His friends are therefore very surprised when he makes a bet with them that he can travel round the world in eighty days. He sets off immediately with his servant, Passepartout, and at first all goes well. But then there are transport problems and delays, and Fix, the detective, is determined to stop Fogg. As the journey continues the race against time becomes harder and harder.
|Publisher:||1st World Publishing|
|Product dimensions:||5.50(w) x 8.50(h) x 0.81(d)|
|Age Range:||9 - 12 Years|
About the Author
Jules Verne was born in 1828 into a French lawyering family in the Atlantic coastal city of Nantes. Though his father sent him off to a Paris law school, young Jules had been writing on the side since his early teens, and his pet topics were the theater, travel, and science. Predictably enough, his legal studies led nowhere, so Verne took a day job with a stock brokerage, in his off-hours penning scripts for farces and musical comedies while also publishing short stories and novelettes of scientific exploration and adventure.
His big breakthrough came when he combined his theatrical knack with his scientific bent and in 1863 published an African adventure yarn, Five Weeks in a Balloon. After that and until his death in 1905, Jules Verne was one of the planet’s best-loved and best-selling novelists, publishing more than sixty books. Other imaginative favorites by him include The Mysterious Island, Hector Servadac, The Begum’s Millions, Master of the World, and The Meteor Hunt. Verne ranks among the five most translated authors in history, along with Mark Twain and the Bible.
Frederick Paul Walter is a scriptwriter, broadcaster, librarian, and amateur paleontologist. A long-standing member of the North American Jules Verne Society, he served as its vice president from 2000 to 2008. Walter has produced many media programs, articles, reviews, and papers on aspects of Jules Verne and has translated many Verne novels, including Amazing Journeys: Five Visionary Classics and The Sphinx of the Ice Realm, both also published by SUNY Press. He lives in Albuquerque, New Mexico.
Date of Birth:February 8, 1828
Date of Death:March 24, 1905
Place of Birth:Nantes, France
Place of Death:Amiens, France
Education:Nantes lycée and law studies in Paris
Read an Excerpt
In which Phileas Fogg and Passepartout accept each other, the one as master, the other as man
Mr. Phileas Fogg lived, in 1872, at No. 7 Savile Row, Burlington Gardens, the house in which Sheridan died in 1814. He was one of the most noticeable members of the Reform Club, though he seemed always to avoid attracting attention; an enigmatical personage, about whom little was known, except that he was a polished man of the world. People said that he resembled Byron,—at least that his head was Byronic; but he was a bearded, tranquil Byron, who might live on a thousand years without growing old.
Certainly an Englishman, it was more doubtful whether Phileas Fogg was a Londoner. He was never seen on ’Change, nor at the Bank, nor in the counting-rooms of the “City”; no ships ever came into London docks of which he was the owner; he had no public employment; he had never been entered at any of the Inns of Court, either at the Temple, or Lincoln’s Inn, or Gray’s Inn; nor had his voice ever resounded in the Court of Chancery, or in the Exchequer, or the Queen’s Bench, or the Ecclesiastical Courts. He certainly was not a manufacturer; nor was he a merchant or a gentleman farmer. His name was strange to the scientific and learned societies, and he never was known to take part in the sage deliberations of the Royal Institution or the London Institution, the Artisan’s Association or the Institution of Arts and Sciences. He belonged, in fact, to none of the numerous societies which swarm in the English capital, from the Harmonic to that of the entomologists, founded mainly for the purpose of abolishing perniciousinsects.
Phileas Fogg was a member of the Reform; and that was all.
The way in which he got admission to this exclusive club was simple enough.
He was recommended by the Barings, with whom he had an open credit. His checks were regularly paid at sight from his account current, which was always flush.
Was Phileas Fogg rich? Undoubtedly. But those who knew him best could not imagine how he had made his fortune, and Mr. Fogg was the last person to whom to apply for the information. He was not lavish, nor, on the contrary, avaricious; for whenever he knew that money was needed for a noble, useful, or benevolent purpose, he supplied it quietly, and sometimes anonymously. He was, in short, the least communicative of men. He talked very little, and seemed all the more mysterious for his taciturn manner. His daily habits were quite open to observation; but whatever he did was so exactly the same thing that he had always done before, that the wits of the curious were fairly puzzled.
Had he travelled? It was likely, for no one seemed to know the world more familiarly; there was no spot so secluded that he did not appear to have an intimate acquaintance with it. He often corrected, with a few clear words, the thousand conjectures advanced by members of the club as to lost and unheard-of travellers, pointing out the true probabilities, and seeming as if gifted with a sort of second sight, so often did events justify his predictions. He must have travelled everywhere, at least in the spirit.
It was at least certain that Phileas Fogg had not absented himself from London for many years. Those who were honored by a better acquaintance with him than the rest, declared that nobody could pretend to have ever seen him anywhere else. His sole pastimes were reading the papers and playing whist. He often won at this game, which, as a silent one, harmonized with his nature; but his winnings never went into his purse, being reserved as a fund for his charities. Mr. Fogg played, not to win, but for the sake of playing. The game was in his eyes a contest, a struggle with a difficulty, yet a motionless, unwearying struggle, congenial to his tastes.
Phileas Fogg was not known to have either wife or children, which honest folk may surely have; either relatives or near friends, which is yet more rare. He lived alone in his house on Savile Row, whither none penetrated. A single domestic sufficed to serve him. He breakfasted and dined at the club, at hours mathematically fixed, in the same room, at the same table, never taking his meals with other members, much less bringing a guest with him; and went home at exactly midnight, only to retire at once to bed. He never used the cosy chambers which the Reform provides for its favored members. He passed ten hours out of the twenty-four in Savile Row, either in sleeping or making his toilet. When he chose to take a walk, it was with a regular step in the entrance hall with its mosaic flooring, or in the circular gallery with its dome supported by twenty red porphyry Ionic columns, and illumined by blue painted windows. When he breakfasted or dined, all the resources of the club—its kitchens and pantries, its buttery and dairy—aided to crowd his table with their most succulent stores; he was served by the gravest waiters, in dress-coats, and shoes with swan-skin soles, who proffered the viands in special porcelain, and on the finest linen; club decanters, of a lost mould, contained his sherry, his port, and his cinnamon-spiced claret; while his beverages were refreshingly cooled with ice, brought at great cost from the American lakes.
If to live in this style is to be eccentric, it must be confessed that there is something good in eccentricity!
The mansion on Savile Row, though not sumptuous, was exceedingly comfortable. The habits of its occupant were such as to demand but little from the sole domestic; but Phileas Fogg required him to be almost superhumanly prompt and regular. On this very 2d of October, he had dismissed James Forster, because that luckless youth had brought him shaving-water at eighty-four degrees Fahrenheit instead of eighty-six; and he was awaiting his successor, who was due at the house between eleven and half past.
Phileas Fogg was seated squarely in his armchair, his feet close together like those of a grenadier on parade, his hands resting on his knees, his body straight, his head erect; he was steadily watching a complicated clock which indicated the hours, the minutes, the seconds, the days, the months, and the years. At exactly half-past eleven Mr. Fogg would, according to his daily habit, quit Savile Row, and repair to the Reform.
A rap at this moment sounded on the door of the cosy apartment where Phileas Fogg was seated, and James Forster, the dismissed servant, appeared.
“The new servant,” said he.
A young man of thirty advanced and bowed.
“You are a Frenchman, I believe,” asked Phileas Fogg, “and your name is John?”
“Jean, if monsieur pleases,” replied the newcomer, “Jean Passepartout, a surname which has clung to me because I have a natural aptness for going out of one business into another. I believe I’m honest, monsieur, but, to be outspoken, I’ve had several trades. I’ve been an itinerant singer, a circus-rider, when I used to vault like Leotard, and dance on a rope like Blondin. Then I got to be a professor of gymnastics, so as to make better use of my talents; and then I was a sergeant fireman at Paris, and assisted at many a big fire. But I quitted France five years ago, and, wishing to taste the sweets of domestic life, took service as a valet here in England. Finding myself out of place, and hearing that Monsieur Phileas Fogg was the most exact and settled gentleman in the United Kingdom, I have come to monsieur in the hope of living with him a tranquil life, and forgetting even the name of Passepartout.”
“Passepartout suits me,” responded Mr. Fogg. “You are well recommended to me; I hear a good report of you. You know my conditions?”
“Good. What time is it?”
“Twenty-two minutes after eleven,” returned Passepartout, drawing an enormous silver watch from the depths of his pocket.
“You are too slow,” said Mr. Fogg. “Pardon me, monsieur, it is impossible—”
“You are four minutes too slow. No matter; it’s enough to men- tion the error. Now from this moment, twenty-nine minutes after eleven, a.m., this Wednesday, October 2d, you are in my service.”
Phileas Fogg got up, took his hat in his left hand, put it on his head with an automatic motion, and went off without a word.
Passepartout heard the street door shut once; it was his new master going out. He heard it shut again; it was his predecessor, James Forster, departing in his turn. Passepartout remained alone in the house on Savile Row.
II In which Passepartout is convinced that he has at last found his ideal
“Faith,” muttered Passepartout, somewhat flurried, “I’ve seen people at Madame Tussaud’s as lively as my new master!”
Madame Tussaud’s “people,” let it be said, are of wax, and are much visited in London; speech is all that is wanting to make them human.
During his brief interview with Mr. Fogg, Passepartout had been carefully observing him. He appeared to be a man about forty years of age, with fine, handsome features, and a tall, well-shaped figure; his hair and whiskers were light, his forehead compact and unwrinkled, his face rather pale, his teeth magnificent. His countenance possessed in the highest degree what physiognomists call “repose in action,” a quality of those who act rather than talk. Calm and phlegmatic, with a clear eye, Mr. Fogg seemed a perfect type of that English composure which Angelica Kauffmann has so skilfully represented on canvas. Seen in the various phases of his daily life, he gave the idea of being perfectly well-balanced, as exactly regulated as a Leroy chronometer. Phileas Fogg was, indeed, exactitude personified, and this was betrayed even in the expression of his very hands and feet; for in men, as well as in animals, the limbs themselves are expressive of the passions.
He was so exact that he was never in a hurry, was always ready, and was economical alike of his steps and his motions. He never took one step too many, and always went to his destination by the shortest cut; he made no superfluous gestures, and was never seen to be moved or agitated. He was the most deliberate person in the world, yet always reached his destination at the exact moment.
He lived alone, and so to speak, outside of every social relation; and as he knew that in this world account must be taken of friction, and that friction retards, he never rubbed against anybody.
As for Passepartout, he was a true Parisian of Paris. Since he had abandoned his own country for England, taking service as a valet, he had in vain searched for a master after his own heart. Passepartout was by no means one of those pert dunces depicted by Molière, with a bold gaze and a nose held high in the air; he was an honest fellow, with a pleasant face, lips a trifle protruding, soft-mannered and serviceable, with a good round head, such as one likes to see on the shoulders of a friend. His eyes were blue, his complexion rubicund, his figure almost portly and well built, his body muscular, and his physical powers fully developed by the exercises of his younger days. His brown hair was somewhat tumbled; for while the ancient sculptors are said to have known eighteen methods of arranging Minerva’s tresses, Passepartout was familiar with but one of dressing his own: three strokes of a large-tooth comb completed his toilet.
It would be rash to predict how Passepartout’s lively nature would agree with Mr. Fogg. It was impossible to tell whether the new servant would turn out as absolutely methodical as his master required; experience alone could solve the question. Passepartout had been a sort of vagrant in his early years, and now yearned for repose; but so far he had failed to find it, though he had already served in ten English houses. But he could not take root in any of these; with chagrin he found his masters invariably whimsical and irregular, constantly running about the country, or on the lookout for adventure. His last master, young Lord Longferry, Member of Parliament, after passing his nights in the Haymarket taverns, was too often brought home in the morning on policemen’s shoulders. Passepartout, desirous of respecting the gentleman whom he served, ventured a mild remonstrance on such conduct; which being ill received, he took his leave. Hearing that Mr. Phileas Fogg was looking for a servant, and that his life was one of unbroken regularity, that he neither travelled nor stayed from home overnight, he felt sure that this would be the place he was after. He presented himself, and was accepted, as has been seen.
Table of Contents
Notes to the Teacher 4
Facts About the Author 5
Facts About the Times 6
Facts About the Characters 6
Chapter Summaries 7
Answer Key 10
Literary Glossary 12
Words and Meanings, Ch. 1 14
Recalling Details, Ch. 1 15
Synonyms and Antonyms, Ch. 1 16
Words and Meanings, Ch. 2 17
Cause and Effect, Ch. 2 18
Words and Meanings, Ch. 3 19
Sequence of Events, Ch. 3 20
Words and Meanings, Ch. 4 21
Comprehension Check, Ch. 4 22
Inference, Ch. 4 23
Words and Meanings, Ch. 5 24
Recalling Details, Ch. 5 25
Words and Meanings, Ch. 6 26
Sequence of Events, Ch. 6 27
Character Study, Ch. 6 28
Words and Meanings, Ch. 7 29
Cause and Effect, Ch. 7 30
Words and Meanings, Ch. 8 31
Comprehension Check, Ch. 8 32
Words and Meanings, Ch. 9 33
Comprehension Check, Ch. 9 34
Words and Meanings, Ch. 10 35
Sequence of Events, Ch. 10 36
Personalizing Story Events, Ch. 10 37
Book Sequence 38
Final Exam, Part 1 39
Final Exam, Part 2 40
Beyond the Text 41
Plot Study 42
Theme Analysis 43
Character Study 44
Vocabulary Study 45
Glossary Study 46
Book Review, Part 1 47
Book Review, Part 2 48
Reading Group Guide
Shocking his stodgy colleagues at the exclusive Reform Club, enigmatic Englishman Phileas Fogg wagers his fortune, undertaking an extraordinary and daring enterprise: to circumnavigate the globe in eighty days. With his French valet Passepartout in tow, Verne's hero traverses the far reaches of the earth, all the while tracked by the intrepid Detective Fix, a bounty hunter certain he is on the trail of a notorious bank robber. Set from the text of George M. Towle's original 1873 translation, this Modern Library Paperback Classic of Verne's adventure novel comes vividly alive, brilliantly reﬂecting on time, space, and one man's struggle to reach beyond the bounds of both science and society.
1. Having been born into a family that had made their living from the sea, Jules Verne spent his early years in a seaport town. When he was still young, Verne himself became a cabin boy on a merchant ship. In what ways do you think these elements of the author's own life may have influenced Around the World in Eighty Days?
2. Verne became very involved with theater while studying law in Paris and is the author of many plays. What elements in this novel do you think came out of Verne's theatrical experiences? After Eighty Days was published, Verne received many requests to dramatize the work. Do you think the book has particularly theatrical elements that would lead to its adaptation as a play?
3. Around the World in Eighty Days is considered one of the most popular adventure novels of all time. What do you think of this characterization and how would you compare it to contemporary adventure novels and films? What elements of the adventure genre have changed overtime, and where do you think today's adventure authors owe a debt to Verne?
4. Although the story begins in London, it eventually spans the entire globe. Despite the international setting, this book is distinctly British in many ways. Why might Verne have chosen a protagonist that is so quintessentially British, while the author himself was French?
5. Verne had an avid interest in science, particularly geology and geography, and was somewhat of an inventor. After having read Around the World in Eighty Days, does it surprise you that Verne is considered by many to be the father of science fiction? Where do you think Verne's scientific expertise adds to the story?
6. For Verne, the world is shrinking; exploration has given way to tourism and imperialism. In his Introduction, Bruce Sterling argues that comments on globalization in Eighty Days are particularly relevant today. Would you agree? What evidence can you find to support this, and what lessons do you think we can learn from this novel today?
7. In many ways, Verne's tale is one about the future, and many of his ideas have come to pass. Now that it is relatively easy to go around the world in eighty days, why is this tale still entertaining and relevant?
8. Many of the characters in the novel have names that in some way illuminate their roles. Why do you think Verne chose to call his hero Fogg, the detective Fix, and the assistant Passepartout, which means skeleton key in French?
9. Why do you think the hero, the mysterious Phileas Fogg, accepts the bet to travel the globe in eighty days?
10. When the book was written, the Parsee Indian Aouda represented the unknown and the exotic, but in many ways she is the character that the modern reader finds most familiar. Do you think this is true? In what ways is she now more modern than many of the other characters?
11. The precise and very British Phileas Fogg and his valet, the comic and very French Passepartout, are strikingly different characters. In what ways do their differences help to elucidate their individual character traits? Why does Verne include this relationship? Most of the time Passepartout is more a hindrance to his employer than helpful. Why do you think Fogg keeps him? In what ways does he serve to advance the plot, particularly with Aouda?
12. In many ways, Fogg's travels are more than just a race around the world but a quest, one in which the hero returns somehow transformed. Do you think Fogg's character is changed when he returns to London at the end of the challenge?
13. At the conclusion of the novel, the narrator asserts that Phileas Fogg in his journey has gained nothing but a charming woman, who, strange as it may appear, made him the happiest of men! Verne seems to be making the point that love and human relationships are more important than winning bets or other material gains. Do you think that the rest of the novel would support this assertion? If not, why might Verne have included it?
Most Helpful Customer Reviews
I loved the book 'Around the World in 80 Days' because it was exciting and it always had cliffhangers and hooks at the end of the chapters which made me want to read on. I recomend this book to evreyone.
I believe that around the world in eighty days was a fantastic book. It was very exciting, it kept you at the edge of your seat and you could not bear to put it down without knowing what will happen next. Around the World in Eighty Days is definetly one of the most be loved classics in my story collection and it should be the same on youres.
Wonderful edition, with fabulous vocabulary words. I'd recemend it for advanced nine year olds or 12-15 year olds. I repeat: Wonderful vocabulary!
Its a very fun story!love it!!!!!!!!!
Classic Jules Verne! This book is my favorite of his, at least so far. It's got everything in it - suspense, action, romance, travel, humor. Just read it. It's fantastic!
For some reason I had never before got round to reading this classic, nor seen any of the adaptations on screen, despite my enjoyment of other Verne works, especially 'Journey to the Centre of the Earth' which has resonated with me since childhood. I am glad now that I saved this pleasure to savour it all the more today.Like our hero, I was transported from start to finish of Phileas Fogg's incredible journey; before that, in fact, for his introduction by the author and his calm placing of a £20,000 wager against his friends in the Reform Club had me immediately engaged.Verne's adroit use of point of view is one example of his masterful skills as story-teller. He never permits the reader Fogg's internal perspective on a situation - instead telling the story partly authorially and partly though Passepartout or Fix, fellow-passengers with opposing views of the protagonist. As a result we never lose the sense of Fogg as an enigma (note his name), never have any advance notice of his planning, while his ability to extemporise solutions to overcome seemingly impossible barriers is our constant surprise and delight.Paradoxically, the less we know about him the more interesting and intriguing he becomes, and the stronger the bond we feel both for Fogg and those he protects. We can easily comprehend the hero-worship of Passepartout and the love interest of Aouda, for we share it.Fogg has few compeers in English literature that I can think of, though it strikes me that Ian Fleming may have had something of Fogg in mind when he created the generally imperturbable and resourceful James Bond. Verne's creation, though, for me is the greater hero, and the more memorable.
In Around the World in 80 Days, Jules Verne's main character, Phileas Fogg, is presented with a challenge. To journey around the world, all in 80 days. Phileas' attitude towards the journey is naive, but his servant, Passepartout, is worrisome about the journey, and the various gains and losses of time on their schedule.The book takes you on a journey, around the world in 80 days, with the characters. I think that this book provides a great reading environment, as well as an overall experience. Many people have had the same as I have, therefore making this book a classic.
¿Around the World in 80 days¿ by Jules Verne is about the adventures of Mr. Fogg¿s and his hired, French, hand Passepartout. After making a bet that he, Mr. Fogg, could make it around the world in 80 days he and Passepartout set out to win. I believe that Jules Verne wrote this book to show how anything is possible and even if something might seem ridiculous at first, things can turn out to be quite an adventure.In the book, Mr. Fogg is often ridiculed and questioned. He still keeps going and ends up saving and meeting Auoda, who he will later marry. Mr. Fogg brings joy because of his easiness and his courage to keep going, even though there were many challenges in his way. With his courage he is able to travel around the world in 80 days and do the unthinkable in that time.Another example would be at this part in the book were Mr. Fogg and Passepartout are charged with thievery. While Passepartout is freaking out, Mr. Fogg stays relax and bails them out. Staying calm and relaxed keeps them on their way and adds a new adventure to their trip. Through this all you¿re just hoping that they will keep their heads and keep on their way so that they can arrive on time. The last example would be how at the beginning this bet and trip around the world in 80 days seemed ridiculous but later it brought them this new knowledge of the world and plenty new adventures. On just his belief and faith that they could make it around the world in 80 days made the whole trip possible because it brought fierceness into reaching their goal. In conclusion, this book brings a new idea of sticking to an idea and following it through because in the end you will gain new stories and memories. That is exactly what happens to Mr. Fogg and Passepartout, they stuck to this insane idea and in the end got a garden full of memories.
One of the few Jules Verne novels I had never read until this week. The pace is the best part. Thrill/Spy novelists should read this several times to get an idea how one should pace a great action novel.
What a delightful book. It bears the tone of an unflappable gentleman of the world, and the travel tour across the globe, particularly Asia, is highly memorable. There is time enough to do good deeds as well, as when a young woman is rescued from the fate of suttee in India.
Review of Around the World in Eighty DaysThe book, Around the World in Eighty Days, by Jules Verne is a book about a man named Phileas Fogg who claims that it is possible to travel around the world in eighty days. He then gets challenged to do this himself. This book gets more exciting and dramatic every time you turn the page.One of the main reasons this book keeps you on the edge of your seat is that you don't know if Phileas will be able to make the deadline and win the bet of traveling around the world in eighty days. Also, throughout the course of the book Phileas turns from a cold calculative man, to a more outgoing energetic man. ¿I say, you do have a heart!' ¿Sometimes,¿ he replied, 'When I have the time.¿ This quote shows that the character is still his old self partly, but he has also transformed into a warmer person. Like many adventures, money is something that drives this story, ¿A true Englishman doesn't joke when he is talking about so serious a thing as a wager.¿ That wager is something that enhances the story and makes it more exciting.Jules Verne has produced a number of adventure novels, but none quite like this one. This book shows just how mad adventure can be. If you love adventure novels, you should definitely check this book out. Jules Verne makes adventure come to life in Around the World in Eighty Days.
I'm not sure which translation I read (it was the free English one on the Gutenberg Project) but I wasn't really engaged by this. I didn't like the characters, save for Passepartout, and the trip didn't have the suspense or creativity I've come to expect from Verne.
Philease Fogg makes a hasty and rash bet of 20,000 pounds that he can travel around the world in 80 days. He immediately sets off, dragging his newly hired servant Passpartout along for the journey. He meets with many adventures and possible delays that risk preventing him from reaching his destination in time, including Fix, a detective who has mistaken Fogg for a bank robber.The film versions of this books often make this story more exotic and fantastical than it really is, turning Fogg into some sort of an inventor, who sets off in his journey in an air balloon. But Fogg uses regular means of travel in this books, ships, trains, and even on elephant, but there are no balloons. Verne did pen another adventure story, called Five Weeks in a Balloon, in which travels travel across Africa in a hot air balloon (this is on my list to read).That being said, I enjoyed Around the World immensely. Because the book was orginally written as a serial, the chapters are each vignette in which Fogg and his companions meets an obstacle and then over comes it. Verne's characters are something like caricatures, but the have enough depth to be fully entertaining.This is only the second book of Verne's that I have read, but he is fast becoming one of my favorite authors.
FYI, I read this book using Daily Lit. The book was emailed to me in installments.This was a quick and fun read. Unlike many classics, Verne doesn't bother with fat language. The plot moves quickly, the characters are likeable, and the adventure is fun. Recommended.
This novel is light and entertaining for the most part. A delightful romp around the world, some fantastical adventures, all in the company of Philias Fogg and his valet, Passepartout. Let's see, a maiden snatched from being sacrificed, opium dens in China, daring adventures with Indians in the United States......quite a busy journey. The characters are all stereotyped by ethnicity, even if tongue-in-cheek, and the end was predictable from almost the beginning. It was okay.
I must admit that my motivation to read this book came from the book and TV series by Michael Palin (who attempted to go around the world in eighty days strangely enough in the 1980s). Palin¿s journey was inspired by this classic.As you can probably guess, this book deals with Phileas Fogg¿s attempt to go around the world in eighty days in the 1800s. Accompanied by his new but trusty servant, Passepartout, he leaves the Reform Club, London promising to return back in exactly eighty days. Armed with a book of timetables of ships and trains (as well as good luck), they begin their journey. However, Detective Fix is on Fogg¿s trail, suspecting him of stealing from the Bank of England. Add to this a ride on an elephant, rescue of a young widow, a meeting with the Sioux and a circus troupe (not at the same time) and like Fogg, this book never stops. One thing you will learn is longitude and latitude in an important but fun way!I found this book fast paced and interesting. It read like a modern book to me, I had no problems with language or dreary bits. Fogg¿s trip was interesting from both a cultural and historical perspective. Passepartout was just gorgeous with his devotion to Fogg and his journey.If you¿ve never read a classic, I suggest you start with this one ¿ it¿s short and feels completely modern.
When you are faced with the challenge, that no other man has been able to accomplish, will you not do your best to? If most of your fortune was at stake will you not strive to win no matter what the cost? Or are the other things that are more important than the task at hand? The book "Around the world in 80 days" by Jules Verne, is a novel that teaches something valuable that everyone should know. One man by the name of Phileas Fogg, is a wealthy man who seems to contain no emotions, a person of precision and accuracy. Because of a single bet, he must travel around the world in 80 days time, placing most of his fortune to win. With him is his new servant Passepartout a frenchman. Passepartout thought his master was a man of no feeling, yet in the end, he has seen what a kind gentleman Mr. Fogg truly is. Throughout the journey Mr. Fogg had saved a lady named Aouda, even if it were to slow down his journey he had to make sure she would be safe in Hong Kong, where she will never be in danger again. Also Passepartout has needed help over and over, yet Mr. Fogg never fails to come to his aid. Through and through helping others, and making sure they were well, was always the most important thing in this book even if the bet was to be lost. Now what do you think? Don't you think that, caring for others is important? In everyday life sometimes we get so into the fact that we have to reach a certain place for example, that we bump into people and just keep on going, without knowing if that person was okay. This book is I think my favourite from the author Jules Verne. I recommend it to anyone, pick up this classic and just enjoy!
My first Verne - and what an entertaining and humorous action-adventure-tale. OK, Jules Verne does not flesh out the characters so well - they are stereotypes - and the different cultures he describes are not very nuanced. But I can overlook that, because he's such a good storyteller. Here we have it all. A damsel in distress, gunfight on a train and several other events and accidents that try to slow down the punctual Phileas Fogg.
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Draw a circle that the earth!!#
The book in the beginning was ok but hrn got better
Reviewed by Avery, age 9 This is a classic story written by Jules Verne, who has written over sixty books. He is one of the greatest science fiction writers ever. This book is a great adventure. Phileas Fogg, a really rich Englishman, decides to make a bet with some of the wealthy men from his club that he can travel in a hot air balloon around the world in 80 days. Fogg and his valet go on so many crazy adventures that are plain nonsense that you just can’t stop reading. From storms, crazy people, and weird animals, they come across a lot of stuff. "Am tailing bank robber, one Phileas Fogg. Send arrest warrant immediately to Bombay, British India." There are a lot of different translated versions of this book and I have read a couple of them now, but this one so far is my favorite. There are cute sketches every couple of pages giving readers a further way to enjoy the book. If you haven’t read a Jules Verne book, what are you waiting for? The world is at your fingertips and just a page turn away! Let the adventure begin!*This book was provided in exchange for an honest review* *You can view the original review at Musing with Crayolakym and San Francisco & Sacramento City Book Review