A lot have people have opened rock clubs for a lot of different reasons, but Larry Bloch is one of the few to have opened a music venue as a medium for social change. In 1989, Bloch and a handful of friends, none of whom had experience running a nightclub, opened Wetlands in New York City's Tribeca district, and as part of their business plan, each month a percentage of the club's proceeded were to be donated to a nonprofit Center for Social and Environmental Justice, with the annual payout often exceeding 100,000 dollars. In addition to the club's success as an avenue for fundraising, Wetlands helped give a home to a new breed of bands whose music suited the hippie-esque vibe of the club while opening new territories in improvisational rock, and Phish, Dave Matthews Band
, Blues Traveler
, and Gov't Mule
were among the acts who were regulars attractions at Wetlands before finding worldwide fame. Dean Budnick, a senior editor at Relix Magazine (a journal that frequently covers the jam band scene) makes his directorial debut with Wetlands Preserved: The Story of an Activist Rock Club
, which examines both the music and the message behind this fabled venue.