stand in time ... It isn't something that necessarily rushes by, one can take hold of it.' In other groups, it was a central preoccupation: the great agricultural societies of Central America, for example, had sophisticated calendars, which (in the case of the Maya) allowed them to measure time over millions of years with greater accuracy than their European contemporaries. Yet even here it was Time in its cyclical, seasonal aspect that was considered important: the Aztecs, for instance, believed that each cycle lasted fifty-two years and ended with a period of immense uncertainty and danger - an idea which was to have cataclysmic results when the Spanish reached Mexico on the cusp between two cycles.

Inevitably, this concept of Time creates a notion of history very different from the European view. For Native American cultures, an experience gains its significance not from when it happens but from what it means. If Time is essentially cyclical, there is no simple, straightforward chain of cause and effect: events have to be seen not in chronological relation to each other but in terms of a complex, coherent understanding of the world, rooted in the origin story, in which time, space, spiritual entities and living beings all interact. The function of history is to provide not a linear record, but a blueprint for living, specific to a particular people in a particular place.

Origin accounts vary enormously, consequently, from one culture and region to another. The agricultural societies of the Southwest and the Southeast, for instance, have complex, intricate descriptions of how their ancestors emerged from underground and migrated to their present homes, whereas the Iroquois peoples of the Northeast talk of the first woman falling through a hole in the sky. Many tribes have cycles of stories about a time 'long ago' when animals and humans were essentially the same and could communicate with each other, and there are numerous traditions about how this old order was swept away and the 'first people' were transformed into the creatures we know today by a 'trickster' hero or by a cataclysmic flood or fire.

Yet, for all their range and variety, these stories often have a similar feel to them. When you set them alongside the biblical Genesis, the common features suddenly appear in sharp relief: they seem to glow with the newness and immediacy of creation, offering vivid explanations for the behaviour of an animal, the shape of a rock or a mountain, which you can still encounter in the here and now. Many tribes and nations call themselves, in their own languages, 'the first people', 'the original people' or 'the real people', and their stories locate them firmly in a place of special power and significance. A Tohono O'odham in Arizona can see, through the heat-shimmer of the desert, the sacred peak of Baboquivari which stands at the centre of the universe; traditional Pikuni (Blackfeet) still make pilgrimages to Badger-Two Medicine in Montana, part of the 'Backbone of the World'. Far from telling them that they are locked out of Eden, the Indians' myths confirm that (unless they have been displaced by European contact and settlement) they still live in the place for which they were made: either the site of their own emergence or creation, or a 'Promised Land' which they have attained after a long migration.

Native Americans were unconcerned if their neighbours' myths differed from their own: their neighbours, after all, were created to be part of a different landscape, and would naturally understand their origins through stories that made sense of their own unique experience. As the modern Sioux writer Vine Deloria Jr. explains:

People believed that each tribe had its own special relationship to the superior spiritual forces which governed the universe and that the job of each set of tribal beliefs was to fulfil its own tasks without worrying about what others were doing. Tribal knowledge was therefore not fragmented and was valid within the historical and geographical scope of the people's experience. Black Elk [a prominent Lakota spiritual leader], talking to John Neihardt, explained the methodology well: 'This they tell, and whether it happened so or not, I do not know; but if you think about it, you can see that it is true.'

But this approach has always jarred with the Western, Judaeo-Christian tradition. Exiles from Eden are not part of a particular place, with a unique connection to particular rocks and mountains, rivers and trees: they are separate from the inanimate 'natural' world to which they have been banished and can manipulate and exploit it at will. They see this material universe as the work of a conscious, rational and all-powerful Creator which must, therefore, be governed by rational, discoverable rules that operate consistently at all times and in all places for all beings. And they believe that they have received, through God's Word, a unique revelation of His true nature which gives them a global, literal account of reality and allows them to dismiss other people's beliefs as factually wrong.

Almost since the time of Columbus, the Native American ability to syncretize two realities - to accept that different people have different truths or to believe that two apparently contradictory statements can be true in different ways - has baffled and frustrated Europeans brought up with the idea of a single, monolithic truth. The accounts of missionaries, from the seventeenth-century Jesuit Relations on, bubble with impotent rage at the Indians' refusal to accept that because European beliefs are right their own beliefs must be wrong. Father Paul Le Jeune, a French missionary who spent the winter of 1634 with three Innu (Montagnais) families on the shore of the St. Lawrence, reported, for instance, that:

The Savages do not throw to the dogs the bones of female Beavers and Porcupines, - at least, certain specified bones; in short, they are very careful that the dogs do not eat any bones of birds and of other animals which are taken in the net, otherwise they will take no more except with incomparable difficulties ... It is remarkable how they gather and collect these bones, and preserve them with so much care, that you would say their game would be lost if they violated their superstitions. As I was laughing at them, and telling them that Beavers do not know what is done with their bones, they answered me, Thou dost not know how to take Beavers, and thou wishest to talk about it.' ... I told them that the Hiroquois ... threw the bones of the Beaver to the dogs, and yet they took them very often: and that our Frenchmen captured more game than they did (without comparison), and yet our dogs ate these bones. Thou hast no sense,' they replied, 'dost thou not see that you and the Hiroquois cultivate the soil and gather its fruits, and not we, and that therefore it is not the same thing?' I began to laugh when I heard this irrelevant answer. The trouble is, I only stutter, I take one word for another, I pronounce badly; and so everything usually passes off in laughter.

(Continues…)


Excerpted from "The Earth Shall Weep"
by .
Copyright © 1998 James Wilson.
Excerpted by permission of Grove Atlantic, Inc..
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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Table of Contents

Acknowledgements,
A Note About Terminology,
Prologue,
I: ORIGINS,
1. This is How It Was: Two Views of History,
2. Contact: In the Balance,
II: INVASION,
3. Northeast: One 'You will have the worst by our absence',
4. Northeast: Two 'A new found Golgotha',
5. New York and the 'Ohio Country' 'We shall not be like father and son, but like brothers',
6. Southeast 'Get a little further: you are too near me',
7. Southwest Return of the white brother,
8. The Far West The burning world,
9. The Great Plains The heart of everything that is,
III: INTERNAL FRONTIERS,
10. Kill the Indian to Save the Man Assimilation,
11. New Deal and Termination 'Let none but the Indian answer',
12. The New Indians,
Epilogue,
Sources and Further Reading,
Permissions Acknowledgements,
Index,

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Earth Shall Weep: A History of Native America 4.6 out of 5 based on 0 ratings. 9 reviews.
Guest More than 1 year ago
Powerful...intense historical and emotional insight into the struggle of Native Americans. Highly recommend.
Guest More than 1 year ago
What can I say about this book? It leaves me speechless in horror and sadness.
Guest More than 1 year ago
The most comprehensive and readable overview of Native American history I've read. I thoroughly enjoyed it.
Anonymous More than 1 year ago
Land taken children taken many killled after receiving assurances that the US government would protect them. We have heard this before this book makes it clear of its cultural implications.
Anonymous More than 1 year ago
Excellent reading. Such different experiences for the tribes in various regions. Also explains some of the confusion in terms of cultural differences. Educational and fascinating.
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