Dombey and Son

Dombey and Son

by Charles Dickens

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Dombey and Son is a novel by English author Charles Dickens. It follows the fortunes of a shipping firm, whose owner is frustrated at not having a son to follow him in the job, and initially rejects his daughter’s love, eventually becoming reconciled with her before his death.Charles Dickens was born on February 7, 1812 in Landport, Portsmouth, England. His father, John Dickens, was a clerk in the Navy Pay Office at Portsmouth, and his wife Elizabeth Dickens (née Barrow, 1789–1863) was a housewife. In 1814, John Dickens was transferred to London, and in 1817, the whole family moved to Chatham, near the naval docks. When he was ten, the family relocated to 16 Bayham Street, Camden Town in London.Dickens's life during the next five years was stable and happy; he was tutored by his mother and later went to school in Chatham. His father had a small collection of books, and Dickens read them avidly. He spent his time outdoors, reading voraciously with a particular fondness for the picaresque novels of Tobias Smollett and Henry Fielding. He talked later in life of his extremely poignant memories of childhood and his continuing photographic memory of people and events that helped bring his fiction to life. His family was moderately wealthy, and he received some education at the private William Giles' school in Chatham. However, this time of prosperity came to an abrupt end. In 1822, Dickens's father was transferred back to London, but he had gotten himself deeply in debt after spending too much money entertaining and retaining his social position, was imprisoned at Marshalsea debtors' prison, or workhouse, along with his wife and Dickens's siblings.As the second of eight children from now on in a very poor family, Dickens lived a difficult childhood. Dickens, who at twelve was considered old enough to work, had to quit school and began working 10 hour days in a boot-blacking factory, a place where shoe polish is made, located near the present Charing Cross railway station. He earned six shillings a week pasting labels on the jars of thick polish. This money paid for his lodging in Camden Town and helped support his family.Dickens lived on his own and continued to work at the factory for several months. The horrific conditions in the factory haunted him for the rest of his life, as did the experience of temporary orphanhood. Apparently, Dickens never forgot the day when a more senior boy in the warehouse took it upon himself to instruct Dickens in how to do his work more efficiently. For Dickens, that instruction may have represented the first step toward his full integration into the misery and tedium of working-class life. The more senior boy’s name was Bob Fagin. Dickens’s residual resentment of him reached a fevered pitch in the characterization of the villain Fagin in Oliver Twist. Alone in a strange city, separated from his family, he endured harrowing experiences that marked him with a hatred for the social system and the desire to succeed so that he would never have to live this way again.

Product Details

ISBN-13: 9781605013541
Publisher: MobileReference
Publication date: 01/01/2010
Series: Mobi Classics
Sold by: Barnes & Noble
Format: NOOK Book
File size: 1 MB

About the Author

Charles Dickens was born on February 7, 1812, in Landport, Portsea, England. He died in Kent on June 9, 1870. The second of eight children of a family continually plagued by debt, the young Dickens came to know not only hunger and privation,but also the horror of the infamous debtors’ prison and the evils of child labor. A turn of fortune in the shape of a legacy brought release from the nightmare of prison and “slave” factories and afforded Dickens the opportunity of two years’ formal schooling at Wellington House Academy. He worked as an attorney’s clerk and newspaper reporter until his Sketches by Boz (1836) and The Pickwick Papers (1837) brought him the amazing and instant success that was to be his for the remainder of his life. In later years, the pressure of serial writing, editorial duties, lectures, and social commitments led to his separation from Catherine Hogarth after twenty-three years of marriage. It also hastened his death at the age of fifty-eight, when he was characteristically engaged in a multitude of work.

Andrew Sanders is Professor of English at the University of Durham. He has edited several Dickens novels and is the author of Charles Dickens: Resurrectionist (1982) and The Short Oxford History of English Literature (2000).

Date of Birth:

February 7, 1812

Date of Death:

June 18, 1870

Place of Birth:

Portsmouth, England

Place of Death:

Gad's Hill, Kent, England


Home-schooling; attended Dame School at Chatham briefly and Wellington

Read an Excerpt



Dombey sat in the corner of the darkened room in the great armchair by the bedside, and Son lay tucked up warm in a little basket bedstead, carefully disposed on a low settee immediately in front of the fire and close to it, as if his constitution were analogous to that of a muffin, and it was essential to toast him brown while he was very new.

Dombey was about eight-and-forty years of age. Son about eight-and-forty minutes. Dombey was rather bald, rather red, and though a handsome well-made man, too stern and pompous in appearance, to be prepossessing. Son was very bald, and very red, and though (of course) an undeniably fine infant, somewhat crushed and spotty in his general effect, as yet. On the brow of Dombey, Time and his brother Care had set some marks, as on a tree that was to come down in good time — remorseless twins they are for striding through their human forests, notching as they go — while the countenance of Son was crossed and recrossed with a thousand little creases, which the same deceitful Time would take delight in smoothing out and wearing away with the flat part of his scythe, as a preparation of the surface for his deeper operations.

Dombey, exulting in the long-looked-for event, jingled and jingled the heavy gold watch-chain that depended from below his trim blue coat, whereof the buttons sparkled phosphorescently in the feeble rays of the distant fire. Son with his little fists curled up and clenched, seemed, in his feeble way, to be squaring at existence for having come upon him so unexpectedly.

"The house will once again, Mrs. Dombey," said Mr. Dombey, "be not only in name but in fact Dombey and Son; Dom-bey and Son!"

The words had such a softening influence, that he appended a term of endearment to Mrs. Dombey's name (though not without some hesitation, as being a man but little used to that form of address): and said, "Mrs. Dombey my — my dear."

A transient flush of faint surprise overspread the sick lady's face as she raised her eyes towards him.

"He will be christened Paul, my — Mrs. Dombey — of course."

She feebly echoed, "Of course," or rather expressed it by the motion of her lips, and closed her eyes again.

"His father's name, Mrs. Dombey, and his grandfather's! I wish his grandfather were alive this day!" And again he said "Dombey and Son," in exactly the same tone as before.

Those three words conveyed the one idea of Mr. Dombey's life. The earth was made for Dombey and Son to trade in, and the sun and moon were made to give them light. Rivers and seas were formed to float their ships; rainbows gave them promise of fair weather; winds blew for or against their enterprises; stars and planets circled in their orbits, to preserve inviolate a system of which they were the centre. Common abbreviations took new meanings in his eyes, and had sole reference to them. A. D. had no concern with anno Domini, but stood for anno Dombei — and Son.

He had risen, as his father had before him, in the course of life and death, from Son to Dombey, and for nearly twenty years had been the sole representative of the firm. Of those years he had been married, ten — married, as some said, to a lady with no heart to give him; whose happiness was in the past, and who was content to bind her broken spirit to the dutiful and meek endurance of the present. Such idle talk was little likely to reach the ears of Mr. Dombey, whom it nearly concerned; and probably no one in the world would have received it with such utter incredulity as he, if it had reached him. Dombey and Son had often dealt in hides, but never in hearts. They left that fancy ware to boys and girls, and boarding-schools and books. Mr. Dombey would have reasoned: That a matrimonial alliance with himself must, in the nature of things, be gratifying and honourable to any woman of common sense. That the hope of giving birth to a new partner in such a house, could not fail to awaken a glorious and stirring ambition in the breast of the least ambitious of her sex. That Mrs. Dombey had entered on that social contract of matrimony: almost necessarily part of a genteel and wealthy station, even without reference to the perpetuation of family firms: with her eyes fully open to these advantages. That Mrs. Dombey had had daily practical knowledge of his position in society. That Mrs. Dombey had always sat at the head of his table, and done the honours of his house in a remarkably lady-like and becoming manner. That Mrs. Dombey must have been happy. That she couldn't help it.

Or, at all events, with one drawback. Yes. That he would have allowed. With only one; but that one certainly involving much. They had been married ten years, and until this present day on which Mr. Dombey sat jingling and jingling his heavy gold watch-chain in the great arm-chair by the side of the bed, had had no issue.

— To speak of; none worth mentioning. There had been a girl some six years before, and the child, who had stolen into the chamber unobserved, was now crouching timidly, in a corner whence she could see her mother's face. But what was a girl to Dombey and Son! In the capital of the House's name and dignity, such a child was merely a piece of base coin that couldn't be invested — a bad Boy — nothing more.

Mr. Dombey's cup of satisfaction was so full at this moment, however, that he felt he could afford a drop or two of its contents, even to sprinkle on the dust in the by-path of his little daughter.

So he said, "Florence, you may go and look at your pretty brother, if you like, I dare say. Don't touch him!"

The child glanced keenly at the blue coat and stiff white cravat, which, with a pair of creaking boots and a very loud ticking watch, embodied her idea of a father; but her eyes returned to her mother's face immediately, and she neither moved nor answered.

Next moment, the lady had opened her eyes and seen the child; and the child had run towards her; and, standing on tiptoe, the better to hide her face in her embrace, had clung about her with a desperate affection very much at variance with her years.

"Oh Lord bless me!" said Mr. Dombey, rising testily. "A very ill-advised and feverish proceeding this, I am sure. I had better ask Doctor Peps if he'll have the goodness to step up stairs again perhaps. I'll go down. I'll go down. I needn't beg you," he added, pausing for a moment at the settee before the fire, "to take particular care of this young gentleman, Mrs. —"

"Blockitt, Sir?" suggested the nurse, a simpering piece of faded gentility, who did not presume to state her name as a fact, but merely offered it as a mild suggestion.

"Of this young gentleman, Mrs. Blockitt."

"No Sir, indeed. I remember when Miss Florence was born —"

"Ay, ay, ay," said Mr. Dombey, bending over the basket bedstead, and slightly bending his brows at the same time. "Miss Florence was all very well, but this is another matter. This young gentleman has to accomplish a destiny. A destiny, little fellow!" As he thus apostrophized the infant he raised one of his hands to his lips, and kissed it; then, seeming to fear that the action involved some compromise of his dignity, went, awkwardly enough, away.

Doctor Parker Peps, one of the Court Physicians, and a man of immense reputation for assisting at the increase of great families, was walking up and down the drawing-room with his hands behind him, to the unspeakable admiration of the family Surgeon, who had regularly puffed the case for the last six weeks, among all his patients, friends, and acquaintances, as one to which he was in hourly expectation day and night of being summoned, in conjunction with Doctor Parker Peps.

"Well Sir," said Doctor Parker Peps in a round, deep, sonorous voice, muffled for the occasion, like the knocker; "do you find that your dear lady is at all roused by your visit?"

"Stimulated as it were?" said the family practitioner faintly: bowing at the same time to the Doctor, as much as to say "Excuse my putting in a word, but this is a valuable connexion."

Mr. Dombey was quite discomfited by the question. He had thought so little of the patient, that he was not in a condition to answer it. He said that it would be a satisfaction to him, if Doctor Parker Peps would walk up stairs again.

"Good! We must not disguise from you Sir," said Doctor Parker Peps, "that there is a want of power in Her Grace the Duchess — I beg your pardon; I confound names; I should say, in your amiable lady. That there is a certain degree of languor, and a general absence of elasticity, which we would rather — not —"

"See," interposed the family practitioner with another inclination of the head.

"Quite so," said Doctor Parker Peps, "which we would rather not see. It would appear that the system of Lady Cankaby — excuse me: I should say of Mrs. Dombey: I confuse the names of cases —"

"So very numerous," murmured the family practitioner — "can't be expected I'm sure — quite wonderful if otherwise — Doctor Parker Peps's West End practice —"

"Thank you," said the Doctor, "quite so. It would appear, I was observing, that the system of our patient has sustained a shock, from which it can only hope to rally by a great and strong —"

"And vigorous," murmured the family practitioner.

"Quite so," assented the Doctor — "and vigorous effort. Mr. Pilkins here, who from his position of medical adviser in this family — no one better qualified to fill that position, I am sure."

"Oh!" murmured the family practitioner. " 'Praise from Sir Hubert Stanley!' "

"You are good enough," returned Doctor Parker Peps, "to say so. Mr. Pilkins who, from his position, is best acquainted with the patient's constitution in its normal state (an acquaintance very valuable to us in forming our opinions on these occasions), is of opinion, with me, that Nature must be called upon to make a vigorous effort in this instance; and that if our interesting friend the Countess of Dombey — I beg your pardon; Mrs. Dombey — should not be —"

"Able," said the family practitioner.

"To make that effort successfully," said Doctor Parker Peps, "then a crisis might arise, which we should both sincerely deplore."

With that, they stood for a few seconds looking at the ground. Then, on the motion — made in dumb show — of Doctor Parker Peps, they went up stairs; the family practitioner opening the room door for that distinguished professional, and following him out, with most obsequious politeness.

To record of Mr. Dombey that he was not in his way affected by this intelligence, would be to do him an injustice. He was not a man of whom it could properly be said that he was ever startled, or shocked; but he certainly had a sense within him, that if his wife should sicken and decay, he would be very sorry, and that he would find a something gone from among his plate and furniture, and other household possessions, which was well worth the having, and could not be lost without sincere regret. Though it would be a cool, business-like, gentlemanly, self-possessed regret, no doubt.

His meditations on the subject were soon interrupted, first by the rustling of garments on the staircase, and then by the sudden whisking into the room of a lady rather past the middle age than otherwise, but dressed in a very juvenile manner, particularly as to the tightness of her boddice, who, running up to him with a kind of screw in her face and carriage, expressive of suppressed emotion, flung her arms round his neck, and said, in a choking voice,

"My dear Paul! He's quite a Dombey!"

"Well, well!" returned her brother — for Mr. Dombey was her brother — "I think he is like the family. Don't agitate yourself, Louisa."

"It's very foolish of me," said Louisa, sitting down, and taking out her pocket-handkerchief, "but he's — he's such a perfect Dombey! I never saw anything like it in my life!"

"But what is this about Fanny, herself?" said Mr. Dombey. "How is Fanny?"

"My dear Paul," returned Louisa, "it's nothing whatever. Take my word, it's nothing whatever. There is exhaustion, certainly, but nothing like what I underwent myself, either with George or Frederick. An effort is necessary. That's all. If dear Fanny were a Dombey! — But I dare say she'll make it. Knowing it to be required of her, as a duty, of course she'll make it. My dear Paul, it's very weak and silly of me, I know, to be so trembly and shakey from head to foot; but I am so very queer that I must ask you for a glass of wine and a morsel of that cake. I thought I should have fallen out of the staircase window as I came down from seeing dear Fanny, and that tiddy ickle sing." These last words originated in a sudden vivid reminiscence of the baby.

They were succeeded by a gentle tap at the door.

"Mrs. Chick," said a very bland female voice outside, "how are you now, my dear friend?"

"My dear Paul," said Louisa in a low voice, as she rose from her seat, "it's Miss Tox. The kindest creature! I never could have got here without her! Miss Tox, my brother Mr. Dombey. Paul my dear, my very particular friend Miss Tox."

The lady thus specially presented, was a long lean figure, wearing such a faded air that she seemed not to have been made in what linen-drapers call "fast colours" originally, and to have, by little and little, washed out. But for this she might have been described as the very pink of general propitiation and politeness. From a long habit of listening admiringly to everything that was said in her presence, and looking at the speakers as if she were mentally engaged in taking off impressions of their images upon her soul, never to part with the same but with life, her head had quite settled on one side. Her hands had contracted a spasmodic habit of raising themselves of their own accord as in involuntary admiration. Her eyes were liable to a similar affection. She had the softest voice that ever was heard; and her nose, stupendously aquiline, had a little knob in the very centre or key-stone of the bridge, whence it tended downwards towards her face, as in an invincible determination never to turn up at anything.

Miss Tox's dress, though perfectly genteel and good, had a certain character of angularity and scantiness. She was accustomed to wear odd weedy little flowers in her bonnets and caps. Strange grasses were sometimes perceived in her hair; and it was observed by the curious, of all her collars, frills, tuckers, wristbands, and other gossamer articles — indeed of everything she wore which had two ends to it intended to unite — that the two ends were never on good terms, and wouldn't quite meet without a struggle. She had furry articles for winter wear, as tippets, boas, and muffs, which stood up on end in a rampant manner, and were not at all sleek. She was much given to the carrying about of small bags with snaps to them, that went off like little pistols when they were shut up; and when full-dressed, she wore round her neck the barrenest of lockets, representing a fishey old eye, with no approach to speculation in it. These and other appearances of a similar nature, had served to propagate the opinion, that Miss Tox was a lady of what is called a limited independence, which she turned to the best account. Possibly her mincing gait encouraged the belief, and suggested that her clipping a step of ordinary compass into two or three, originated in her habit of making the most of everything.

"I am sure," said Miss Tox, with a prodigious curtsey, "that to have the honour of being presented to Mr. Dombey is a distinction which I have long sought, but very little expected at the present moment. My dear Mrs. Chick — may I say Louisa!"

Mrs. Chick took Miss Tox's hand in hers, rested the foot of her wine-glass upon it, repressed a tear, and said in a low voice "Bless you!"

"My dear Louisa then," said Miss Tox, "my sweet friend, how are you now?"

"Better," Mrs. Chick returned. "Take some wine. You have been almost as anxious as I have been, and must want it, I am sure."

Mr. Dombey of course officiated.

"Miss Tox, Paul," pursued Mrs. Chick, still retaining her hand, "knowing how much I have been interested in the anticipation of the event of to-day, has been working at a little gift for Fanny, which I promised to present. It is only a pincushion for the toilette table, Paul, but I do say, and will say, and must say, that Miss Tox has very prettily adapted the sentiment to the occasion. I call 'Welcome little Dombey' Poetry, myself."

"Is that the device?" inquired her brother.

"That is the device," returned Louisa.

"But do me the justice to remember, my dear Louisa," said Miss Tox in a tone of low and earnest entreaty, "that nothing but the — I have some difficulty in expressing myself — the dubiousness of the result would have induced me to take so great a liberty: 'Welcome, Master Dombey,' would have been much more congenial to my feelings, as I am sure you know. But the uncertainty attendant on angelic strangers, will, I hope, excuse what must otherwise appear an unwarrantable familiarity." Miss Tox made a graceful bend as she spoke, in favour of Mr. Dombey, which that gentleman graciously acknowledged. Even the sort of recognition of Dombey and Son, conveyed in the foregoing conversation, was so palatable to him, that his sister, Mrs. Chick — though he affected to consider her a weak good-natured person — had perhaps more influence over him than anybody else.


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Table of Contents

I. Dombey and Son
II. In which Timely Provision is made for an Emergency that will sometimes arise in the best regulated Families
III. In which Mr. Dombey, as a Man and a Father, is seen at the head of the Home-Department
IV. In which some more First Appearances are made on the Stage of these Adventures
V. Paul's Progress and Christening
VI. Paul's Second Deprivation
VII. A Bird's-eye glimpse of Miss Tox's Dwelling-place; also of the State of Miss Tox's Affections
Viii. Paul's further Progress, Growth, and Character
IX. In which the Wooden Midshipman's gets into Trouble
X. Containing the Sequel of the Midshipman's Disaster
XI. Paul's Introduction to a new Scene
XII. Paul's Education
XIII. Shipping Intelligence and Office Business
XIV. Paul grows more and more Old-fashioned, and goes Home for the Holidays
XV. Amazing Artfulness of Captain Cuttle, and a new Pursuit for Walter Gay
XVI. What the Waves were always saying
XVII. Captain Cuttle does a little Business for the young people
XVIII. Father and Daughter
XIX. Walter goes away
XX. Mr. Dombey goes upon a Journey
XXI. New Faces
XXII. A Trifle of Management by Mr. Carker the Manager
XXIII. Florence Solitary and the Midshipman Mysterious
XXIV. The Study of a Loving Heart
XXV. Strange news of Uncle Sol
XXVI. Shadows of the Past and Future
XXVII. Deeper Shadows
XXVIII. Alterations
XXIX. The Opening of the Eyes of Mrs. Chick
XXX. The Interval before the Marriage
XXXI. The Wedding
XXXII. The Wooden Midshipman goes to Pieces
XXXIII. Contrasts
XXXIV. Another Mother and Daughter
XXXV. The Happy Pair
XXXVI. Housewarming
XXXVII. More Warnings than One
XXXVIII. Miss Tox improves an Old Acquaintance
XXXIX. Further Adventures of Captain Edward Cuttle, Mariner
XL. Domestic Relations
XLI. New Voices on the Waves
XLII. Confidential and Accidental
XLIII. The Watches of the Night
XLIV. A Separation
XLV. The Trusty Agent
XLVI. Recognizant and Reflective
XLVII. The Thunderbolt
XLVIII. The Flight of Florence
XLIX. The Midshipman makes a Discovery
L. Mr. Toot's Complaints
LI. Mr. Dombey and the World
LII. Secret Intelligence
LIII. More Intelligence
LIV. The Fugitives
LV. Rob the Grinder loses his Place
LVI. Several People Delighted, and the Game Chicken Disgusted
LVII. Another Wedding
LVIII. After a Lapse
LIX. Retribution
LX. Chiefly Matrimonial
LXI. Relenting
LXII. Final

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Dombey and Son 3.8 out of 5 based on 0 ratings. 21 reviews.
Mary Anne Garcia More than 1 year ago
,very very. good book lots of typos but trsf thtu then. .......
Guest More than 1 year ago
This is the first story that has been able to touch my 'heart'. The touching and heartbreakingly-ended relationship between the young girl Florence Dombey (the main character who was 7 years old in the beginning of the story and around 20 in the end) and her little brother Paul Dombey Jr. left me sleepless for many nights. Florence Dombey's eventual winning of her unaffectionate father's heart made me quite joyful, though I was still haunted and saddened by the earlier parts of the book. Moreover, Florence Dombey's affection for all who were kind to her has made me fall in love with her. I wish she could come to life, travel through time into the 21st century, and become my adopted sister. Oh, Floy, how I love you, how I love you, dear Floy! ('Floy' is Florence's nickname) I would definitely recommend this book to all who have a 'heart', or more scientifically, a region in the brain that is sensitive and receptive to love and affection.
mbmackay on LibraryThing More than 1 year ago
Dickens' seventh major work, and about half-way through his life's works (which I am reading/re-reading in his 200th anniversary year).While earlier works have a "boys own annual" feel to them, this is a more mature and complex book. While Dickens still annoys with his fantastic coincidences to bring his artificial plots together, in this book there are some interesting and developed characters. Florence, who feels it is somehow her fault that her father doesn't love her, has a modern feel. A comment passed about Dombey, who is obsessively proud, is informative: "Vices are sometimes virtues taken to excess".I find it interesting that in his works, Dickens has multiple examples of strong, loving, brother-sister relationships, but almost no happy married couples of any depth. I wonder what this tells of his own background?Darwin continues his social themes, in this work he often highlights the "depravity" deplored by the upper class is often a result of the blighted environment of the poorer peoples. He also points out that the same "depravity" has different consequences in different social stratas - the upper class can effectively sell daughters into a moneyed marriage, while the same process is called prostitution further down the social scale.I see in Wikipedia that an early critic faulted the plot structure, saying that the death of Dombey Junior was effectively the end of the story, but I didn't find that fault. It was clear that Florence was going to be the hero - would she become the surrogate son? Would she be successful in some other way? Would there be a future marriage and further son? Many possibilities.The book is L O N G, as usual. And Dickens tests his readers. A Mr Morfin re-appears on page 681. How many readers recall his last appearance on page 175?? I could only do so courtesy of the word search function in ebooks. The book also has the usual complement of comic characters who regularly appear and regularly use the same "gags" for the same laughs: Capt Cuttle using nonsense nautical jargon; Major Bagstock endlessly referring to himself in the third person, and many other formulaic characters. It would seem that these were popular and sold the monthly parts. :) So, a good book, with many of the usual flaws of Dickens, balanced by some vibrant writing. Read February 2012.
meredk on LibraryThing More than 1 year ago
I really enjoyed this book, even though it's sort of standard Dickens and the outcome is no surprise. Still, the writing is so delightful, and the characters are varied and complex. I especially like the focus on women, and the fact that he made many of the female characters multi-dimensional.
samfsmith on LibraryThing More than 1 year ago
Merely finishing this beast of novel gives me a sense of accomplishment. This edition is 833 pages of small type, without a single blank page or added space, not even for the beginnings of chapters. Let¿s estimate: 12 words per line, 39 lines per page, 833 pages equals 489,844 words, minus about 20 or 25 percent for white space gives us almost 400 thousand words. That¿s four times the size of a modern novel.I spent about a month wading through this (while reading, and finishing, several other more modern novels, at the same time), and it was worth every bit of the effort. This may be my new favorite Dickens¿ novel. It¿s definitely more mature than ¿David Copperfield¿, more satisfying than ¿A Tale of Two Cities¿, more convincing than ¿Bleak House¿. All the elements we expect from Dickens are here: the settings, the unforgettable characters, the compassion, the sentimentalism. And the female character that is too good to be true, as well - she always seems to show up in a Dickens novel somewhere, and in this case, regardless of the title, she is at the center of all the activity.And, as usual, Dickens cannot resist wrapping up every character, no matter how insignificant, and bringing everyone, no matter how wicked or debased, to an appropriate end as elevated as he can manage.So put this novel on your nightstand and chip away at it gradually for a month or so - it will be well worth the effort.
jwhenderson on LibraryThing More than 1 year ago
In Dombey and Son Dickens demonstrates the biting satire and the more expansive social criticism of his later work. Dombey is a proud business man and wants an heir. He is cold an distant to his children, especially young Paul his "son" who is frail and after some time at a boarding school dies. His second marriage becomes its own nightmare. In Dombey Dickens begins using a thematic symbol or motif and continues this practice for his longer works - here the railroads become a symbol of progress and brute force.The plot is surprisingly linear for such a long Dickens novel. He has broken out of the more episodic nature of his early novels and begins to more effectively portray the psychology of the characters. This novel is too often overlooked but it is a fine work of the author's early maturity. While I do not like it as much as the two novels which immediately follow, David Copperfield and Bleak House, it is still vintage Dickens.
mattmcg on LibraryThing More than 1 year ago
For a long time, I shied away from reading this Dickens novel. This was at least in part because the title Dombey and Son isn't exactly arresting. It was a shock, then, to not only thoroughly enjoy the book, but also realize that it could have almost as easily been titled Mr. Toots and the Game Chicken.
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I found this to be too depressing and couldn't finish it.
colorsplash7 More than 1 year ago
Great Dickensonian Moral Tale.