In a “wonderfully crafted” supernatural thriller by the New York Times –bestselling author of The Art Forger , a forensic psychologist fights for her child (Robert B. Parker).Blind Spot is a supernatural thriller set in an upscale suburb of Boston. It opens as forensic psychologist Suki Jacobs—a single mother struggling with a big mortgage and an ex-husband in New Zealand—receives a phone call from the police informing her that her seventeen-year-old daughter, Alexa, is at the station, claiming that her ex-boyfriend, Jonah, has been murdered. Upon further investigation, Jonah is found alive, healthy, and playing basketball. But when Jonah is killed in a drive-by shooting the next day, Alexa becomes the prime suspect. Now Suki is plunged into a fight for her daughter’s life as well as a struggle over what is—and isn’t—possible.This story of a mother-daughter relationship caught in the crossfire of modern life, kids with too much knowledge of the world, and adults with too little, is a vision of all that is possible if we are willing to take off our blinders.
|Publisher:||Open Road Integrated Media LLC|
|Product dimensions:||5.50(w) x 8.40(h) x 0.90(d)|
About the Author
B. A. Shapiro is the author of the New York Times bestseller The Art Forger , five additional novels, four screenplays, and a nonfiction book. She is the recipient of the 2013 New England Book Award for Fiction, a 2013 Massachusetts Must-Read Book award, and a 2012 Boston Globe Best Crime Book award. Shapiro was also nominated for a 2013 Massachusetts Book Award. She lives in Boston and is working on her next novel.
Read an Excerpt
By B. A. Shapiro
OPEN ROAD INTEGRATED MEDIACopyright © 1998 B.A. Shapiro
All rights reserved.
MCI-Watkins sits on an asphalt island between the north and southbound lanes of Interstate 95 like a barricaded rest stop from which there is no exit for those who reside within. This prison houses only women inmates; its male twin is about twenty miles down the road. No matter how many prisons Suki visited, she always had the same reaction. As she came within sight of the building, every law she had ever broken came roaring back at her: the marijuana she'd smoked in college, the time she'd accidentally made two IRA contributions in one calendar year, the expired inspection sticker currently attached to her windshield. As Suki carefully parked between the two yellow lines of a designated visitor's spot, she cast an apprehensive glance over her shoulder. Guilty as charged.
Although she hadn't had enough time to prepare for this meeting—nor, if she decided to take the case, was she going to have the pretrial preparation time she usually demanded—she was more resigned than concerned. Resigned, because as a forensic psychologist with a fairly new private practice, a nonsupportive ex-husband, two teenage children and maxed-out credit cards, she wasn't in the position to be too choosy about her clients. Unconcerned, because over the years she had conducted more initial assessments than she could count: in courthouses, in psychiatric hospitals, in fancy drug rehab centers—and in just about every prison in New England.
Yesterday afternoon, Mike Dannow, possibly the best defense attorney in the state, had called. "Know this is short notice," he told Suki in the clipped way he always spoke, as if he were just too busy to complete his sentences. "But I need a favor. Big one. Got a major murder trial coming in three weeks. Retrial of one of my own from a decade ago. Very complicated. Interesting. But my shrink's leaving the country to receive some big mucky-muck award in Amsterdam, or some such place, and I need a replacement. Need the best. Need you." Suki didn't ask why he hadn't hired her first.
According to Mike, his client, Lindsey Kern, had always maintained a ghost killed her boyfriend, but he hadn't allowed this into evidence during the first trial, fearing an insanity verdict and assuming—incorrectly—that the jury would accede to his argument of accidental death. It had taken him almost ten years, but he managed to dig up a piece of evidence the prosecution had failed to disclose, and then use it to petition the court for a new trial. No one ever said Mike Dannow wasn't a smart operator. "And now Lindsey's gotten worse," he had explained to Suki. "Nine years in the can and she thinks she's clairvoyant. Floats around seeing things going on miles away. Believes she knows what'll happen tomorrow."
As Suki recalled Mike's words, the shadow of the boxy prison fell over her, and she shivered in the early spring air. He had no way of knowing how close this case cut, nor how frighteningly seductive it promised to be. Pulling her coat tightly around her, she looked up at the barbed wire riveted to the top of the mean-looking metal fencing, then hurried to the entrance.
The front door to the prison was unimposing, and Suki entered a room that was strongly reminiscent of a small-town bus station with its vinyl flooring, plastic chairs and row of vending machines. But the corrections officer—for some reason, in Massachusetts, the designation "guard" was considered politically incorrect—at the front control was also behind a wall of bullet-proof glass. He spoke through an intercom which made his voice sound as if he were five hundred miles away. "Dr. Suki Jacobs?" he muttered, pulling out a grimy piece of paper. He ran his hand down the typed list. "No Suki Jacobs here."
"How about Suzanne Jacobs?" she asked. Her real name was Suzanne, but her father had nicknamed her Suki when she was a toddler and it had stuck.
The officer patiently read his list once again. "Still not here," he rasped through the static.
"I'm taking over for Dr. Nathan Breman," she pressed. "I have an appointment to meet with one of the inmates at two o'clock. Lindsey Kern."
"Shrink, huh?" he asked with a slight smirk.
Suki pointed to her watch. "It's almost two."
"I suppose it's possible you have an appointment, miss," he said, emphasizing the "miss" in place of the "doctor." "But I can't let anyone in whose name isn't on my daily roster." He touched his finger to the bill of his hat in a way that clearly indicated she was dismissed.
Suki reached into her briefcase and pulled out an envelope. She pushed it through the small space below the window. "It's from Superintendent Rizzo," she said, "authorizing me to visit Ms. Kern at any time I wish." Suki had played this game long enough to know to come prepared. Even in a women's prison, it was a male world, and neither women nor psychologists were highly regarded.
The officer skimmed the letter and grunted, then said he would have to check. While he called the superintendent's office Suki walked to the bank of pay phones next to the vending machines and called her service. She asked that they hold all her messages, with the exception of emergencies, until further notice. Suki felt it was rude, as well as therapeutically undesirable, to allow one patient to infringe on another's time. Just as she hung up the phone, the officer called her name and motioned her through the metal detector. She retrieved her letter with a smile. He ignored her.
After the metal detector there was a trap, a small room in which the door in front of you can't be opened until the one behind you is locked shut. The air in the trap was overheated and stale. Suki was glad when an officer ushered her through, even though he immediately barked, "You don't have to go to the john, do you?"
When Suki said no, the officer softened. "It's real easy to hide drugs around plumbing," he explained. "If you had to go to the john, you'd have to go back to the front area and then I'd have to take you in again." He shook his head. "Bill always forgets to ask people before he sends them through." Then he led Suki down a corridor lined with small interrogation rooms. He pointed into one. "They'll bring her to you in a couple of minutes."
Suki looked into the room. It was dark and small, and held nothing but two chairs. There was no window. Although Lindsey Kern, with her college degree, middle-class upbringing and single-offense rap sheet, was one of the "better people"—eloquent prison vernacular for the more accomplished inmates—Suki was not about to go into a closed room with a convicted murderer. Complacency could be lethal. Watching your back at all times was a requirement of the job. "I'd prefer a room with a desk and a panic button," Suki told the officer. "Is there one available?"
The man shrugged and led her further down the hall. He opened another door and bowed sarcastically. "The button's at the end there, Doctor," he said, then turned and left her alone.
Suki found the panic button under the edge of the old wooden table. After assuring herself the button was in easy reach, she flipped the catch on the window to open it. Only then did she sit down and begin pulling papers from her briefcase. She had hoped to squeeze in a few hours to review the Kern files earlier in the day, but between Alexa's insomnia the previous night and a suicidal patient first thing this morning, the time had just not materialized. Initial interviews were both difficult and intriguing: part psych intake, part legal assessment, part therapy session, part dancing lesson.
After fifteen years of working in the forensic trenches at Roxbury District Court, assessing the competency, sanity and criminal responsibility of Boston's hardest core, Suki left public service to set up a practice in forensic consulting and posttraumatic stress therapy—a combination more compatible than might appear at first glance. It was hard work with no regular paycheck, but Suki loved the entrepreneurial freedom and excitement, and she was beginning to develop a reputation for impartiality in the courtroom and sensitivity in the office that permitted her to pay most of her bills. The call from Mike Dannow was a sign that the envelopes with PAST DUE stamped across their faces might soon be a thing of the past.
Mike wanted her to develop an opinion as to Lindsey Kern's state of mind at the time of Richard Stoddard's death. This opinion was to be rendered in a multisection report called a forensic evaluation, followed, if Mike found her conclusion appropriate to his defense, by court testimony. So Suki had less than three weeks to determine whether Lindsey was legally sane or insane at the time of the alleged crime, a determination that came down to answering two questions: Could Lindsey understand that killing Richard was wrong? Could Lindsey stop herself from doing it? It was that simple—and that difficult.
Suki retrieved a blank evaluation form from her briefcase; she had developed this twelve-page forensic questionnaire about ten years ago. She began filling in the top portion with the little bit of information she knew from Mike's materials: name, date of birth, attorney, charges, correctional facility, date of the alleged offense(s).
She had only been able to skim Lindsey's files, but still, it appeared to Suki that Mike's case was weak. Based on the testimony of Edgar Price, an eyewitness who claimed he saw Lindsey push her boyfriend, Richard Stoddard, down the stairs, Lindsey had been convicted of second-degree murder. But Mike had petitioned the court for a retrial after he unearthed a statement of Price's that had not been shared with the defense during the discovery process, as was the law. The statement acknowledged that previous to Stoddard's death, Lindsey had told Price she was seeing ghosts, an incident Price never mentioned at the first trial, an incident he refused to discuss when Mike visited him at his office.
Mike's strategy was to convince the jury that Lindsey's belief that a ghost killed Richard was proof that at the moment of the crime, she had been unable to form the requisite intent to commit murder, to tell fact from fiction: not guilty by reason of insanity. If, as was so often the case, this defense failed—NGRI was rarely used and even more rarely effective—Mike would exploit Price's previous lack of full disclosure to undermine his credibility as an eyewitness, thereby raising the question of whether Stoddard's death had been murder or accident and establishing reasonable doubt as to Lindsey's guilt. As he had failed with the accident argument during the original trial, Mike's tactic this time around was to go the insanity route first.
Suki was impressed with Mike's daring, though far from convinced it would lead to success. Presumably, her verification of Lindsey's current ESP fantasies would add credence to his insanity claim. Although Suki was painfully aware that belief in one's clairvoyance was associated with mental illness, she reminded herself that this was professional, not personal.
Just as Suki was zipping her briefcase, a tall woman in a faded orange work shirt and matching pants was led in. She was handsome in an unusual way, her deep-set gray eyes wide and haunting, her large nose and mouth keeping her from classical beauty.
"I'll be right outside the door," the officer said.
Suki nodded and the officer closed the door behind Lindsey, leaving them alone in the tiny room.
"So I hear Nathan's deserted me for some big-time conference," Lindsey said when Suki rose to shake her hand.
Suki smiled and returned to her seat. "About as big-time as they come."
Lindsey sat down across from her. "Nathan and Mike say you'll be able to do as good a job for me as he would—what do you think?"
Suki liked Lindsey's directness. "I don't know Nathan, but Mike's got good instincts."
"Do you think sane people can see ghosts?" Lindsey asked without preamble.
Suki regarded Lindsey closely. As much as she wanted to delve into Lindsey's story—and even more, Lindsey's explanation for that story—time was tight, and if she was going to collect all the data she needed, a lengthy metaphysical debate was not an option. She hoped to complete her questionnaire in three or four interviews. Anything more than that and she wouldn't be able to meet Mike's deadline. Yet, she felt the irresistible tug of Lindsey's challenge. "Do you?"
"The shrink's classic trick: When in doubt, answer a question with a question." Lindsey's voice was colored with wry amusement. She crossed her arms and leaned back in her chair. "Do me a favor and level with me. What do you really think?"
Although Suki's counseling style was to mix and match all sorts of theories and models, honesty was one of her consistent principles. She chose her words carefully. "I guess I'd have to call myself agnostic on the subject: I haven't seen any evidence to conclusively convince me either way."
"That sounds good...." Lindsey looked at her with a probing gaze. "But I sense some confusion, maybe even a bit of fear, beneath your carefully chosen words."
"This isn't about what I think, it's about what I'm going to learn."
"I hope so. I really do—more for your sake than for mine."
"Lindsey," Suki said, shifting the interview back on track, "you do understand that although I'm a psychologist, I'm not actually your therapist? That I've been hired by your lawyer?"
Lindsey stared over Suki's shoulder.
"It's important that this is really clear," Suki said. "What we discuss here is confidential, unless Mike decides it furthers his case, then it might be used as evidence."
"Whatever." Lindsey shrugged.
One of Suki's professors had speculated that communication was ten percent words and ninety percent "other." Today Suki hoped to complete the clinical observation segment of the evaluation: emotional tone, mental status, cognitive state, ability to concentrate. What was Lindsey saying with her "other"? Suki waited, and watched.
Lindsey shifted in her seat. "This whole retrial thing was Mike's idea. And my mother's—she hates me being in here. I told her not to, but she sold all her stocks to foot the bill. I've tried to convince her that I've gotten used to the place. I work in the library. Mostly get left alone. With some luck, I'll be out in five to fifteen.... "
"But you're willing to go along with the retrial?"
"I guess." Lindsey shrugged. "To tell you the truth, in some ways I'm more afraid of going to Bridgeriver with an indefinite sentence than staying in here."
Suki nodded. Quite often, inmates preferred a limited prison term to open-ended hospitalization. But as long as Lindsey was willing to cooperate, her preferences were not Suki's business, evaluating her mental state was. "How about we get started?" Suki asked, pointing to the questionnaire.
"I never used to believe in ghosts," Lindsey began. "I used to think I could control it all. That everything made sense. That science was king. Then I met Isabel."
Suki looked up from the questionnaire. "Isabel is the ghost you think killed Richard Stoddard?" she asked.
"The one I know killed Richard."
"Do you still see her?"
Lindsey shook her head. "That's been one of the strange parts of this whole experience, of my opening up. I've grown so much, come so far, learned incredible things.... But Isabel's never come back. Despite everything, I'd like to see her again."
As Suki listened to Lindsey, she continued to watch for signs of what wasn't being said. Malingering—faking—was not uncommon in cases of this type. Lindsey's claim that she wanted to remain at Watkins could be part of her scheme to get released. Yet, Suki's gut impression was that Lindsey really did believe in her ghost. "Why don't we put Isabel aside for the moment?" Suki suggested as she picked up her pen. "I'd like you to remember four items. I'll tell them to you now, and then ask you to repeat them in about five minutes: microscope, red, baseball and love."
"Serial sevens backward from fifty-one," Lindsey countered. "Fifty-one, forty-four, thirty-seven, thirty, twenty-three, sixteen, nine, two. There are twelve items in a dozen. Athens is the capital of Greece. The pope lives in Rome."
"You've been through this before?" Suki suppressed a smile, but when she glanced down at her questions—questions she had developed herself from a virtually limitless set of items—she saw that Lindsey's responses answered what she was preparing to ask. What had made Lindsey think of sevens, instead of eights or nines? Why Greece instead of England or France?
"Concentration and mental acuity," Lindsey said. "Orientation to person, time and place. It's Thursday, the twentieth of April. Apples and oranges are both fruits. A clarinet and a guitar are both instruments. The proverb about crying over spilt milk means you can't do anything about what's already happened."
Suki put her pen down. This woman's concentration and mental acuity were just fine—as was her ability to guess what Suki was going to ask next. Suki cleared her throat. Maybe she had more time than she thought. "You wanted to tell me about ESP?"
Excerpted from Blind Spot by B. A. Shapiro. Copyright © 1998 B.A. Shapiro. Excerpted by permission of OPEN ROAD INTEGRATED MEDIA.
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