“Lincoln Rhyme is more relentless than ever” (People) and Jeffery Deaver delivers “supercharged tension” (USA TODAY) in this New York Times bestselling suspense masterwork.
NYPD criminalist Lincoln Rhyme joins his beautiful protégée Amelia Sachs, in the hunt for the Coffin Dancer—an ingenious killer who changes his appearance even faster than he adds to his trail of victims. They have only one clue: the madman has a tattoo of the Grim Reaper waltzing with a woman in front of a coffin. Rhyme must rely on his wits and intuition to track the elusive murderer through New York City—knowing they have only forty-eight hours before the Coffin Dancer strikes again.
This is a “heart-stopping” (Booklist) thriller from #1 international bestselling author Jeffery Deaver’s “simply outstanding” (San Jose Mercury News) Lincoln Rhyme series!
About the Author
He's received or been shortlisted for a number of awards around the world, including Novel of the Year by the International Thriller Writers and the Steel Dagger from the Crime Writers' Association in the United Kingdom. In 2014, he was the recipient of three lifetime achievement awards. A former journalist, folksinger, and attorney, he was born outside of Chicago and has a bachelor of journalism degree from the University of Missouri and a law degree from Fordham University.
Date of Birth:May 6, 1950
Place of Birth:Chicago, Illinois
Education:B.A., University of Missouri; Juris Doctor, cum laude, Fordham University School of Law
Read an Excerpt
When Edward Carney said good-bye to his wife, Percey, he never thought it would be the last time he'd see her.
He climbed into his car, which was parked in a precious space on East Eighty-first Street in Manhattan, and pulled into traffic. Carney, an observant man by nature, noticed a black van parked near their town house. A van with mud-flecked, mirrored windows. He glanced at the battered vehicle and recognized the West Virginia plates, realizing he'd seen the van on the street several times in the past few days. But then the traffic in front of him sped up. He caught the end of the yellow light and forgot the van completely. He was soon on the FDR Drive, cruising north.
Twenty minutes later he juggled the car phone and called his wife. He was troubled when she didn't answer. Percey'd been scheduled to make the flight with him -- they'd flipped a coin last night for the left-hand seat and she'd won, then given him one of her trademark victory grins. But then she'd wakened at 3 a.m. with a blinding migraine, which had stayed with her all day. After a few phone calls they'd found a substitute copilot and Percey'd taken a Fiorinal and gone back to bed.
A migraine was the only malady that would ground her.
Lanky Edward Carney, forty-five years old and still wearing a military hairstyle, cocked his head as he listened to the phone ringing miles away. Their answering machine clicked on and he returned the phone to the cradle, mildly concerned.
He kept the car at exactly sixty miles per hour, centered perfectly in the right lane; like most pilots he was conservative in his car. He trusted other airmen but thought most drivers were crazy.
In the office of Hudson Air Charters, on the grounds of Mamaroneck Regional Airport, in Westchester, a cake awaited. Prim and assembled Sally Anne, smelling like the perfume department at Macy's, had baked it herself to commemorate the company's new contract. Wearing the ugly rhinestone biplane brooch her grandchildren had given her last Christmas, she scanned the room to make sure each of the dozen or so employees had a piece of devil's food sized just right for them. Ed Carney ate a few bites of cake and talked about tonight's flight with Ron Talbot, whose massive belly suggested he loved cake though in fact he survived mostly on cigarettes and coffee. Talbot wore the dual hats of operations and business manager and he worried out loud if the shipment would be on time, if the fuel usage for the flight had been calculated correctly, if they'd priced the job right. Carney handed him the remains of his cake and told him to relax.
He thought again about Percey and stepped away into his office, picked up the phone.
Still no answer at their town house.
Now concern became worry. People with children and people with their own business always pick up a ringing phone. He slapped the receiver down, thought about calling a neighbor to check up on her. But then the large white truck pulled up in front of the hangar next to the office and it was time to go to work. Six p.m.
Talbot gave Carney a dozen documents to sign just as young Tim Randolph arrived, wearing a dark suit, white shirt, and narrow black tie. Tim referred to himself as a "copilot" and Carney liked that. "First officers" were company people, airline creations, and while Carney respected any man who was competent in the right-hand seat, pretension put him off.
Tall, brunette Lauren, Talbot's assistant, had worn her lucky dress, whose blue color matched the hue of the Hudson Air logo -- a silhouette of a falcon flying over a gridded globe. She leaned close to Carney and whispered, "It's going to be okay now, won't it?"
"It'll be fine," he assured her. They embraced for a moment. Sally Anne hugged him too and offered him some cake for the flight. He demurred. Ed Carney wanted to be gone. Away from the sentiment, away from the festivities. Away from the ground.
And soon he was. Sailing three miles above the earth, piloting a Lear 35A, the finest private jet ever made, clear of markings or insignia except for its N registration number, polished silver, sleek as a pike.
They flew toward a stunning sunset -- a perfect orange disk easing into big, rambunctious clouds, pink and purple, leaking bolts of sunlight.
Only dawn was as beautiful. And only thunderstorms more spectacular.
It was 723 miles to O'Hare and they covered that distance in less than two hours. Air Traffic Control's Chicago Center politely asked them to descend to fourteen thousand feet, then handed them off to Chicago Approach Control.
Tim made the call. "Chicago Approach. Lear Four Niner Charlie Juliet with you at one four thousand."
"Evening, Niner Charlie Juliet," said yet another placid air traffic controller. "Descend and maintain eight thousand. Chicago altimeter thirty point one one. Expect vectors to twenty-seven L."
"Roger, Chicago. Niner Charlie Juliet out of fourteen for eight."
O'Hare is the busiest airport in the world and ATC put them in a holding pattern out over the western suburbs of the city, where they'd circle, awaiting their turn to land.
Ten minutes later the pleasant, staticky voice requested, "Niner Charlie Juliet, heading zero nine zero over the numbers downwind for twenty-seven L."
"Zero nine zero. Nine Charlie Juliet," Tim responded.
Carney glanced up at the bright points of constellations in the stunning gunmetal sky and thought, Look, Percey, it's all the stars of evening...
And with that he had what was the only unprofessional urge of perhaps his entire career. His concern for Percey arose like a fever. He needed desperately to speak to her.
"Take the aircraft," he said to Tim.
"Roger," the young man responded, hands going unquestioningly to the yoke.
Air Traffic Control crackled, "Niner Charlie Juliet, descend to four thousand. Maintain heading."
"Roger, Chicago," Tim said. "Niner Charlie Juliet out of eight for four."
Carney changed the frequency of his radio to make a unicom call. Tim glanced at him. "Calling the Company," Carney explained. When he got Talbot he asked to be patched through the telephone to his home.
As he waited, Carney and Tim went through the litany of the pre-landing check.
"Flaps approach...twenty degrees."
"Twenty, twenty, green," Carney responded.
"One hundred eighty knots."
As Tim spoke into his mike -- "Chicago, Niner Charlie Juliet, crossing the numbers; through five for four" -- Carney heard the phone start to ring in their Manhattan town house, seven hundred miles away.
Come on, Percey. Pick up! Where are you?
ATC said, "Niner Charlie Juliet, reduce speed to one eight zero. Contact tower. Good evening."
"Roger, Chicago. One eight zero knots. Evening."
Where the hell is she? What's wrong?
The knot in his gut grew tighter.
The turbofan sang, a grinding sound. Hydraulics moaned. Static crackled in Carney's headset.
Tim sang out, "Flaps thirty. Gear down."
"Flaps, thirty, thirty, green. Gear down. Three green."
And then, at last -- in his earphone -- a sharp click.
His wife's voice saying, "Hello?"
He laughed out loud in relief.
Carney started to speak but, before he could, the aircraft gave a huge jolt -- so vicious that in a fraction of a second the force of the explosion ripped the bulky headset from his ears and the men were flung forward into the control panel. Shrapnel and sparks exploded around them.
Stunned, Carney instinctively grabbed the unresponsive yoke with his left hand; he no longer had a right one. He turned toward Tim just as the man's bloody, rag-doll body disappeared out of the gaping hole in the side of the fuselage.
"Oh, God. No, no..."
Then the entire cockpit broke away from the disintegrating plane and rose into the air, leaving the fuselage and wings and engines of the Lear behind, engulfed in a ball of gassy fire.
"Oh, Percey," he whispered, "Percey..." Though there was no longer a microphone to speak into.
Copyright © 1998 by Jeffery Deaver
Big as asteroids, bone yellow.
The grains of sand glowed on the computer screen. The man was sitting forward, neck aching, eyes in a hard squint -- from concentration, not from any flaw in vision.
In the distance, thunder. The early morning sky was yellow and green and a storm was due at any moment. This had been the wettest spring on record.
Grains of sand...
"Enlarge," he commanded, and dutifully the image on the computer doubled in size.
Strange, he thought.
Leaning forward again, straining, studying the screen.
Sand, Lincoln Rhyme reflected, is a criminalist's delight: bits of rock, sometimes mixed with other material, ranging from .05 to 2 millimeters (larger than that is gravel, smaller is silt). It adheres to a perp's clothing like sticky paint and conveniently leaps off at crime scenes and hideouts to link murderer and murdered. It also can tell a great deal about where a suspect has been. Opaque sand means he's been in the desert. Clear means beaches. Hornblende means Canada. Obsidian, Hawaii. Quartz and opaque igneous rock, New England. Smooth gray magnetite, the western Great Lakes.
But where this particular sand had come from, Rhyme didn't have a clue. Most of the sand in the New York area was quartz and feldspar. Rocky on Long Island Sound, dusty on the Atlantic, muddy on the Hudson. But this was white, glistening, ragged, mixed with tiny red spheres. And what are those rings? White stone rings like microscopic slices of calamari. He'd never seen anything like this.
The puzzle had kept Rhyme up till 4 a.m. He'd just sent a sample of the sand to a colleague at the FBI's crime lab in Washington. He'd had it shipped off with great reluctance -- Lincoln Rhyme hated someone else's answering his own questions.
Motion at the window beside his bed. He glanced toward it. His neighbors -- two compact peregrine falcons -- were awake and about to go hunting. Pigeons beware, Rhyme thought. Then he cocked his head, muttering, "Damn," though he was referring not to his frustration with this uncooperative evidence but at the impending interruption.
Urgent footsteps were on the stairs. Thom had let visitors in and Rhyme didn't want visitors. He glanced toward the hallway angrily. "Oh, not now, for God's sake."
But they didn't hear, of course, and wouldn't have paused even if they had.
Two of them...
One was heavy. One not.
A fast knock on the open door and they entered.
Lon Sellitto was a detective first grade, NYPD, and the one responsible for the giant steps. Padding along beside him was his slimmer, younger partner, Jerry Banks, spiffy in his pork gray suit of fine plaid. He'd doused his cowlick with spray -- Rhyme could smell propane, isobutane, and vinyl acetate -- but the charming spike still stuck up like Dagwood's.
The rotund man looked around the second-floor bedroom, which measured twenty by twenty. Not a picture on the wall. "What's different, Linc? About the place?"
"Oh, hey, I know -- it's clean," Banks said, then stopped abruptly as he ran into his faux pas.
"Clean, sure," said Thom, immaculate in ironed tan slacks, white shirt, and the flowery tie that Rhyme thought was pointlessly gaudy though he himself had bought it, mail order, for the man. The aide had been with Rhyme for several years now -- and though he'd been fired by Rhyme twice, and quit once, the criminalist had rehired the unflappable nurse/assistant an equal number of times. Thom knew enough about quadriplegia to be a doctor and had learned enough forensics from Lincoln Rhyme to be a detective. But he was content to be what the insurance company called a "caregiver," though both Rhyme and Thom disparaged the term. Rhyme called him, variously, his "mother hen" or "nemesis," both of which delighted the aide no end. He now maneuvered around the visitors. "He didn't like it but I hired Molly Maids and got the place scrubbed down. Practically needed to be fumigated. He wouldn't talk to me for a whole day afterwards."
"It didn't need to be cleaned. I can't find anything."
"But then he doesn't have to find anything, does he?" Thom countered. "That's what I'm for."
No mood for banter. "Well?" Rhyme cast his handsome face toward Sellitto. "What?"
"Got a case. Thought you might wanta help."
"What's all that?" Banks asked, motioning toward a new computer sitting beside Rhyme's bed.
"Oh," Thom said with infuriating cheer, "he's state of the art now. Show them, Lincoln. Show them."
"I don't want to show them."
More thunder but not a drop of rain. Nature, as often, was teasing today.
Thom persisted. "Show them how it works."
"Don't want to."
"He's just embarrassed."
"Thom," Rhyme muttered.
But the young aide was as oblivious to threats as he was to recrimination. He tugged his hideous, or stylish, silk tie. "I don't know why he's behaving this way. He seemed very proud of the whole setup the other day."
Thom continued. "That box there" -- he pointed to a beige contraption -- "that goes to the computer."
"Whoa, two hundred megahertz?" Banks asked, nodding at the computer. To escape Rhyme's scowl he'd grabbed the question like an owl snagging a frog.
"Yep," Thom said.
But Lincoln Rhyme was not interested in computers. At the moment Lincoln Rhyme was interested only in microscopic rings of sculpted calamari and the sand they nestled in.
Thom continued. "The microphone goes into the computer. Whatever he says, the computer recognizes. It took the thing a while to learn his voice. He mumbled a lot."
In truth Rhyme was quite pleased with the system -- the lightning-fast computer, a specially made ECU box -- environmental control unit -- and voice-recognition software. Merely by speaking he could command the cursor to do whatever a person using a mouse and keyboard could do. And he could dictate too. Now, with words, he could turn the heat up or down and the lights on or off, play the stereo or TV, write on his word processor, and make phone calls and send faxes.
"He can even write music," Thom said to the visitors. "He tells the computer what notes to mark down on the staff."
"Now that's useful," Rhyme said sourly. "Music."
For a C4 quad -- Rhyme's injury was at the fourth cervical vertebra -- nodding was easy. He could also shrug, though not as dismissingly as he'd have liked. His other circus trick was moving his left ring finger a few millimeters in any direction he chose. That had been his entire physical repertoire for the past several years; composing a sonata for the violin was probably not in the offing.
"He can play games too," Thom said.
"I hate games. I don't play games."
Sellitto, who reminded Rhyme of a large unmade bed, gazed at the computer and seemed unimpressed. "Lincoln," he began gravely. "There's a task-forced case. Us 'n' the feds. Ran into a problem last night."
"Ran into a brick wall," Banks ventured to say.
"We thought...well, I thought you'd want to help us out on this one."
Want to help them out?
"I'm working on something now," Rhyme explained. "For Perkins, in fact." Thomas Perkins, special agent in charge of the Manhattan office of the FBI. "One of Fred Dellray's runners is missing."
Special Agent Fred Dellray, a longtime veteran with the Bureau, was a handler for most of the Manhattan office's undercover agents. Dellray himself had been one of the Bureau's top undercover ops. He'd earned commendations from the director himself for his work. One of Dellray's agents, Tony Panelli, had gone missing a few days earlier.
"Perkins told us," Banks said. "Pretty weird."
Rhyme rolled his eyes at the unartful phrase. Though he couldn't dispute it. The agent had disappeared from his car across from the Federal Building in downtown Manhattan around 9 p.m. The streets weren't crowded but they weren't deserted either. The engine of the Bureau's Crown Victoria was running, the door open. There was no blood, no gunshot residue, no scuff marks indicating struggle. No witnesses -- at least no witnesses willing to talk.
Pretty weird indeed.
Perkins had a fine crime scene unit at his disposal, including the Bureau's Physical Evidence Response Team. But it had been Rhyme who'd set up PERT and it was Rhyme whom Dellray had asked to work the scene of the disappearance. The crime scene officer who worked as Rhyme's partner had spent hours at Panelli's car and had come away with no unidentified fingerprints, ten bags of meaningless trace evidence, and -- the only possible lead -- a few dozen grains of this very odd sand.
The grains that now glowed on his computer screen, as smooth and huge as heavenly bodies.
Sellitto continued. "Perkins's gonna put other people on the Panelli case, Lincoln, if you'll help us. Anyway, I think you'll want this one."
That verb again -- want. What was this all about?
Rhyme and Sellitto had worked together on major homicide investigations some years ago. Hard cases -- and public cases. He knew Sellitto as well as he knew any cop. Rhyme generally distrusted his own ability to read people (his ex-wife Blaine had said -- often, and heatedly -- that Rhyme could spot a shell casing a mile away and miss a human being standing in front of him) but he could see now that Sellitto was holding back.
"Okay, Lon. What is it? Tell me."
Sellitto nodded toward Banks.
"Phillip Hansen," the young detective said significantly, lifting a puny eyebrow.
Rhyme knew the name only from newspaper articles. Hansen -- a large, hard-living businessman originally from Tampa, Florida -- owned a wholesale company in Armonk, New York. It was remarkably successful and he'd become a multimillionaire thanks to it. Hansen had a good deal for a small-time entrepreneur. He never had to look for customers, never advertised, never had receivables problems. In fact, if there was any downside to PH Distributors, Inc., it was that the federal government and New York State were expending great energy to shut it down and throw its president in jail. Because the product Hansen's company sold was not, as he claimed, secondhand military surplus vehicles but weaponry, more often than not stolen from military bases or imported illegally. Earlier in the year two army privates had been killed when a truckload of small arms was hijacked near the George Washington Bridge on its way to New Jersey. Hansen was behind it -- a fact the U.S. attorney and the New York attorney general knew but couldn't prove.
"Perkins and us're hammering together a case," Sellitto said. "Working with the army CID. But it's been a bitch."
"And nobody ever dimes him," said Banks. "Ever."
Rhyme supposed that, no, no one would dare snitch on a man like Hansen.
The young detective continued. "But finally, last week, we got a break. See, Hansen's a pilot. His company's got warehouses at Mamaroneck Airport -- that one near White Plains? A judge issued paper to check 'em out. Naturally we didn't find anything. But then last week, it's midnight? The airport's closed but there're some people there, working late. They see a guy fitting Hansen's description drive out to this private plane, load some big duffel bags into it, and take off. Unauthorized. No flight plan, just takes off. Comes back forty minutes later, lands, gets back into his car, and burns rubber out of there. No duffel bags. The witnesses give the registration number to the FAA. Turns out it's Hansen's private plane, not his company's."
Rhyme said, "So he knew you were getting close and he wanted to ditch something linking him to the killings." He was beginning to see why they wanted him. Some seeds of interest here. "Air Traffic Control track him?"
"LaGuardia had him for a while. Straight out over Long Island Sound. Then he dropped below radar for ten minutes or so."
"And you drew a line to see how far he could get over the Sound. There're divers out?"
"Right. Now, we knew that soon as Hansen heard we had the three witnesses he was gonna rabbit. So we managed to put him away till Monday. Federal Detention."
Rhyme laughed. "You got a judge to buy probable cause on that?"
"Yeah, with the risk of flight," Sellitto said. "And some bullshit FAA violations and reckless endangerment thrown in. No flight plan, flying below FAA minimums."
"What'd Mis-ter Han-sen say?"
"He knows the drill. Not a word to the arrestings, not a word to the prosecutors. Lawyer denies everything and's preparing suit for wrongful arrest, yadda, yadda, yadda...So if we find the fucking bags we go to the grand jury on Monday and, bang, he's away."
"Provided," Rhyme pointed out, "there's anything incriminating in the bags."
"Oh, there's something incriminating."
"How do you know?"
"Because Hansen's scared. He's hired somebody to kill the witnesses. He's already got one of 'em. Blew up his plane last night outside of Chicago."
And, Rhyme thought, they want me to find the duffel bags...Fascinating questions were now floating into his mind. Was it possible to place the plane at a particular location over the water because of a certain type of precipitation or saline deposit or insect found crushed on the leading edge of the wing? Could one calculate the time of death of an insect? What about salt concentrations and pollutants in the water? Flying that low to the water, would the engines or wings pick up algae and deposit it on the fuselage or tail?
"I'll need some maps of the Sound," Rhyme began. "Engineering drawings of his plane -- "
"Uhm, Lincoln, that's not why we're here," Sellitto said.
"Not to find the bags," Banks added.
"No? Then?" Rhyme tossed an irritating tickle of black hair off his forehead and frowned the young man down.
Sellitto's eyes again scanned the beige ECU box. The wires that sprouted from it were dull red and yellow and black and lay curled on the floor like sunning snakes.
"We want you to help us find the killer. The guy Hansen hired. Stop him before he gets the other two wits."
"And?" For Rhyme saw that Sellitto still had not mentioned what he was holding in reserve.
With a glance out the window the detective said, "Looks like it's the Dancer, Lincoln."
"The Coffin Dancer?"
Sellitto looked back and nodded.
"We heard he'd done a job in D.C. a few weeks ago. Killed a congressional aide mixed up in arms deals. We got pen registers and found calls from a pay phone outside Hansen's house to the hotel where the Dancer was staying. It's gotta be him, Lincoln."
On the screen the grains of sand, big as asteroids, smooth as a woman's shoulders, lost their grip on Rhyme's interest.
"Well," he said softly, "that's a problem now, isn't it?"
Copyright © 1998 by Jeffery Deaver
Most Helpful Customer Reviews
This was a reread. I first read this book in 2000 and decided to read it again last year. I gained more insights into the story on the second read. Jeffery Deaver is a master of suspense. This book has you constantly turning the pages unable to put it down. If you want a excellent suspense read this is a great choice.
This is the second Jeffery Deaver book I've read, and also the second of his Lincoln Rhyme series. (The Bone Collector was first). I think I enjoyed The Coffin Dancer even more than The Bone Collector, and I saw some real development in the characters, mainly Lincoln and Amelia Sachs, the primary protagonists. I found the story very well constructed and the telling quite good. I also really liked the way the reader is drawn to a certain perspective regarding the antagonist, setting the stage for a totally unexpected plot twist as the story reaches its climax. In short, Deaver did a great job steering us exactly where he wanted us to go, letting us discover the truth along with Lincoln and Amelia. No formulaic predictable ending here! As always, Deaver's understanding of his topic and the locations add greatly to his story telling. There is much visual detail that brings the reader into the scene. My one complaint is a minor one. Deaver goes into some detail about the ammunition the killer is using in his M-40 sniper rifle, as well as some technical detail about the rifle and the sniper's technique. He relates how the killer transformed "M118 Match Rounds" into "explosive" bullets by drilling into the core, filling it with an explosive charge, and then topping it with a ceramic tip "that would pierce most kinds of body armor." While the M118 (Military designation for a .308 cartridge firing a 173 grain boat-tailed projectile) was a correct long range round used by military snipers, the more common "Match round" in use today is the 168 grain boat-tail hollow-point. Both of these rounds, without alteration, will defeat common body armor as worn by many street cops; the purpose of which is to protect from handgun rounds. The idea of drilling out a "match" bullet is ridiculous, as it would require machining with micrometer precision to tolerances greater than .0001 of an inch; and it would still render the bullet far less accurate, especially if some substance were loaded into the tiny cavity. Adding a "ceramic nose" would further diminish the uniformity and accuracy. To then load a magazine full (five) of these "explosive rounds" into the rifle and slam them into the chamber, one after another, is asking to have the whole thing blow up in your face. Probably why no such rounds exist. I point this out only because it was unnecessary to the story, and made me wonder what other technical items that I'm not versed in might be made up. I realize it's fiction, but I want to be able to believe the story could happen. That issue aside, I loved The Coffin Dancer and will be reading more from Jeffery Deaver soon!
A very entertaining read! Deaver has quickly turned into one of my favorite authors. I'd give it 4 1/2 stars if possible, but I save the 5 star rating for the absolute best of the best... Never a dull moment in this book!
Another Lincoln Rhyme/Amelia Sachs thriller.
Well, Book two in the Lincoln Rhyme series did not disappoint! I enjoyed The Coffin Dancer every bit as much as The Bone Collector. The action is fast paced and the setting was particularly interesting since I love planes and flying. Once again, the story keeps you going, thinking you know who dunit and you find out in the end....well....you wouldn't really want me to tell you...would you? ;) If there's a movie of this book, I'll be watching it. I'm looking forward to the third installment in this series and can't wait! That should tell you all you really need to know!
Lincoln Rhyme and Amelia Sachs are paired together again to uncover the identify of the mysterious Coffin Dancer. The Coffin Dancer is a hit man with a knack for getting the job done, leaving no evidence behind and for being about three steps ahead of the police. Enter Lincoln Rhyme. Lincoln has dealt with the Coffin Dancer in the past and lost, now it is time to turn the tide.The story is action packed and keeps you guessing throughout and my only complaint is the love interest that is brewing between the main characters. In my opinion the story can do without the romance. In my mind Rhyme and Sachs have more a father/daughter or teacher/student relationship and the budding romance feels a tad incestuous.Jeffrey Deaver once again delivers a police thriller/mystery with an ending that is sure to delight.
When a well-written mystery can keep me engaged and yet totally surprise me ... I am very impressed! Second in this series and LOVING it!
Am I the only person who's upset that Mr. Deaver ended The Bone Collector with a ¿cliffhanger¿, i.e. bomber, Carole Ganz (along with her young daughter, Pammy), blowing up the UN conference...and then NOTHING?I started The Coffin Dancer thinking that it would continue where The Bone Collector left off, so you can imagine my disappointment when I realized that nothing was going to be resolved at all.WTF?! Other than that, The Coffin Dancer was a good, stand-alone thriller that kept me guessing until the very end. I'm looking forward to reading The Empty Chair (Lincoln Rhyme #3).3 1/2 stars
I found this one to be an ok read. Didn't blow me away.
A bomb used to murder a federal witness convinces criminologist Lincoln Rhyme that the Coffin Dancer has returned to New York. Rhyme would like nothing more than to arrest the Coffin Dancer, who murdered several of his team members years before. But the Coffin Dancer is a master of disguise and always seems to stay one step ahead of the police. The two remaining targeted federal witnesses are taken into protective custody but the killer manages to infiltrate their safe houses each time the witnesses are moved. Amelia Sachs conducts a physical investigation while Rhyme, a quadriplegic, investigates from his own lab, both working against a forty-eight hour time frame. This second book in the Lincoln Rhyme mystery series confirms this is a series that will be around for awhile. Deaver offers his reader a thrilling mystery packed with forensic science. Rhyme and Sachs are a winning combination and Deaver delves a little deeper into their personas and attraction to one another. A page turner that will hold the reader vested throughout.
A ruthless professional killer is hired to eliminate three witnesses set to testify at an arms dealer's grand jury trial. He's already gotten one of them, and it's up to Lincoln Rhyme, a brilliant forensics expert who hasn't let the accident that paralyzed him keep him from his job, to catch him before he kills the other two.I don't think I can call this a good book. If I'm being extremely charitable, I might describe the writing as "unpretentious," and even then I'd have to admit that it's full of infodump-y and often strangely repetitive exposition, especially in the earlier chapters. There are a few Hollywood-style cliches here, too. And some of the characters strike me as rather gimmicky. I particularly have trouble getting past the gorgeous ex-model-turned-cop. I mean... seriously? Although I'm honestly not sure whether the fact that she's also into sport shooting and drag racing makes it better or worse. I did like the main character, though. He's got a slightly gruff, very focused personality that somehow appeals to me. Or at least potentially does, anyway; he's not really developed all that strongly here. Maybe he gets a better introduction in the first book, which I haven't read. The plot's not bad, though, being a decently constructed little cat-and-mouse game with an interesting (if slightly odd) twist or two along the way. Ultimately, I found the book much more readable and entertaining than it seemed like it ought to be. If nothing else, it did a pretty good job of keeping me awake through a couple of otherwise boring night shifts. Honestly, reading it was a lot like snacking through a big bag of cheap potato chips. You know there are much better things you could be consuming, but the sheer act of munching through it feels kind of good.
The Coffin Dancer wasn't the normal book by Jeffery Deaver. It wasn't a stomach turning, gut wrenching horror but a spine tingling thriller.The cons about the book were that it wasn't the norm for Deaver and some parts made my stomach turn. The pros were that it kept me on the edge of my seat always wanting to read on.Also an unsuspected twist keeps you wondering whats gonna happen next.
This book was about a guy that goes around killing a bunch of people. That is all I really know about the book because I only read 35 pages. I only read 35 pages because I could not understand what was going on in the story and there were a lot of words that I didn't understand and I had a hard time reading some of the words also. I didn¿t really understand what was going on cause things that you didn¿t expect to happen was happening so I had a really hard time following what was going on. When I first heard about this book I was really into it because it was about CSI and things like that. So I would recommend this book to people that are into CSI and that are really strong readers.
Excellent, particularly if you are a fan of somewhat twisted forensic mysteries. Both main characters are unique and brilliantly written. Contains language and violence.
You will be on the edge of your seat the entire book.
Outstanding, remarkable, best read, highly recommend. Lots of twists and turns, keep you guessing till the end.
Deaver is one of the very best mystery writers. Lincoln Rhyme is a quadriplegic former cop. He does all his work using a mobile chair and several really good detectives. He always gets his "man" but you'd never guess it until the very end.
Awesome book its for everyone who loves reading mysteries/ crime.