Amphigorey Also

Amphigorey Also

by Edward Gorey

Paperback(First Edition)

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Drawings (including thirty-two pages in color), captions, and verse showcasing Gorey’s unique talents and humor. “The Glorious Nosebleed,” “The Utter Zoo,” “The Epiplectic Bicycle,” and fourteen other selections.

Product Details

ISBN-13: 9780156056724
Publisher: Houghton Mifflin Harcourt
Publication date: 04/01/1993
Edition description: First Edition
Pages: 256
Sales rank: 269,661
Product dimensions: 8.00(w) x 11.00(h) x 0.90(d)

About the Author

Edward Gorey (1925-2000) wrote and illustrated such popular books as The Doubtful Guest, The Gashlycrumb Tinies, and The Headless Bust. He was also a very successful set and costume designer, earning a Tony Award for his Broadway production of Edward Gorey's Dracula. Animated sequences of his work have introduced the PBS series Mystery! since 1980.


An Interview with Edward Gorey

Edward Gorey's stories and illustrations are quite unlike anything else ever written or drawn, and he's got the personality to match. An intensely private person, Gorey almost never makes forays into the public domain, and when he does, as you'll see if you keep reading, he does little to lessen the shroud of mystery that surrounds him.

barnesandnoble.comYour artistic style brings to mind 19th-century book illustrations (which might contribute to the false rumors that you are dead!). What do you think draws you to this era and sensibility? Why Edwardian England as the setting?

Edward GoreyI suppose so, to all of the above, more or less, he murmured reluctantly, but these are the sort of questions I think are worse than a waste of time to try to answer for reasons I have no intention of wasting more time in even adumbrating. Your new book, The Haunted Tea-Cosy, is a hilarious, rather dark retelling of Charles Dickens's A Christmas Carol. What inspired this book?

Edward GoreyI was inveigled in several sneaky steps by The New York Times into doing it. Apart from a character named Bahhumbug and the appearance of three spectres, it has nothing much to do with Dickens's Christmas Carol, which I am not sure I have ever read. Any other Dickens books you would like to illustrate?

Edward GoreySome years ago I came across an anecdote about Dickens I refuse to pass on to anyone, and I haven't read anything by him since. What other classics would you like to work on that you haven't?

Edward GoreyThere are all sorts of classics I could possibly illustrate if asked, but as I have over the years accumulated too many of my own texts to have any chance of doing drawings for but a few of them, I would only do something by someone else if I was offered an outrageous sum of money, and maybe not then. Any classics you would refuse to do?

Edward GoreyFor example, Jane Austen and the Marquis de Sade, although for different reasons. The themes of your books often explore the darker side of life or impending fate. Most of your characters contemplate things dreadful, or often dead. Are you preoccupied yourself with the notion of fate? What inspires these notions in your work?

Edward GoreyI think my books are about nothing, and I don't see why Flaubert felt it would be so difficult. Otherwise, refer to my answer to the first questions above. Your drawings are instantly recognizable as "a Gorey." How would you describe your own style?

Edward GoreyTrue, even by me; however, I hope I don't have one. Quentin Crisp said style was a terrible thing to happen to anyone, and I couldn't agree with him more (Nancy Spain). I love your use of obscure literary references and multilingual word games as adjuncts to your drawings. Do the drawings precede the prose or vice versa?

Edward GoreyThank you. One's first duty is to entertain oneself. The complete text, prose or verse, comes first, or there would never be anything but a couple of stray uncaptioned drawings. The Haunted Tea-Cosy is your first commercially published book in a decade, but you have been very prolific in the meantime, especially in theater. Tell us a little bit about some of your most recent theatrical projects.

Edward GoreyI won't even begin to try. Besides, they are confined to somewhere or other on Cape Cod on a couple of weekends every now and again during the year. Who do you think your books appeal to? And do you have an audience in mind when you write your books?

Edward GoreyI am aware of individuals who like my books ranging from quite small children to persons older than myself, but I have no picture of an audience as a whole, or for that matter parts, and I certainly have no one in mind, not even me, when I write. Are there any particular artists or authors who most influenced your inimitable style?

Edward GoreyThere must be hundreds; I would not know where to begin. Besides, I suspect the greatest are from people I have never thought of in that way. Do you have some favorites among your hundreds of drawings and books?

Edward GoreyI loathe them all equally, or would if I ever looked at them -- which I never do unless I have to for some extraneous reasons. Are you a fan of any televised cartoons or animated films today?

Edward GoreyI adore Ned's Newt, one of the truly great loopy series, really not for the tinies at all but for people of more than a certain age who spent almost all of it watching B movies. At the moment Fox runs it Tuesday through Thursday at 7:30am. Yes, A.M. --not perhaps the best time of day for taking in no-stop split-second morphing accompanied by brilliantly silly and recherché one-liners. You work brings to mind the dark genius of Alfred Hitchcock. What are some of your favorite Hitchcock movies -- or other movies?

Edward GoreyNow here is a question I could go on and on and on about for hours on end, but I suppose I had better not. As it happens, re Hitchcock, possibly my favorite movie is "The Lady Vanishes.". Otherwise, let me mention some names: Feuillade (rush out and get "Les Vampire"), Naruse, Clouzot, Franju, Lang (the German films), Keaton, Chaplin, Laurel & Hardy, Louise Brooks, Lillian Gish, George O'Brien, and so forth and so on. To show I still go to the movies, if only infrequently, "Babe: Pig in the City." What inspired you to illustrate T. S. Eliot's beloved Old Possum's Book Of Practical Cats?

Edward GoreyThere is that word again. The publishers asked me. It was amusing but not easy to do because Mr. Eliot did not have to bother with any consistent view of his protagonists. Have you seen the musical "Cats"? If so, what did you think?

Edward GoreyNo. If I had, I don't know that I would have been able to do the drawings. You are said to have perfect attendance at the New York City Ballet from 1957 to 1982. Would you say that attending performances is one of the greatest things you miss about New York now that you have moved to Cape Cod?

Edward GoreyYou joke, yes? The only thing. I disliked New York the first time I set foot in it, and for the 30-odd years I was there, at least part of the time, I told myself I was only passing through. Do you listen to any particular music when you draw and write?

Edward GoreyI usually listen to music while I work, but I have wildly eclectic tastes (with gaps), and it is probably chosen from whatever CDs I have not got around to yet, which I fear now number in the hundreds. Do you see your work taking any new directions in the future?

Edward GoreyI only see what I happen to be working on at the time, and other things I have jotted down bits and pieces of to pick up at a later date, if there is one. What are you most interested in pursuing now?

Edward GoreyTheater in general, and puppets in particular. But who knows if and when something entirely unthought of will get my attention. I don't.

(And a question of my own.)

Edward Gorey Why did you answer these questions?

Edward GoreyIt is, as a dear friend once wrote years ago in a context I no longer remember, "a question perhaps only Philadelphia can answer."

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Amphigorey Also 4.6 out of 5 based on 0 ratings. 14 reviews.
beadsthat on LibraryThing More than 1 year ago
A nice Gorey compilation
jcovington on LibraryThing More than 1 year ago
Not as good as the other Amphigoreys, but worth owning nonetheless.
nateandjess on LibraryThing More than 1 year ago
If you enjoy Edward Gorey's stories and illustrations, then you will enjoy this anthology. If you don't know Gorey's work, you may be perplexed, but you may still love it. This anthology includes The Utter Zoo, The Blue Aspic, The Epiplectic Bicycle, The Sopping Thursday, The Grand Passion, Les Passementeries Horribles, The Eclectic Abecedarium, L'Heure bleue, The Broken Spoke, The Awdrey-Gore Legacy, The Glorious Nosebleed, The Loathsome Couple, The Green Beads, Les Urnes Utiles, The Stupid Joke, The Prune People, and The Tuning Fork.Fabulous!
devenish on LibraryThing More than 1 year ago
Gorey is a brilliant and disturbing artist who is absolutely unique.This collection includes 'The Utter Zoo' -The Ampoo is intensely neat; Its head is small,likewise its feet.and -The Posby goes into a trance In which it does a little dance.Also included are 'The Loathsome Couple' who are indeed truly loathsome and 'The Stupid Joke' in which the joker in question gets a lot more than he bargained for.If you haven't come across this artist/writer before then do give him a try.You won't be disappointed.
caerulius on LibraryThing More than 1 year ago
More love for Gorey!!! The macabre joy continues with:The Utter Zoo, in which I am featured!!!! This is an alphabet of unlikely animals, witty and wonderful. And for M, is "The MORK"!!! The Blue Aspic, about an obsessed opera fan and the rise and fall of an opera singer.The Epileptic Bicycle, another classic or nonsense. The hilarious journey of a pair of siblings on a very unusual bike.The Sopping Thursday, about a very determined dog.The Grand Passion, A peculiar conversation.Les Passimenteries Horribles, in which oversized french millinery looms forbiddingly over various scenes.The Eclectic Abecedarium, another alphabet, a favorite conceit of Gorey's.L'Heure Bleue, in which a pair of doglike creatures pass a blue hour.The Broken Spoke, a tribute to the bicycle, as an archive of cards.The Awdrey Gore Legacy, the notes for a murder mystery!The Glorious Nosebleed, a lovely albhabet, adverbially executed.The Loathsome Couple, in which Gorey again shows his more macabre side, telling the story of a sociopathic couple who murder children.The Green Beads, in which Gorey's characters again display a profound lack of luck.Les Urnes Utiles, which means, "The Useful Urns". Strange, enormous urns pepper the landscape.The Stupid Joke, in which Friedrich decides to stay in bed, and see what people do.The Prune People. The name says it all. No, it really does.The Tuning Fork, in which Theoda attempts suicide.
Nikkles on LibraryThing More than 1 year ago
This book contains some of the best black and white art and delightfully wicked and witty tales. A great coffee table book, and the printing is good enough that you could cut out the images and hang them on the wall.
rampaginglibrarian on LibraryThing More than 1 year ago
"Here is Gorey, doing what Gorey does best--and what only Gorey can do: droll, cracked Victorian pen-and-ink takeoffs on melodramas and primers, bicycles and divas, allegories and crime." Gorey is just my kind of artist. A wonderful Collection.
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sadie_leona More than 1 year ago
Gorey is one of the most strangest illustrators I know of. And the greatest. If you are a fan of his work, make sure to pick this one up!
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Guest More than 1 year ago
This is the best thing ever, in the world. i love his work!
Guest More than 1 year ago

One of the epiphanies of my life occurred in 1959, when, at the age of 12, I discovered a boxed set of Edward Gorey's books.

One of them was The Wuggly Ump, about a horrible monster that travels a great distance just to devour several 'innocent' children. (We know they're innocent because they eat 'wholesome bowls of bread & milk' and play harmless games.)

It was wonderful.

Not only was it nasty, it was a slap at middle-class bourgeois sensibilities. What was there not to love?