Many new characters, in one of Schulz’s most creative periods! With an introduction by Alec Baldwin.
As the 1970s wind down, the last two recurring Peanuts characters have fallen into place: Snoopy’s brother Spike and the youngest Van Pelt sibling, Rerun. But that doesn’t mean Schulz’s creativity has diminished; in fact, this volume features an amazing profusion of hilariously distinctive new one- (or two-) shot characters!
For instance, in an epic five-week sequence, when Charlie Brown, found guilty by the EPA of biting the Kite-Eating tree, he goes on the lam and ends up coaching the “Goose Eggs,” a group of diminutive baseball players, Austin, Ruby, Leland, anddid you know there was a second black Peanuts character, aside from Franklin?Milo.
Also: a tennis-playing Snoopy ends up reluctantly teamed with the extreme Type “A” athlete Molly Volley... who then reappears later in the book, now facing off against her nemesis, “Crybaby” Boobie. (Honest!) Add in Sally’s new camp friend Eudora, the thuggish “caddymaster” who shoots down Peppermint Patty and Marcie’s new vocation, an entire hockey team, and a surprise repeat appearance by Linus’s sweetheart “Truffles” (creating a love triangle with Sally), all in addition to the usual cast of beloved characters (including the talking schoolhouse and the doghouse-jigsawing cat, who gets hold of Linus’s blanket in this one), and you’ve got a veritable crowd of characters.
It’s another two years of the greatest comic strip of all time, full of laughs and surprises.
About the Author
Charles M. Schulz was born November 25, 1922, in Minneapolis. His destiny was foreshadowed when an uncle gave him, at the age of two days, the nickname Sparky (after the racehorse Spark Plug in the newspaper strip Barney Google).In his senior year in high school, his mother noticed an ad in a local newspaper for a correspondence school, Federal Schools (later called Art Instruction Schools). Schulz passed the talent test, completed the course, and began trying, unsuccessfully, to sell gag cartoons to magazines. (His first published drawing was of his dog, Spike, and appeared in a 1937 Ripley's Believe It or Not! installment.) Between 1948 and 1950, he succeeded in selling 17 cartoons to the Saturday Evening Postas well as, to the local St. Paul Pioneer Press, a weekly comic feature called Li'l Folks. It was run in the women's section and paid $10 a week. After writing and drawing the feature for two years, Schulz asked for a better location in the paper or for daily exposure, as well as a raise. When he was turned down on all three counts, he quit.He started submitting strips to the newspaper syndicates. In the spring of 1950, he received a letter from the United Feature Syndicate, announcing their interest in his submission, Li'l Folks. Schulz boarded a train in June for New York City; more interested in doing a strip than a panel, he also brought along the first installments of what would become Peanutsand that was what sold. (The title, which Schulz loathed to his dying day, was imposed by the syndicate.) The first Peanuts daily appeared October 2, 1950; the first Sunday, January 6, 1952.Diagnosed with cancer, Schulz retired from Peanuts at the end of 1999. He died on February 13, 2000, the day before Valentine's Dayand the day before his last strip was publishedhaving completed 17,897 daily and Sunday strips, each and every one fully written, drawn, and lettered entirely by his own handan unmatched achievement in comics.
Most Helpful Customer Reviews
Two more years of Schulz's masterpiece strip; a bit more uneven than before. There are a fair amount of clunkers here, but quite a few hits, also, the most intriguing of which explore the feelings between Peppermint Patty and the clueless "Chuck" (on pg. 189, Patty actually asks him, "Do you love me, Chuck?"). We also see the return of Truffles, Linus' love interest, and some nice interplay between Sally and Linus, and Schroeder and Lucy. Even Snoopy nearly marries, only to see his bride stolen away by his brother Spike. It would be interesting to re-read Schulz's biography to see if this was a period of romantic turmoil in his own life.